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The Rock Step Ocho Cortado

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The Vocabulary That You See Constantly!

There are Eight Turns in Argentine Tango that Tango Topics has identified as Commonly used or Social Turns. There are a few others that are outside of the common eight but for the most part, accept in this moment that there are eight.

Just in case you were curious, the Eight Common Turns are in no particular order: 1.) The Follower’s Molinete/Lead’s Giro. 2.) Milonguero Turn. 3.) Rock Step. 4.) Ocho Cortado (Linear & Circular). 5.) Calesitas. 6.) Media Luna Turns.  7.) Colgada Turns. 8.) Anti-Molinete.

Today’s Tango Topic deals with two of those common eight turns and combines them into one movement so that they actually turn down the line of dance. This is an unusual vocabulary for Tango Topics to display because it is one of the very few figures that we teach/show to our Intensive Level Students (in Level 2 & 3) in the combined version that you’re seeing it here. We typically teach these as separate elements and leave it to the student, later on in their level 2 development of solving Tango Problems, to put them together as a possible solution set.

Some things to keep in mind:

In order for a Rock Step, by itself, to function as a turning element a.) there must be multiples of them, and b.) they must ‘curve’ OR there must be a resolution of some sort from one to the next element. 

In order for a Linear Ocho Cortado to be used as a turning element, the step prior to the crossing element must be rotated by the Lead, and/or the Follower’s side step must be curved or rotated slightly.

In either case, these pieces of venerable tango vocabulary are at best ‘quarter turn’ vocabulary. Meaning that they’ll only turn about 90 to 120 degrees under optimal conditions. However, combining these two turns increases the rotational from 90 to about 150 to a potential 180 degrees, under optimal conditions.

If all of that seems very technical for you, think of it this way: By themselves, they’re smaller, individual turns or rotationals. Together they have a bigger and better turning radius. Further still, it’s a kind of cool combined turn to do.

Today we’re going to explore this combination, so without further yapping, Tango Topics presents: The Rock Step & Linear Ocho Cortado!

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The Golden Sacada

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What Is A Rock Step & Linear Ocho Cortado ? First we have to be very clear, if it wasn’t clear above that these are two very different pieces of vocabulary. Very different. And they’re frequently commingled due to the fact that the opening step of the Linear Ocho Cortado (not the Circular Ocho Cortado) looks very similar to a Parallel System Rock Step without the Resolution. Secondly, we need to be clear about the difference between a Rock Step and that opening step of the Linear Ocho Cortado, which is called a ‘Check Step’.

A Rock Step, put simply, is a step where the Follower is led to stepping backwards, engaging a weight change, and then led to a rebote (rebound) into a forward step that may, as an option, resolve into another step. Usually a side or forward step. These steps can be done in Parallel System (meaning opposite feet – lead left to follower right, and lead right to follower left) or Cross System (meaning same feet – lead left to follower left, and lead right to follower right). The most common of the Rock Steps is a Parallel System Rock Step that starts with the Lead left/Follower Right and does not engage a Resolution, but rather curves a bit, about 45 degrees. Further, and lastly, it should be very clearly noted that while the language above is quite ‘passive’ as to what the Follower is being ‘led’ to do, the Follower is by no means a rag doll here or what Tango Topics calls a ‘dead fish’ in the Lead’s arms. Not by any stretch of the imagination. Nor should they be. They can, and should, when engaging in any of the 8 possible Rock Steps, own them completely and step into them with gusto!

A Linear Ocho Cortado, is an North American construct, at best. Why this idea is more prevalent in the United States and Canada is beyond Tango Topics but it is. In this version of the Ocho Cortado, the Follower is led to a Check Step, then a forward step across their Lead’s body, then a side step, and then led back to a crossing step (more on this later). It should be noted that the Follower does have some level of choice in this particular piece of vocabulary. Not just in where they step, but how the cross is executed, more on this particular element in a bit.

Ok, so now that we’ve defined what these things are, we need to combine them, and in doing so, we create a much more dynamic, and not to mention but we will anyway, a far more useful social turn than the turns are by themselves! This is the Rock Step & Linear Ocho Cortado vocabulary.

Difficulty Rating: 3 out of 5 stars (3 / 5)

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh ? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the one of the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.


bsas-prep-title

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About The Video. This video is 16m:44s in length in 9 sections. Both lead and follower technique are combined and integrated into the video.

