Tango Topics | Exploring Your Dance

Open post

Simple Sacadas 2018

If you were logged in, you’d see the premium version of this Tango Topic! Just sayin’… 🙂

Simple Sacadas 2018

The Simple Sacada. This video has been in the works for a looooong time. It’s actually taken 4 tries over a 3 year period with 3 different partners to get anywhere close to passing what I had in mind, and it may be revised one more time, but for the time being, this is the final form of what Tango Topics calls a “Simple Sacada”.

Argentine Tango has many, many different pieces or types of vocabulary (moves, steps, patterns, and figures) that can be developed as a way to express the music in the dance, so that you see the music in visual form. One of those pieces of vocabulary is what we call a “Sacada”. You see them all the time in various forms, and probably because they’ve become commonplace you don’t pay a whole lot of attention to them of if you’re a beginner Lead, and sometimes the beginner Follower, you look at them and think “OMG that’s complicated!”. The visual of what you’re looking at is seemingly so fast, and so intricate that it just blows your mind. Today’s Tango Topic deals with what some consider to be the very first piece of vocabulary after the 7 Basic Moves of Tango. It’s the first real, seemingly intricate and complex (it’s not) tango move that we’re taught as a way to augment our dance.

So without further yapping :-), Tango Topics presents: The Simple Sacada.

Notation: There is a Simple Sacadas v3 that is still in the archive, and it can be found here, and it will stay in the archive for you to view as further reference material. 🙂 You’re welcome! 

see spot run. see spot tango. see spot register. good spot.

Have you seen any of our Sacada Videos ? If you have a want to learn how to Lead and to Follow the Argentine Sacada, then this is the video series for you. Close Embrace Sacadas? No problem. Simple Sacadas ? Yup. Back Sacadas ? You betcha! And a lot more.

See > All The Sacadas and The Ultimate Sacada Bundle

the traveling ocho eluded him. he subscribed. he’s better now.

What is a Sacada ? First, a Sacada consists of a walking step that just so happens to intersect with your partner’s walking step at the same time that they’re stepping forward, side, or back. Secondly and this part you have to keep in the back of your mind: It’s an illusion. An illusion of walking, an illusion of technique, and an illusion of execution. To put it simply the Sacada is really just a walking illusion that intersects with someone else’s walk. And that’s the part that most people are confused by. What they see is the illusion, and try to re-create the illusion instead of focusing on the part that will actually help them to get to the root of the Sacada, the walking part! Which is to say that people focus on the flash and not the substance! It’s just a step forward and side (and sometimes back, but not in Today’s Tango Topic), which is going cut through, and step very close to someone else’s step which results in a displacement of someone’s leg. The hard part for most people is the timing of that displacement, not to mention where that displacement goes. Speaking of ‘displacements’ the Sacada is in the family of Tango vocabulary that are called ‘displacements‘, and that’s because of two factors that occur: 1.) Because whoever is initiating the Sacada will take the place of the one who is receiving the Sacada. You are displacing, and sometimes being displaced. And 2.) The one who is receiving the Sacada will displace their free leg as a result of the intersection of the walk. Further down the rabbit hole, the Sacada is one of the 4 common Displacements that Tango Topics talks about which are: 1.) The Sacada. 2.) Ganchos. 3.) Boleos. 4.) Enganches or what is commonly known as an Argentine Wrap!

And just for your further edification because some people ask the question “How many types of Sacadas are there ?”. Answer: There are 22 Types of Sacadas, and a total of 501 variations of those 22 Types. And yes we have done the math, and it comes out to 501. The types, just in case you hadn’t thought about it, but we have, are as follows:

1.) Forward Sacadas (from Linear, Circular, or Over-Rotated Ochos) in Parallel & Cross System.
2.) Side Sacadas (from a Curved Side Step) in Parallel & Cross System.
3.) Back Sacadas (from Back step, or Circular or Over-Rotated Ochos) in Parallel & Cross System.
4.) Linear Sacadas (from a Linear Side Step, or Linear Forward Step) in Parallel & Cross System.
5.) Chained Sacadas (Think: Cadenas) In Parallel & Cross System.
6.) Walking Displacement Sacadas in Parallel & Cross System.
7.) Multiple Forward/Side/Back Sacadas in Parallel & Cross System.
8.) Multiple Alternate A (same foot) Sacadas (You’ll see an example of this in the Forward Sacadas section).
9.) Molinete Sacadas (from the Follower’s MolineteThe Lead’s Molinete, and/or the Anti-Molinete).
10.) Orientation Change Sacadas (See the Anti-Molinete, and/or the American Embrace).
11.) Two Footed Sacadas (jump into the sacada).

That’s 11 Types of Sacadas, and each role can perform these, so we end up with 22 Types of Sacadas. Now there are even further variations on a theme of these ideas where you can theoretically mix and match any one of these ideas with another on the list and create a hybrid of the two. However, it was late and we’d already gone through 1002 possibilities and then someone mentioned the concept of Tango Topology and that just blew everything out of the water by halving everything and so we stopped counting there … so 501, and 22 types is enough for one lifetime. 🙂

Now to the ‘Simple‘ Part. What makes it ‘Simple‘ ? The fact that we’re limiting the Sacada to two of the three basic walking steps: 1.) Side Steps. 2.) Forward Steps. The Sidestep is the more common of the two Sacadas, not the Forward. Usually, in order of precedence, it’s a.) The Lead Sacadas the Follower’s Side Step. b.) The Lead Sacadas Follower’s Forward step. c.)The Follower Sacadas the Lead’s Sidestep, and finally, d.) The Follower Sacadas the Lead’s Forward step.

Pre-Requisites: So that we’re all clear on this part, note the difficulty rating below, it is not an exaggeration! Do not attempt this stuff unless the following is true: You have mastered 1.) your walk. 2.) your stability. and 3.) your equilibrium. If you need to stabilize yourself against your partner when walking, if you need to use your hands or arms in any level of tactile compression, if you need are in the habit of watching your partner’s feet, if you are used to using resistance – compression – rigidity – tension – or force to engage your ideas, then a Simple Sacada will elude you. Or more to the point it will be painful and cause you problems going forward for any number of reasons, which has to do with your stability, your posture, and your walk! Fix those, and the Sacada will work as advertised. 😉

Difficulty Rating: 3 out of 5 stars (3 / 5)

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

FREEMIUM REGISTRATIONpractical tango advice, open articles, free videos

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.

this video can be purchased through the tango topics store 🙂

About The Video. This video is 31m:39s in length in 14 sections. Both lead and follower technique are combined and integrated into the video. Bold items below shown in video sample video above.

Introduction – 00:02:32
Follower Technique – 00:02:11
Lead Technique – 00:01:35
Sacada Clarity – 00:00:36
The Lead’s First Sacada  – 00:02:06
The Follower’s First Sacada
Parallel & Cross System Sacadas – 00:03:03
Close-up Sacada – 00:00:32
Follower Forward Step Sacadas – 00:03:03
Lead Forward Step Sacadas – 00:01:46
Multiple Forward Step Sacadas – 00:02:35
Close Embrace Simple sacadas – 00:05:38
The Close Embrace Exercise with Sacadas – 00:03:26
Simple Sacadas from the Follower’s Molinete/End – 00:01:38

Related Videos Mentioned In This Article: 

The Six Ways of WalkingDownload
Close Embrace Sacadas – Article/Download

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


FREEMIUM REGISTRATION BELOW

register for the site at no cost & get more great, and detailed content from tango topics!

 

Open post

Crossing Sacada Turn

If you were logged in, you’d see the premium version of this tango topic! Just sayin’… 🙂

see spot run. see spot tango. see spot register. good spot.

Have you seen any of our Sacada Videos ? If you have a want to learn how to Lead and to Follow the Argentine Sacada, then this is the video series for you. Close Embrace Sacadas? No problem. Simple Sacadas ? Yup. Back Sacadas ? You betcha! And a lot more.

