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This is a small smattering of the 800+ videos and articles (not including all the other stuff) on Tango Topics for you to watch and learn from. It’s not just the videos, but the articles that contain the most of what you need to know to elevate your dancing experience as a Lead or as a Follow. It’s not about the moves, but making the moves you have better, cleaner, and clearer!

The Basics

This is a series of articles and videos that outline the foundational materials that you’ll need to perform that are commonly used in Argentine Tango such as walking, extensions, embraces, etc. Don’t discount this, and think you don’t need to see it. You do!

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The Sacadas

This series of videos covers the Social, Simple, Back, Golden, and a few Crazy Sacadas that you can add to your dance today going forward to add a little spice.

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The Colgadas & Volcadas

This is a series of articles and videos that outline the foundational materials that you’ll need to perform that are commonly used in Argentine Tango such as walking, extensions, embraces, etc. Don’t discount this, and think you don’t need to see it. You do!

See The Videos

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A Common Colgada

What is a Colgada ? The word “Colgada” comes from the root Spanish word “Colgar” which translates to English as “Hang”. The word ‘Colgada’ is the past participle version of the verb which adds an ‘ed’ ending to the word. Which when translated to English is ‘Hanged’ or rightfully ‘Hung’. So a Colgada is where the Follower (specifically) is in a state where they’re going hang off their Lead, deliberately, or more specifically, they’re being placed in a position where they’re going to hang. And that’s where we talk about a shared axis, and more importantly balance, all of this fitting within the line and lane of dance. 

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What To Practice ?

Today when I’m working with a student, they honestly don’t want to do that kind of work. They just want the answers. “How do I …?” so I show them what to do, and then how to do it. But that starts with going right back to their foundation. If they’ve been dancing a while, they think or believe that they already know what they’re doing. And to a certain extent they do. But in reality, the fundamental elements have eluded them and they’ve ended up in a place of physical compromise for whatever reason.

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The Structure of a Song (and a Tanda).

A song in Tango (the genre, not to be confused with the entire idea of tango music), consists of 5 to 6 musical paragraphs. Those musical paragraphs are generally 6 to 8 phrases in length. Each one of those phrases is punctuated by 6 to 8 musical pause types based on the 5 Musical Pause Types of Argentine Tango music (See article).

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A Method for Tango Improvisation

The Tango Topics Method of Tango Improvisation uses extensions, dissociation/applied dissociation, and individual component movements, as well as Beat and the 5 Pause Types as the building blocks for generating a type of improvisation that can be combined with contemporary tango vocabulary to generate a dance that is easily accessible and very familiar with near-infinite possibilities!

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The Five Pause Types Methodology & Primer

The 5 Pause types are in every piece of tango music you have ever heard from the golden age. They are best described as ‘musical rests’ or a simply a ‘pause’. However unlike normal musical pauses, a Tango Pause is slight different and has very specific characteristics that makes them easily identifiable.

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The Molinete Giro Structure

The turn itself is taught to every beginner dancer, and every dancer uses this very functional and foundational turn. As this is the case, the turn is so predominant that it is the default motion for every Follower/every Lead whether they realize it or not. The moment that a Lead starts to rotate their body, the Follower will default to the Follower’s Molinete. It should be noted that the Follower’s Molinete doesn’t happen in a vacuum. It happens due to the other side of the equation: The Lead’s Giro. The Lead’s Giro and the Follower’s Molinete co-combine to create the standard turn in Argentine Tango when we talk about turns. So without more yapping, let’s dive into Today’s Tango Topic: The Molinete Giro Structure.

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Milonga Vocabulary – An Overview

When talking about Milonga, there are 2 things that have to be addressed at nearly the same time: 1.) The Musical Component. And 2.) The Vocabulary. This article addresses the Musical and then the Vocabulary. To be fair, you can do them in any order to suit a particular purpose. I have had successes with groups or individuals teaching either the Music first, and then the vocabulary, or the reverse.

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DROP ME A MSG HERE

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