Metatarsals

Your foot has 5 metatarsals. Where are they ? And why are they important ? First, they’re just behind the toes. Looking at your foot, you’ll see your toes, and if you feel just where the toe connects to the ‘meat’ of your foot, that connector is where the metatarsal starts. These bones believe or not take the bulk of your weight when you’re walking, running, and yes…dancing, not your toes! The toes act like microbalancing tools, but the metatarsals are taking most of the punishment of your foot impacting the floor or the surface that it’s on. There are 2 very important metatarsals in Tango Topics way of seeing the Tango world. Those 2 important Metatarsals are the first and the fifth.

The first metatarsal is one that you use all day long. This one is also the easiest of the 5 to find, it’s also the biggest. This one is the just behind the ball of your big toe, and the first phalanges, or 1st toe joint. We’re looking for the bone just behind that toe joint. This bone above all others is taking most, if not, all of your weight. The rest of your foot is actually being used as a stabilizer and to distribute the weight transfers out over a larger surface area!

The fifth metatarsal is the one where unfortunately several nasty things can and do occur! This is the bone just behind your baby toe joint. Of all the bones in your foot, this is the most fragile and the most flexible one. It’s also the one that is going to snap under the right conditions. And those conditions happen for tango dancers, especially Followers, a lot. It’s where the Follower will quite literally land their weight on the fifth metatarsal itself. This is not ideal and can result in what’s called a Dancer’s Break, quite literally, anywhere along the 5th metatarsal bone itself. It happens because the foot rolls under itself thereby ‘crushing’ and breaking the 5th metatarsal bone, instead of the weight being distributed on the first and then metered out over the remaining metatarsals. 

MORE REMINDERS

The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Compression

Compression’ means that you’re either pulling your partner into you and/or at the same time restricting their movements in a myriad of ways (hand, arm, head). As a Lead this typically manifests itself with your right forearm. As a Follower compression is typically done with your left forearm around your lead’s shoulder (tsk, tsk, tsk, it should not be there).  

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Spectrum of Ideas.

Because there are no ‘Standards & Practices’ in Tango, therefore ‘Right’/’Wrong’ are subjective, which are for the most part, based on your teacher’s point of view of how things should be done. And as a result you, the unwitting student, take one those ideas as your own because you believe that because X is teaching that they must be the soul of all wisdom. Very infrequently do tango teachers teach a fair and balanced, or well rounded point of view. They usually teach what their subscribe to in their Tango world view, what they agree with, and what their teacher showed them. Very infrequently will they teach something that is outside that world view.

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Tango Reputation

No matter how hard you try (positively or negatively) you’re going to acquire a ‘Tango Reputation’. Meaning ? How you engage socially, how you dance, who you dance with, how ‘good’ you are, how often you dance, if you teach, where you teach, who you teach with, whether or not (if you teach) you dance only with your students or with others, if you teach others while dancing (tsk, tsk, tsk), whether or not you dance milonga, how good your milonga skills are, whether or not you lead and follow or not.

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The Same People

You have local friends that you have acquired through the dance. They met you at a very specific point in your tango development. You’ve danced with them over and over again. You almost never say ‘no’ to them because they’re fun to dance with or they’re nice people. Over time you settle into a nice, almost comfortable routine of your dancing friends, where you’ll go to the practica or milonga,

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The Bloody Toe

The fact is that while open toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

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The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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