Introduction – 00:04:48 (this is the video above)
  – Linear Ocho Cortado – 00:00:54
  – A Check Step – 00:00:13
  – A Rock Step – 00:00:23
  – Parallel System Rock Step with Resolution – 00:00:22
  – The Explanation – 00:00:53
  – The Creepy Lead Lunge No-No – 00:01:17
  – The Socially Acceptable Idea for the Rock Step – 00:00:45
The Follower’s Replacement Step – 00:01:32
The Rock Step/Linear Ocho Cortado – 00:00:54
The Cross System Version  – 00:01:54
The Open Side Version – 00:04:19

The Curving Version – 00:01:20
The Closing Ideas – 00:01:24

Related Videos Mentioned In This Article: 

The Six Ways of WalkingDownload
Close Embrace SacadasArticle/Download
The Ocho Cortado Options – Article/Download
The Circular Ocho Cortado – Article
The Argentine Rock Step – Article/Download

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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Circular Ocho Cortado

this video was free to all logged in users until 12:01 am EST. on 02/20/19

The full article & video is free to see for all registered and subscribed users until 12:01 am EST on Feb 20th, 2019.

The Circular Ocho Cortado

The Circular Ocho Cortado. First let’s get the language out of the way. The phrase “Ocho Cortado” translates from the Spanish to English like so: ‘Ocho’ translates as the number 8. ‘Cortado’ comes from the root Spanish -AR verb ‘CortAR’ which translates as the infinitive ‘to Cut’ (or to Slice). However, you’ll notice that there’s an ‘ADO’ ending on the verb, which is akin to an ‘ed’ ending of a verb in English as in ‘HelpED’ or ‘LikED’, or ‘WalkED’. It’s the past participle version of the word. 🙂 However, when you put them together the translated phrase almost makes no sense. So we have to move things around a bit for it make sense to an English speaker. So ‘8 Cut-ed’ makes absolutely no sense, however if we invert the words so that it becomes ‘Cut-ed 8’, it starts to make a bit more sense. Typically when dealing with other languages we end up having to infer the meaning. ‘Cut-ed’ in English makes no sense, however…it’s secondary meaning does, ‘SlicED’! A ’SlicED 8’ or Half of an 8! So quite rightfully an Ocho Cortado is a HalvED 8! Language lesson over….

There are two varieties of the Ocho Cortado, the Linear variety and Today’s Tango Topic: The Circular Ocho Cortado. In the case of the Linear Ocho Cortado, it really is a linear step. Meaning ? That it’s stretched out along a walking line. The vocabulary itself is really great for rounding corners, when you need to ‘cut’ a 90º corner. They’re great for musical interpretation elements. They’re great for cross play. And they’re even better when inverted! 🙂 However, the Linear Ocho Cortado is only taught in certain places. Tango Topics talks about the Linear Ocho Cortado as if it were the default Ocho Cortado. That is not the case. In other parts of the world, The Circular Ocho Cortado is the default and the Linear variety is weird one. In certain places the Linear variety is almost never taught, so you’ll never see it on a social dance floor at all. In certain places, the Circular variety is the odd man out and you’ll never see it either. So today without further adieu Tango Topics presents – The Circular Ocho Cortado. The OTHER Ocho Cortado. [Editorial Note: This site will be cleaning up the language for the Ocho Cortado in the other posts that deal with this to make the clear distinction of Linear vs. Circular.]

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Have you seen all our Argentine Turns ? We showcase 8 types of turns: 1.) The Follower’s Molinete. 2.) The Milonguero Turn. 3.) The Rock Step. 4.) The Ocho Cortado. 5.) The Walking Turn. 6.) The Calesita. 7.) The Colgada Turn. 8.) The Media Luna.

Learn > The Eight Argentine Turns

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What is a ‘Circular’ Ocho Cortado ? Put simply it is leading the Follower to a Forward Ocho. However this is a very specific kind of Ocho that we only use for teaching purposes. In this particular case, that teaching Ocho is what’s sometimes called (and this site referred to as such) a ‘Linear Forward Ocho’. They’re called that because these ochos don’t go anywhere at all, and in fact they’re done directly in front of the Lead on a line. Hence the ‘Linear’ part of it’s name. 😉 The Lead invites the Follower to a Linear Forward Ocho across their body (to the open or closed side of the embrace, usually the closed side), and then interrupts that motion to invite a change of direction, and that change of direction is the Ocho part. The ‘Cortado’ part comes from the fact that only ONE HALF or one side of the Ocho is danced. Typically an complete Ocho is both sides of the 8 or the Applied Disassociation. However in this case, only one half is done, and as a result we have a Cortado or Halved 8. What makes it Circular is the fact that the Ocho itself is the circular part. The curvature of the opening step into and out of the Ocho (the applied disassociation part) Cortado where the Follower is at first stepping next to their Lead and then back to the same position again.

