Metatarsals

Your foot has 5 metatarsals. Where are they ? And why are they important ? First, they’re just behind the toes. Looking at your foot, you’ll see your toes, and if you feel just where the toe connects to the ‘meat’ of your foot, that connector is where the metatarsal starts. These bones believe or not take the bulk of your weight when you’re walking, running, and yes…dancing, not your toes! The toes act like microbalancing tools, but the metatarsals are taking most of the punishment of your foot impacting the floor or the surface that it’s on. There are 2 very important metatarsals in Tango Topics way of seeing the Tango world. Those 2 important Metatarsals are the first and the fifth.

The first metatarsal is one that you use all day long. This one is also the easiest of the 5 to find, it’s also the biggest. This one is the just behind the ball of your big toe, and the first phalanges, or 1st toe joint. We’re looking for the bone just behind that toe joint. This bone above all others is taking most, if not, all of your weight. The rest of your foot is actually being used as a stabilizer and to distribute the weight transfers out over a larger surface area!

The fifth metatarsal is the one where unfortunately several nasty things can and do occur! This is the bone just behind your baby toe joint. Of all the bones in your foot, this is the most fragile and the most flexible one. It’s also the one that is going to snap under the right conditions. And those conditions happen for tango dancers, especially Followers, a lot. It’s where the Follower will quite literally land their weight on the fifth metatarsal itself. This is not ideal and can result in what’s called a Dancer’s Break, quite literally, anywhere along the 5th metatarsal bone itself. It happens because the foot rolls under itself thereby ‘crushing’ and breaking the 5th metatarsal bone, instead of the weight being distributed on the first and then metered out over the remaining metatarsals. 

MORE REMINDERS

Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

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Physiological Contact

There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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Follower Bashing

All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’.

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Snobby People

The fact is that there are snobby people everywhere. There are always going to be the ‘holier than thou’ among your local group, and really anywhere you travel. The fact is that you can’t get around them, you have to deal with them, and there is a way to do that. Ok, truthfully you could avoid them all night long if you wanted to but that doesn’t help you very much.

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The Importance of Two Millimeters

Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

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