Metatarsals

Your foot has 5 metatarsals. Where are they ? And why are they important ? First, they’re just behind the toes. Looking at your foot, you’ll see your toes, and if you feel just where the toe connects to the ‘meat’ of your foot, that connector is where the metatarsal starts. These bones believe or not take the bulk of your weight when you’re walking, running, and yes…dancing, not your toes! The toes act like microbalancing tools, but the metatarsals are taking most of the punishment of your foot impacting the floor or the surface that it’s on. There are 2 very important metatarsals in Tango Topics way of seeing the Tango world. Those 2 important Metatarsals are the first and the fifth.

The first metatarsal is one that you use all day long. This one is also the easiest of the 5 to find, it’s also the biggest. This one is the just behind the ball of your big toe, and the first phalanges, or 1st toe joint. We’re looking for the bone just behind that toe joint. This bone above all others is taking most, if not, all of your weight. The rest of your foot is actually being used as a stabilizer and to distribute the weight transfers out over a larger surface area!

The fifth metatarsal is the one where unfortunately several nasty things can and do occur! This is the bone just behind your baby toe joint. Of all the bones in your foot, this is the most fragile and the most flexible one. It’s also the one that is going to snap under the right conditions. And those conditions happen for tango dancers, especially Followers, a lot. It’s where the Follower will quite literally land their weight on the fifth metatarsal itself. This is not ideal and can result in what’s called a Dancer’s Break, quite literally, anywhere along the 5th metatarsal bone itself. It happens because the foot rolls under itself thereby ‘crushing’ and breaking the 5th metatarsal bone, instead of the weight being distributed on the first and then metered out over the remaining metatarsals. 

MORE REMINDERS

Spectrum of Ideas.

Because there are no ‘Standards & Practices’ in Tango, therefore ‘Right’/’Wrong’ are subjective, which are for the most part, based on your teacher’s point of view of how things should be done. And as a result you, the unwitting student, take one those ideas as your own because you believe that because X is teaching that they must be the soul of all wisdom. Very infrequently do tango teachers teach a fair and balanced, or well rounded point of view. They usually teach what their subscribe to in their Tango world view, what they agree with, and what their teacher showed them. Very infrequently will they teach something that is outside that world view.

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

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The Male Follower

This post isn’t about the benefits of Following for the Male that dances, of which there are many, such as hyper awareness of all the things you do not want to do. No. Nor is this post about dancing in heels (which can be quite educational on many, many levels), nor the benefits of actually doing that work. Nor is this post about the simple fact that some men do enjoy Following quite a bit (the author included) and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Men That WANT to Follow and some pointers that you want to think about doing.

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On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else. Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up.

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More Classes

At some point along the curve of your tango life, continuing to take classes seems like a really stupid idea. You’ve learned everything you need to know to get around the floor. Practice isn’t really that important any longer. And going to Milongas is really the important part, so who needs to practice ?

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The Tango Haus

What’s below is a small snippet of 13m:06s audio podcast of Today’s Topic on the benefits and detractors of building community using the idea of a Tango House. “What I refer to as the Tango ‘Haus’ idea. In this case this is the German spelling of ‘HAUS’. I just like the way it sounds. But we can use the American spelling of ‘House’. So a few years back and I may be bastardizing some history here. There was a tango house, and I’m not going to name the city, that grew up out of a U.S. based city. This community, at the time had a number of teachers in its area, and they were all using the typical model of how they wanted their students to learn to dance.

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Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

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5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancing! Whereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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