Difficulty Rating: 2.5 out of 5 stars (2.5 / 5)

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Reality of WHY You Need This: There are many moves, steps, patterns, and figures to Argentine Tango that are really cool. What you may not realize is that most of that stuff is ‘fluff’, they’re nice to have, they’re nice to know, but honestly, you’re not going to use them that often! Mind you this is one side of the argument. This ain’t that! This piece is one of the more venerable selections of Argentine Tango that you will use frequently like Walking, Milonguero Ochos/Milonguero Turns, The Follower’s Molinete/Traveling Ochos, or The Argentine Cross. Tango Topics take this stuff very seriously, and we say that because we use this stuff ALL – THE – TIME! Our case is that you need this stuff because > This is all about foundation, or one of the Seven Foundation Steps that we use all the time to create the dance that we know as Argentine Tango. That’s why! 🙂 That said, you do actually need to watch this stuff. You can learn what you need from this video and then apply it. No lie. No gimmick. As always YMMV and to remember that the video itself is only a stepping stone! You will need some private lessons to go along with it to get the ‘feel’ of things. That is the reality of WHY you need this stuff. So subscribing for a few months to TangoTopics to get what we’re on about wouldn’t kill you. Further, it would probably help to hear another person saying what your current tango teacher has been saying all along. Think of this stuff as one more reminder that you absolutely need to hear.

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About The Video. This video comes in at 31m:28s in length in 9 Sections. Follower and Lead Technique is explained in the video. 

Section 1 – Follower’s Perspective – 00:12:43
Section 2 – The Difference Between Linear & Circular – 00:01:07
Section 3 – Leading Perspective – 00:03:09
Section 4 – The Open Side Circular Cortado – 00:02:44
Section 5 – The Close Embrace Version – 00:03:52
Section 6 – The Lead’s Error! – 00:01:34
Section 7 – The Lead’s Head – 00:01:34
Section 8 – Lead/Follower Footwork Detail – 00:03:41
Section 9 – Closure – 00:00:22

This video is not for sale. It is only included with a subscription package. 

this video is only included with a subscription. 😉

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

REGISTRATION COSTS YOU NOTHING

register and get more great, and detailed content from tango topics!

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Argentine Rock Steps

If you were logged in, you’d see the premium version of this Tango Topic! Just sayin’… 🙂

Argentine Rock Steps

The Argentine Rock Step is a very venerable piece of tango vocabulary it’s used quite often as a way to avoid a hazard, and infrequently as a what is primarily supposed to be used for as musical interpretation. More often than naught for a lot of people the addition of the Rock Step is where they stop developing kinesthetically. This becomes their experience, their go to move, and they don’t realize that this is the case.  So let’s talk about Today’s Tango Topic: The Argentine Rock Step.

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Have you seen the Six Ways of Walking Series ? This video series showcases the Six Ways of expanding your walk in Tango using: Parallel System Walking, Cross System Walking, Three Track Walking, ‘Lazy’ Ochos, The Snake Walks, & Alternate Walking.

Learn > The Six Ways Of Walking

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What is A Rock Step ? First let’s define what the word ‘Rock’ means. According to Webster’s Dictionary, the English word ‘Rock’ in this case is being used as a verb. It has a noun form, which means “a mass of stone”. In its verb form, it means “to sway back and forth”. Next, when we apply that idea to Dancing, a Rock Step means that you have a step that is going to go from weight transfer to weight transfer, very quickly.

An Argentine Rock Step is a little different. It refers to a very specific construct and is not swaying to from side to side, but actually weight transfer to weight transfer (usually back and forth) sometimes with a Resolution (more on that later). In a lot of ways, a ‘Rock’ Step appears to look like (operative word) as if the couple dancing is a Rocking Chair. The Argentine Rock Step is in the family of ‘Alterations’ of Tango Vocabulary. Meaning that due to a possible Resolution, the Follower’s direction (orientation) changes as a result. One more thing: There is a distinct and clear difference between an Argentine Rock Step and a Check Step and/or Incremental Step as shown in the video below:

The video above shows the difference between the two (and one possible error that happens quite frequently). A Check Step has no weight transfer forward (for the lead) and backwards (for the follower). In the case of the Rock Step there is a clear, and definitive weight transfer backwards AND THEN forwards. 🙂

Pre-Requisites: Walking. Weight Changes. Extensions. One does have to have mastered one’s walk and possess stability in their embrace without using the embrace for stabilization against their partners before they can initiate these ideas.