See > All The Sacadas and The Ultimate Sacada Bundle

the traveling ocho eluded him. he subscribed. he’s better now.

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

FREEMIUM REGISTRATIONpractical tango advice, open articles, free videos

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.

The Crossing Sacada Turn

The Crossing Sacada Turn. Tango vocabulary consists of many, many different ideas that are sometimes beautiful and sometimes not. Sometimes the simplest things are really the most elegant things to watch and to experience. And sometimes, very infrequently so, when you put two ideas together something else happens that is almost magical in it’s execution, dynamic in it’s experience, and seemingly otherworldly just watching it happen within the context of the music and the dance. Today’s Tango Topic explores this idea known as “The Crossing Sacada Turn”.

this video can be purchased through the tango topics store 🙂

About The Video. This video comes in at 34m:02s in length in 13 Sections. This video contains no Follower and/or and very little Lead Technique.

Section 1 – Introduction – 00:00:52
Section 2 – Argentine Cross – The Starting Point – 00:01:32
Section 3 – The Lead’s Cross Behind – 00:02:35
Section 4 – The First Sacada – 00:01:09
Section 5 – The Follower’s Flailing Foot Error – 00:02:17
Section 6 – The Second Sacada – 00:01:32
Section 7 – The Third Sacada – 00:03:10
Section 8 – The First Complete Sacada Turn – 00:01:32
Section 9 – The Turning Brake – 00:04:08 (technique)
Section 10 – Removing The 3rd Sacada – 00:00:58
Section 11 – A Variation On A Theme – 00:03:47
Section 12 – The Close Embrace Version – 00:01:34

Section 13 – With A Metronome/Closure – 00:02:34

Related Videos Mentioned In This Article: 

The Six Ways of WalkingDownload
Simple Sacadas – Download

Close Embrace Sacadas – Article/Download
The Argentine Cross – Article/Download
The Follower’s MolineteDownload
The Self Gancho Exercise/The Self Gancho for Both Roles – Download

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


FREEMIUM REGISTRATION BELOW

register for the site at no cost & get more great, and detailed content from tango topics!

 

Open post

Close Embrace Sacadas

If you were logged in, you’d see the premium version of this Tango Topic! Just sayin’… 🙂

Close Embrace Sacadas

When we’re first starting out with Tango, both roles see the idea of a sacada as cool, flashy, or impressive. And they are until you realize one simple, but immutable, fact: They’re illusions…of walking technique. The Sacada happens due to an intersection of the Follower’s walk into the Lead’s or vice versa. At the same time, the Sacada is usually relegated to something that is done in open embrace and/or thought of as ’nuevo tangovocabulary. You can thank Gustavo Naivera, Fabian Salas, and later on “Chicho” for that one. The Sacada was around long before those three came onto the scene. It just so happens that they made it very popular. One aspect of the Sacada is while they are typically done in open embrace because of the space needed for them and certain variations of them. There is a version of them that is purely for Close Embrace, hence today’s topic: The Close Embrace Sacada!

see spot run. see spot tango. see spot register. good spot.

Have you seen any of our Sacada Videos ? If you have a want to learn how to Lead and to Follow the Argentine Sacada, then this is the video series for you. Close Embrace Sacadas? No problem. Simple Sacadas ? Yup. Back Sacadas ? You betcha! And a lot more.

See > All The Sacadas and The Ultimate Sacada Bundle

the traveling ocho eluded him. he subscribed. he’s better now.

What is a Close Embrace Sacada ? It is exactly what it sounds like. It’s a Sacada that’s done from Close Embrace. It’s a controlled displacement where either the Lead or the Follower’s leg will be displaced in a very controlled and refined way. Typically the Close Embrace Sacada is done from the Lead onto the Follower, typically.

Pre-Requisites: 1.) You must have mastered your walk first and foremost to the point where you are not using your partner (either lead or follow) for stabilization. 2.) You must be familiar with the principles of the Sacada itself. 

