All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay).  There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

However, we’re not talking about Buenos Aires, which is where you would expect this sort of thing to happen. There are other places where the ‘All Night Milonga’ concept happens. Usually in the larger metropolitan areas where going all night long is no big deal. However in smaller towns and cities….all night usually means until 2 am. Wooohooo. Yippeeeee. Ahem.

Where are these mythical beasts ? There’s one in San Francisco (Berkeley really, at The Beat), New York (Sarah La Rocca’s event), and a few other places. Sometimes these things actually do go all night, and some times not. Usually these are monthly events and not weekly, so don’t get your hopes up of it happening constantly. There are some places like Berlin (and Germany in general), Denmark, and the Netherlands that have noise ordinances that prevent a milonga from going all night (with the windows open). Why is that important ? Because you’ll be insanely hot in those places because they keep the windows closed (even in the summer time)! 🙁 Bring a change of clothes, and shoes…you’ll need it. As romantic as an ‘All Night’ Milonga sounds, these things generally produce a lot of sweat. Oh and Followers after about 2 or 3 hours in heels, you’re going to want to change into your practice shoes. Just sayin’…romantic is one thing, reality on the hand, is another. 

What classifies as an ‘All Night’ Milonga ? A milonga that closes at 5 am at minimum! That is the only really defining measure of ‘all night’, other than that it’s a milonga that goes and goes and goes and goes with all the same things. Generally these types of events tend to have a snacks table, with cakes, pies (apple pie in Berkeley), fruit, chips, wine, juice, water, and of course…COFFEE! Sometimes you’ll find Mate (pron: Mah-tay) at these things. 

It’s right about this point that you have to give a shout out to a DJ or a pair of DJs that do these things: A milonga that starts at 9 and goes until 5, that’s 8 solid hours of music! Then depending on the tanda structure either 3 or 4 songs per tanda (6 or 8 in BsAs), that’s about 6 or 7 tandas an hour (3 songs per), with at minimum 1 vals, and 1 milonga tanda, or about 21 songs per hour, or about 168+ songs in a night. And if that doesn’t sound like a lot, think about this…all of that music has to be danceable, must flow seamlessly from one idea to the next, from one tanda to the next, must cover a lot of ground and appease a lot of different styles or ideas of what is danceable, and lastly can not repeat for 8 hours straight with cortinas! Respect!

And while we’re on the subject, if you’re planning on going to a Festival, or a Marathon. Sometimes the Festival/Marathon organizers idea of all night generally means until 2 or at the latest until 3 am…and sometimes even that’s a stretch. Not all Festivals/Marathons are like that, but a good portion of them are. So for the diehards,‘all night’ might be a bit of a disappointment.

So lastly if you think you can handle an All Night Milonga, then go, test your skills. However, be warned that the spirit may be willing, but the feet on the other hand…

MORE REMINDERS

More Classes

At some point along the curve of your tango life, continuing to take classes seems like a really stupid idea. You’ve learned everything you need to know to get around the floor. Practice isn’t really that important any longer. And going to Milongas is really the important part, so who needs to practice ?

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Alternative

There is another option as it’s referred to in the Tango world, Alternative Tango. Sometimes Alternative Tango is known by it’s other names “Neo” Tango or “Nuevo” Tango (which is a misnomer, as this was name that Astor Piazzolla gave to his musical genre that changed Tango music forever). Frequently “open embrace” is lumped in there as well due to the fact that a good portion of the vocabulary of Alternative Tango seemingly comes via an opening of the embrace.

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Lethargy (Moving Too Slow)

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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Facility

Facility can be, but is not limited to, Familiarity with Vocabulary, Execution of the Vocabulary, also it’s about Balance, Equilibrium, Kinesthetic Awareness, Kinesthetic Listening, The Neurology of Leading, The Neurology of Following (which is how you respond to something from a follower’s perspective), Proprioception, and last but not least Extending Your Capabilities. We’ll get to that last one in just a bit. Two of the more common aspects of Facility are Execution and Proprioception. So let’s quickly review what Tango Topics means when it refers to these ideas…“

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Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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Snobby People

The fact is that there are snobby people everywhere. There are always going to be the ‘holier than thou’ among your local group, and really anywhere you travel. The fact is that you can’t get around them, you have to deal with them, and there is a way to do that. Ok, truthfully you could avoid them all night long if you wanted to but that doesn’t help you very much.

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1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

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5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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