Difficulty Rating: 2 out of 5 stars (2 / 5)

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh ? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the one of the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.


bsas-prep-title

this video can be purchased through the tango topics store 🙂

About The Video. This video comes is 14:16 in length in ONE section broken up by markers. Both lead and follower technique are combined and integrated in the video.

Section 1 – Introduction – 00:00:48
Section 2 – Lead Technique/Follower Technique – 00:01:15
Section 3 – Side Step Resolutions – 00:02:06
Section 4 – Parallel Linear Rock Steps (Example: Close Embrace) – 00:00:20
Section 5 – Parallel Linear Rock Steps/Resolution (Example: Close Embrace) – 00:00:18
Section 6 – Cross System Rock Steps – 00:01:27
Section 7 – Cross System Resolutions – 00:02:38
Section 8 – Cross System Examples with Resolutions – 00:01:20
Section 9 – Linked Rock Steps (Multiples) – 00:01:50
Section 10 – Chained Rock Steps with Resolutions & Closure – 00:01:57.

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

REGISTRATION COSTS YOU NOTHING

register and get more great, and detailed content from tango topics!

Open post

Ocho Cortado Wrap

You should probably Register, it’s Free!!! Just saying’..it will be worth your while….

Ocho Cortado Wrap

The Linear Ocho Cortado is a venerable piece of tango vocabulary used primarily for cutting turns, adding accents to the ends of musical paragraphs, or just to add a bit more ‘fun’ to the dance. It’s great in open, fabulous in close embrace, and just delish when led and followed slowly. There’s nothing crazier than an Anti-Ocho Cortado (reversing the Cortado, lead doing the follower’s steps & the follower doing the lead’s), while going against the music as counter point. 🙂 However, far too often a fair number of Leads, and a good number of Follower overuse it as if it were going out of style and they just have to get all they can in, before the end of the Ocho Cortado. After about the 3rd time most Followers yawn and yearn for something else, a little nuance, a little spice, a little…something else. While this belief could make most Leads (the person, not the action) cop to the ‘more vocabulary is better’ philosophy that pervades most leading classes, there is another way to go here. And that’s the add nuance. The nuance in this case is today’s Tango Topic: The Ocho Cortado Wrap.

What is An Ocho Cortado Wrap ? Put simply it’s a Follower’s leg wrap….

mixed with an Ocho Cortado (the ‘Cut’ Ocho).

To be fair the Ocho Cortado is not really an Ocho, not by any stretch of the imagination, nor is it a broken one at that. It is more akin to the Follower’s Molinete more than anything else.

Difficulty Rating: Ocho Cortado: 2 out of 5 stars (2 / 5) Wrap/Enganche: 3.5 out of 5 stars (3.5 / 5)

What is an Ocho Cortado Wrap ? In it’s simplest form, and there are a few versions of this variation on a theme, it uses the Linear Ocho Cortado’s “Open” Side step as a place for an Enganche or ‘Wrap’ to occur instead of the completion step of the Corrected Cross that we would normally see.

There are a few benefits to adding a Wrap in this position, one of them is that it allows for variation to occur. More variation instead of the same-ole, same-ole. Furthermore, it also adds a bit of fun for the Follower to engage a really wonderful Wrap or Enganche to the Lead’s invocation. The Wrap component on the side step is not the only possible wrap that’s sitting there. There’s an Enganche on the Follower’s step out of the Side Step. There’s also a Lead Enganche on the step into the Ocho Cortado! Then there’s the reverse Linear Ocho Cortado where the couple would invoke a Linear Ocho Cortado only from the open side of the Embrace. 🙂 There’s also a possible back cross that can occur in either variation as the closing step.

Difficulty Rating:  3 out of 5 stars (3 / 5)

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh ? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the one of the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.


bsas-prep-title

this video can be purchased through the tango topics store 🙂

About the Video: This video comes is 21:44 in length in 14 Sections.

Section 1 – Introduction – 00:00:20
Section 2 – Ocho Cortado Review – 00:00:48
Section 3 – Lead Reminders – 00:02:22
Section 4 – Follower Reminders – 00:03:23
Section 5 – Ocho Cortado Both Roles – 00:00:23
Section 6 – The Wrap For Leads – 00:01:33
Section 7 – The Wrap for Followers – 00:01:42
Section 8 – Wrap and Cortado Together – 00:01:43
Section 9 – The Open Embrace Version – 00:00:50
Section 10 – The Close Embrace Version – 00:01:14
Section 11 – The Open Side Cortado Wrap – 00:00:40
Section 12 – Why This ? – 00:01:56
Section 13 – A Double Wrap – 00:01:53.
Section 14 – Adding a Lead Gancho – 00:01:19.
Section 15 – Closing.

