The Shoe Lip

Today’s Tango Thought is a bit of Tango minutiae that seems unimportant at first, but is in reality very important actually. It is an awareness that can help you to understand why certain kinesthetic instabilities (regardless of gender) exist: A fair number of street shoes, male or female, have a thick hard leather construct known as the ‘Sole of the Shoe’. The Sole serves several purposes, one of which is to protect your feet from harm, still another (which relates to today’s thought) and secondly it’s what we call the ‘Shoe Lip’.

First the Shoe Lip acts as a stabilizing agent. When you roll too close to the 1st or 5th metatarsal (big toe and little toe respectively), the shoe lip prevents you from toppling over, it’s just enough to stop the topple, and too small to get in the way of you walking!

Secondly the Sole of the Shoe of which the Shoe Lip is a part, is about 3 to 4 millimeters in thickness. The thicker the sole is, the more it can and does inhibit your ability to ‘feel’ the sensation of your foot coming in contact with the floor, and more over what part of your foot you have placed all of your weight into and onto. The Sole of the Shoe not only prevents the aforementioned sensations but also prevents the ability to correct for it! Why ? Because if you can’t feel it, you can’t correct it. You can clearly feel the error happening due to your sensation of equilibrium, but for one reason or another you actually stop the process of alignment.

Individually these issues by themselves can create instabilities, however when you co-combine them, which typically happens, they create a heterodyning series of instabilities that becomes untenable and you become even more unstable.

To be fair, most Follower shoes (read that as ‘heels’) do not contain a lip, but they do contain an over exaggerated arch that any podiatrist will tell you is not good in the long run of say ‘2 hrs’. So while the Follower doesn’t have a Shoe Lip to contend with, they do have an Over-Exaggerated Arch that isn’t good for them, which they to have to learn to walk in (3 in heels). Or as Ginger Rogers was heard to say “I do everything that Fred (Astair) does, only  backwards and in Heels!”.

Further still, the Shoe Lip thing only happens for the male Lead. You won’t see too many Follower heels with a protruding Shoe Lip. Usually the Sole is flush with the shoe edge. Some brands of mens’s shoes do have the projected lip and an even thicker than useful sole thereby preventing them from feeling the sensation of the floor.

So what’s a good rule of thumb when selecting a shoe ? Handmade, no shoe lip, and a soft (ish) bottom sole that allows for a flexible range of motion, so that in the end you can feel the floor, learn to change, and really, correct your equilibrium issues.

MORE REMINDERS

Spectrum of Ideas.

Because there are no ‘Standards & Practices’ in Tango, therefore ‘Right’/’Wrong’ are subjective, which are for the most part, based on your teacher’s point of view of how things should be done. And as a result you, the unwitting student, take one those ideas as your own because you believe that because X is teaching that they must be the soul of all wisdom. Very infrequently do tango teachers teach a fair and balanced, or well rounded point of view. They usually teach what their subscribe to in their Tango world view, what they agree with, and what their teacher showed them. Very infrequently will they teach something that is outside that world view.

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Wine & Tango

Stop and think about something for a moment: Wine is alcohol (duh). Alcohol is a depressant, not a stimulant, it lowers our inhibitions, and ability for rational thought. It allows for us to do things while under it’s effects (inebriation) that we wouldn’t normally do. Like for instance, ‘drunk dial the ex’, or taken to the extreme – driving while intoxicated (tsk, tsk, tsk). Typically the average ‘wine’ drinker never gets beyond the tipsy stage….they can ‘hold their liquor’ as it were.

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The Seasoned Dancer

The dancer who has been dancing for a certain amount of time has passed through the multiple, multiple flirtations. They’ve had the flirtations that lead to attractions, and then the attractions that turn into dalliances, and some that go beyond that.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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Men That Don’t Study

Men. Oy. Tango is hard enough, but adding ego to the equation just creates a whole other level of issues that most women can agree is a lot like a pissing contest. Before we lay into this like white on rice: Being fair, not all men have an ego when it comes to Tango. A smaller number of them do recognize that Tango is a study. As such it requires them to do their homework, on a regular basis. And ‘homework’ in this case means private study, solo practice, solo study, musical study, on a daily basis.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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Social Dancing

Social Dancing’ means going out with friends, or to meet friends, at a Milonga, for the purpose of getting together to dance Argentine Tango (or most any other dance) better known as ‘Social Tango’. The emphasis is on the social part, and not the technical part.

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