Wine & Tango

For a lot of people, they come to tango and have their requisite glass (or two) of wine and then they dance. They walk in the room, put on their shoes and make a bee-line for the bar and order their ‘glass’ of wine. Then they proceed to sit for a tanda or two drinking it, and then they ‘dance’.

Stop and think about something for a moment: Wine is alcohol (duh). Alcohol is a depressant, not a stimulant, it lowers our inhibitions and ability for rational thought. It allows us to do things while under its effects (inebriation) that we wouldn’t normally do. Like for instance, ‘drunk dial the ex’, or taken to the extreme – driving while intoxicated (tsk, tsk, tsk). Typically the average ‘wine’ drinker never gets beyond the tipsy stage….they can ‘hold their liquor’ as it were.

One thought that passes through your mind in this ‘delighted’ state is that you ‘feel’ better as a dancer, as far as you’re concerned. From your perspective, you are a lot more ‘free’ with the music and your partners when you’ve had a glass of wine. And you might even believe that your dancing improves as a result. Ahem. That’s not the case. It’s really not. It’s a perception. Your response times go down not up, you miss crucial subliminal cues, your sensitivity drops off and you become less aware (not more) of how much pressure, tension, and force you’re using to either lead or follow your partner. And that’s just the tip of the iceberg.

This is probably something you don’t want to hear, and you’re not going to change your behavior because some web page by some obscure (ha!) tango teacher tells you that wine has a deleterious effect on the dancer. While it may ‘take the edge off’ one’s fear, apprehension, or trepidation, wine does impair your balance, which thereby affects your stability, and furthermore, it dulls the effect of hyper-awareness which is an absolute requirement to dancing to your optimum efficiency.

You may have noticed that the better dancers in the room, do not drink wine, beer, at all. Not until after they are done for the night. They’ll wait a while until they’ve had their important dances before they’ll have a beer or a glass of wine, and even then…it’s questionable.

And just so that we’re absolutely crystal clear, because someone will invariably read this and get all indignant about their drinking habits. No one is calling you alcoholic, or that you have a drinking problem, or that you feel you must respond with “I only have X# of glasses…”. No one is judging you. This topic is here to get you to think about your choices. Nothing more than that. Get a grip, facts is facts, not alternative facts, but hard cold evidence that is centuries old. Alcohol causes problems. How hard is that ?

To the Virgins, to Make Much of Time

The Tango Topics Opinion: Wine and Dancing do not mix. There are many people that will tell you the polar opposite, or say that having a glass of wine while they’re dancing, or beer, or any alcohol improves the experience for them. The medical and scientific research on the subject of wine or alcohol and anything you’re doing suffers. Why is this so hard to get ? The reason is really simple, because people like their vices. It’s that simple. Sadly. The author hasn’t had a drop of alcohol in 20 years at the time of this writing. Not because he’s an alcoholic and can’t control his liquor. No, it’s because he learned a very basic fact early on that Alcohol in any form at any level does one no good at all. It impairs one’s mental faculties, it generates a false perception of the world, and when it comes to dancing…it’s just not going to help you in any way, shape, or form.

That said.

No matter what this Tango Thought reports to you, no matter the science involved, no matter what is written here, you’re going to continue to do what you have always done because you like it, because it’s comfortable for you, and because you can. Why stop doing something if it causes no harm in the first place ? Right ? You’re right. This life is very short, so why not grab all the gusto while you can. Or as Robert Herrick in his poem ‘To the Virgins, to Make Much of Time‘, “Gather ye rosebuds while ye may….”, so why not ? Right ?

Assuming you’ve gotten this far, and assuming you haven’t throw out the baby yet, here’s a thought: Try dancing without the wine/beer and see what happens. For this to have any real effect, try it for a whole month and see what happens to your dancing as a result.

MORE REMINDERS

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Today’s Tango Thought is a bit of Tango minutiae that seems unimportant at first, but is in reality very important actually. It is an awareness that can help you to understand why certain kinesthetic instabilities (regardless of gender) exist: A fair number of street shoes, male or female, have a thick hard leather construct known as the ‘Sole of the Shoe’. The Sole serves several purposes, one of which is to protect your feet from harm, still another (which relates to today’s thought) and secondly it’s what we call the ‘Shoe Lip’.

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Why does someone enter the Tango world ? What drives them to engage in Argentine Tango ? Not what makes them stay but why do they get involved with Argentine Tango ? There are commonalities to why someone walks this pathway, no pun intended. These are distilled down to about Five Common Reasons why someone enters Tango. These are the reasons why and not the reasons why someone stays in Tango. Those are very different reasons, but rather why they started dancing in the first place.

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Facility can be, but is not limited to, Familiarity with Vocabulary, Execution of the Vocabulary, also it’s about Balance, Equilibrium, Kinesthetic Awareness, Kinesthetic Listening, The Neurology of Leading, The Neurology of Following (which is how you respond to something from a follower’s perspective), Proprioception, and last but not least Extending Your Capabilities. We’ll get to that last one in just a bit. Two of the more common aspects of Facility are Execution and Proprioception. So let’s quickly review what Tango Topics means when it refers to these ideas…“

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This post isn’t about the benefits of Following for the Male that dances, of which there are many, such as hyper awareness of all the things you do not want to do. No. Nor is this post about dancing in heels (which can be quite educational on many, many levels), nor the benefits of actually doing that work. Nor is this post about the simple fact that some men do enjoy Following quite a bit (the author included) and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Men That WANT to Follow and some pointers that you want to think about doing.

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Milan for Followers

A good spot for Followers to plan their next Tango vacation is: Milano. Why ? Several reasons. 1.) The men dress nicely for Milongas. No. It’s true. They actually dress up for Milongas. And as has said before in Vol 3. (Truism 1096), nothing screams ‘come hither’ more to a woman than a man in a tailored suit! And in this case, usually the shoes are handmade as well. 2.) Then there’s the fact that they smell nice.

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Musicality Vs. Interpretation

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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