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

REGISTRATION COSTS YOU NOTHING

register and get more great, and detailed content from tango topics!

Open post

Ocho Cortado Options

You should probably Register, it’s Free!!! Just saying’..it will be worth your while….

Ocho Cortado Options

Ocho Cortado. The word ‘cortado’ translates into English as ‘cut’ or cutted (which isn’t a word) or an Ocho that is Cut. In today’s version of the modern Ocho Cortado it rarely resembles its ocho variations or ocho roots. It’s no wonder when people say the words for the first few times they get a little confused and can’t see the embedded ocho properties that are sitting there. When we think of ochos, we tend to only think of BACK (Traveling) Ochos, not their forward variety which is where the confusion comes from. Further still it’s the interruption that of the ocho (hence the ‘cut’ part) that people don’t see which creates more confusion. Today’s Tango Topic takes the idea of Ocho Cortado and adds a few nuances to it that you wouldn’t ordinarily think of or consider, this particular variety of the Ocho Cortado are considered variations on a theme, or ‘Options’. Think of these ideas as what you can do with the Cortado before, during, and, after you execute one. This is nuance vocabulary, variance vocabulary. Ideas to give you a starting point to expand on and to play with. Hence today’s topic, Ocho Cortado ‘Options’.

tango is the unending onion, there’s always another layer. register & remove a layer!

Have you seen all our Argentine Turns ? We showcase 8 types of turns: 1.) The Follower’s Molinete. 2.) The Milonguero Turn. 3.) The Rock Step. 4.) The Ocho Cortado. 5.) The Walking Turn. 6.) The Calesita. 7.) The Colgada Turn. 8.) The Media Luna.

Learn > The Eight Argentine Turns

gold madness is a gold subscription & milonga madness together!

What are Ocho Cortado Options? This video is a companion piece to Ocho Cortado Wraps. In that video we deal with optional wraps or enganches within the Ocho Cortado. In this video we deal with ALL of the OTHER possible options available to a Lead or Follower with the Ocho Cortado, and in specific the LINEAR Ocho Cortado, not the Circular variety. It should be noted that video starts out with the basis for the movement itself, the Linear Ocho Cortado and then drills down to a whole host of options and opportunities for both roles.

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Reality of WHY You Need This: There are many moves, steps, patterns, and figures to Argentine Tango that are really cool. What you may not realize is that most of that stuff is ‘fluff’, they’re nice to have, they’re nice to know, but honestly, you’re not going to use them that often! Mind you this is one side of the argument. This ain’t that! This piece is one of the more venerable selections of Argentine Tango that you will use frequently like Walking, Milonguero Ochos/Milonguero Turns, The Follower’s Molinete/Traveling Ochos, or The Argentine Cross. Tango Topics take this stuff very seriously, and we say that because we use this stuff ALL – THE – TIME! Our case is that you need this stuff because > This is all about foundation, or one of the Seven Foundation Steps that we use all the time to create the dance that we know as Argentine Tango. That’s why! 🙂 That said, you do actually need to watch this stuff. You can learn what you need from this video and then apply it. No lie. No gimmick. As always YMMV and to remember that the video itself is only a stepping stone! You will need some private lessons to go along with it to get the ‘feel’ of things. That is the reality of WHY you need this stuff. So subscribing for a few months to TangoTopics to get what we’re on about wouldn’t kill you. Further, it would probably help to hear another person saying what your current tango teacher has been saying all along. Think of this stuff as one more reminder that you absolutely need to hear.

this video can be purchased through the tango topics store 🙂

About The Video. This video comes in at 14m:31s in length in 7 Sections. Both lead and follower technique is combined and integrated in the video.

Section 1 – Introduction – 00:00:18
Section 2 – Linear Ocho Cortado Review – 00:02:53
Section 3 – Entry Points – 00:01:36
Section 4 – Possible Exits – 00:03:44
Section 5 – Cortado Ideas – 00:01:46
Section 6 – Cortado Variances – 00:03:32
Section 7 – End – 00:00:12

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

REGISTRATION COSTS YOU NOTHING

register and get more great, and detailed content from tango topics!

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