Difficulty Rating: 3 out of 5 stars (3 / 5)

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

FREEMIUM REGISTRATIONpractical tango advice, open articles, free videos

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.

this video can be purchased through the tango topics store 🙂

About The Video. This video is 21:45 in length in 9 Sections. Both Lead and Follow technique is co-combined. 

Overview – 00:58
Lead Technique Review – 01:05
Follower Technique Review – 00:48
Sacadas For Close Embrace Technique – 05:01
Follower’s Close Embrace Sacada – 03:41
Follower Forward Step to Lead’s Forward Step – 01:08
The Other Follower’s Forward Step – 02:05
Footwork Details – 04:48
Examples and Review – 01:38

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


FREEMIUM REGISTRATION BELOW

register for the site at no cost & get more great, and detailed content from tango topics!

 

Open post

Simple Sacadas – 2014

The Simple Sacada – 2014

The Simple Sacada – 2014

This post has been updated to reflect a more complete version of the idea.

Please visit Simple Sacadas – 2018 instead.

This item is still available in the store, get it because it does have lots of relevance towards completeness of understanding!

Thank you!

– The Management. 🙂

see spot run. see spot tango. see spot register. good spot.

Have you seen any of our Sacada Videos ? If you have a want to learn how to Lead and to Follow the Argentine Sacada, then this is the video series for you. Close Embrace Sacadas? No problem. Simple Sacadas ? Yup. Back Sacadas ? You betcha! And a lot more.

See > All The Sacadas and The Ultimate Sacada Bundle

the traveling ocho eluded him. he subscribed. he’s better now.

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


FREEMIUM REGISTRATION BELOW

register for the site at no cost & get more great, and detailed content from tango topics!

 

Sacada Foundations

Sacada Foundations

There is no doubt in anyone’s mind that the Tango Sacada is a very amazing piece of tango vocabulary. The first time I saw one, I did what most people do — “Wow!! That’s really cool!!!“. And then I went about trying to learn them. “Trying” being the operative word.

For most Leads, the Sacada represents graduation in a sense of “cool”, yes, but also that next level, the next chapter of their tango development. One accomplishment on a road to a series of accomplishments, this is the first of this class of accomplishments that says, “Cool”.

For most Followers, oddly enough, it’s the polar opposite of “Cool”. It’s “Did I get it right ?“. Their only concern is not the coolness factor but rather did they miss anything ? Did they ‘hear’ (feel) the lead properly ? Was their foot in the right place ? Their leg ? Are they hanging on their Lead ? Was their leg supposed to do that ? “Oops I’m sorry” an oft-repeated apology for doing what they were led to do (see Truism #893. Vol. 3). All hoping that it was right and that they didn’t hurt anyone, and in the end hoping that their Lead will still want to dance with them…in the beginning. Later on, as they improve, hoping that said Lead WON’T dance with them! But that is a topic for another time.

There are two immutable facts about every single Sacada known to man: 1.) The Sacada is an illusion! 2.) They’re in the the family of displacements. It’s the 2nd one that we’re interested in the most because this part usually fails in the Lead’s understanding and execution of exactly what it is that they’re trying to do. I failed at this constantly, in the beginning, failing to see this most intrinsic element that not one of my 98 teachers told me about. Not one.

When learning to Follow, I realized that the Sacada is, was nothing more than my body wanting to take the place of the Lead’s body. It just so happened that my leg would naturally want to go away from my lead because of their invasion – hence the displacement part. Proper Tango Technique taught me to do something else with that leg than just let it fly away, potentially hurting someone with my 3 inch heels!

Good thing you have access to a video that discusses all of these things in lurid detail in Sacada Foundations for both Lead and Follow, especially the proper Follower Technique part. In 7 minutes and 8 seconds you’ll learn everything you need to know about the foundation of every sacada known to man and beast. 🙂 All in HD quality with good clear sound and close-ups of every aspect of importance. Plus a free preview of Back Sacada technique for both Lead and Follow.

Scroll to top