Lead Vocabulary Exercises
Most Leads come to the dance floor with the idea in their head of what they’re going to do from the moment they come into the Embrace. This is not always true, but a good portion of the Salon, Marathon, and Encuentro Leads will already have the first few bars of music mapped out. While their dance is not entirely mapped out (tsk, tsk, tsk), the first few measures are, and this is based on the Neurology of Leading that they’ve trained themselves to do over time with experience. And from there they choreograph a dance on the fly that fits the music within the available space (again the Neurology of Leading). To the casual observer, they’re dancing fluidly. Seemingly effortlessly putting one idea behind another. However, in order to get to this stage of dancing seemingly takes a long time to do.
There is the traditional method of trial and error to achieve this way of dancing: Which is lots of endless classes/workshops on vocabulary that they’ll almost never use, to pieces of music that they’ll never hear again (thankfully), and then spending lots and lots and lots of time social dancing, and ‘practicing’ (ahem), and throwing in a few private lessons here and there for good measure, and hopefully coming out the other side a slightly improved competent social dancer, which speaks nothing to their embrace, interpretation the music, their ability to execute vocabulary, or attention to detail, or leaving their ego at the door. This is the norm of how things are done. This is ‘trial and error’ because the Lead tries things out and the results are pretty hit or miss most of the time for a variety of reasons that are nuanced to detail here (that’s another topic for another day). Also during this time period, the experience can be long, usually painful, ego-bruising process (if they’re lucky), that can take upwards of two to three years at minimum assuming travel, number of partners, distance to larger and multiple cities, level of diligence and attention to detail in multiple disciplines: Technique, Vocabulary, Musical Interpretation, Codigos, Marathon vs. Encuentro vs. Salon styles of dancing, and a host of other things with the end goal being not just a competent social dancer, but rather a competent social dancer that can freely and fluidly interpret the music with their partners, e.g. dancing fluidly.
What if we could shave off (to reduce by) a few months, maybe a year, this process, possibly cut it back to about 6 months entirely ? What if there were a series of stepping stones that could quite rightfully change how a Lead responds to the music, changes how they interpret the music, that reduces their inhibitions, their hesitations, and removes all repetition from their vocabulary choices, and removes any and all excessive usages vocabulary ? That’s where Today’s Tango Topic comes in.
There is another method that creates this series of stepping stones (no pun intended) to getting the Lead to a place where they can freely interpret the music, and freely choreograph their ideas that map their vocabulary onto the music so that it fits perfectly. These are Lead Exercises.
What is a Lead Exercise ? This is a series of linked vocabulary choices that are practiced with some frequency on a weekly basis within the construct of 2 different embrace ideas, as well as with a metronome and NOT a piece of music. The reason ? A piece of music has lots and lots of nuances that can and do throw most people off, it confuses the hell out of them. So rather than work with a specific piece of music, we work with a time signature independent of the musical nuances, or in this case…the beat and ONLY the beat with pauses every 4 or 8 notes. So put simply a Lead Exercise is not about technique in this case, but rather a series of exercises designed specifically to retrain your Leading mind to respond to the changing conditions of the floor, the changing or challenges of Leading someone, what to do next, and most importantly to fix that tiny little problem of the hesitation described below. At the same time, this series of exercise also solves two latter problems of repetition and too much vocabulary by pairing things back to simple constructs to start with, instead of complex vocabulary sequences. Which is all designed to force you to work on the transitional elements rather than remembering steps, patterns, and figures that often fail and don’t necessarily help you all that much.
Difficulty Rating: (3 / 5)
Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂
The Reality of WHY You Need This: There are many moves, steps, patterns, and figures to Argentine Tango that are really cool. What you may not realize is that most of that stuff is ‘fluff’, they’re nice to have, they’re nice to know, but honestly, you’re not going to use them that often! Mind you this is one side of the argument. This ain’t that! This piece is one of the more venerable selections of Argentine Tango that you will use frequently like Walking, Milonguero Ochos/Milonguero Turns, The Follower’s Molinete/Traveling Ochos, or The Argentine Cross. Tango Topics take this stuff very seriously, and we say that because we use this stuff ALL – THE – TIME! Our case is that you need this stuff because > This is all about foundation, or one of the Seven Foundation Steps that we use all the time to create the dance that we know as Argentine Tango. That’s why! 🙂 That said, you do actually need to watch this stuff. You can learn what you need from this video and then apply it. No lie. No gimmick. As always YMMV and to remember that the video itself is only a stepping stone! You will need some private lessons to go along with it to get the ‘feel’ of things. That is the reality of WHY you need this stuff. So subscribing for a few months to TangoTopics to get what we’re on about wouldn’t kill you. Further, it would probably help to hear another person saying what your current tango teacher has been saying all along. Think of this stuff as one more reminder that you absolutely need to hear.
About The Video. This video comes in at 21m:40s in length in 9 Sections. Lead Technique is explained here in the video. No Follower technique is explored.
Section 1 – Introduction – 00:03:04
Section 2 – Walking Into Lazy Ochos – 00:01:35
Section 3 – Walking Into Lazy Ocho – The Other Side – 00:02:05
Section 4 – Walking Into Traveling Ochos – 00:00:48
Section 5 – The ‘Dropped’ Traveling Ocho – 00:01:03
Section 6 – The Close Embrace Variations – 00:02:59
Section 7 – The ‘Practiced’ Weight Change – 00:00:38
Section 8 – The 3rd Cross System Entry – Lead Cross Behind – 00:04:05
Section 9 – The Frequencies/Closure – 00:04:42
This video cannot be purchased, at this time, and can only be seen in its entirety with a Gold or Diamond Level Subscription
The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.
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Why should you subscribe instead ? Several reasons. 1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more!
Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’ or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!
You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister. Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!
The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.
Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary.
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