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Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie. Your balance, stability, and equilibrium is generated from one place only in your body: your inner ear! And where the inner ear points….the body tends to follow suit. So in effect tilting your head to either forward, either side, or back will tend to generate a state of non-equilibrium in you, and thereby you’re now leaning, and more likely hanging on your partner in a variety of Tango moves (as a Lead OR as a Follower!).

In short, the tilt of one’s head causes an orientation issue that you want to avoid. Best practice ? Lift up your head! Pretty simple. Right ? Wrong. You’re so used to doing this that you’re not even aware that you’re doing it. For Followers the practice is to tilt their heads into their lead’s shoulder and neckline (mostly it’s a height thing). For Leads it’s watching their Follower’s feet. Neither of which is desirable.

There are two other reasons why Dancer Head Tilt is an issue, aside from the aforementioned: 1.) Physiological and Kinesthetic Body Posture. 2.) Visual alignment.

1.) One’s body posture, or just posture, is the stance that you take with your own presence on the floor and how you move, and the stance that you take with your partner. By tilting your head towards or away from your partner (either as a Lead or a Follow) you are honestly, disrupting the physiological posture that we want to generate in every move, at every point along the curve of dancing with someone. By tilting one’s head you are compromising that physiological posture!

2.) This may come as a surprise but when you tilt your head consciously, or unconsciously you are breaking the visual line that you generate with your own body. Now add in to the equation that you’re breaking the line of the couple by tilting your head and you begin to see that you have a problem. We do not want to do this in any way, shape, or form.

So in short: Lift up your head! However, as was pointed out earlier. The solution is not that simple. The reason ? Ingrained habit. You will go back to tilting your head repeatedly with every step because it’s what’s comfortable for you. Keeping you head in a floating but neutral position is difficult for someone that’s never done it before. It will seem like work at first. But once you start seeing it in your posture, and start the correction process, it will take you some time to unlearn what you have learned. Warning: Fixing this issue will create other unintended issues, you will find that your balance and stability will change as a result. You will find that your motions and vocabulary will change as a result and become seemingly more difficult for a while. The reason ? Because your center point has changed. Duh! Give it some time, it will get better.

Good luck.

MORE REMINDERS

The Male Follower

This post isn’t about the benefits of Following for the Male that dances, of which there are many, such as hyper awareness of all the things you do not want to do. No. Nor is this post about dancing in heels (which can be quite educational on many, many levels), nor the benefits of actually doing that work. Nor is this post about the simple fact that some men do enjoy Following quite a bit (the author included) and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Men That WANT to Follow and some pointers that you want to think about doing.

Read More »

The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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Follower Bashing

All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’.

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Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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The ‘Passion’ Lie

“The Passion of Tango” or “Tango is a Passionate Dance”. You have heard these statements repeated over and over again, from so many people, teachers, dancers, and teacher/performers that it’s almost like second nature at this point. These statements and others like them promote an idea or a series of ideas about Argentine Tango that get people into the dance, and ultimately to stay with the dance.

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The ‘High Season’ in Buenos Aires

What is the "High Season" in Buenos Aires ? It’s the period of time between December 15th and March 15th when several things happen all at once. 1.) It’s INSANELY HOT. It should be noted that sometimes this is called the ‘hot’ season. 2.) The traveling teachers return home to practice, and to build new routines. 3.) There’s a lot of tango touristas (you). 4.) There’s a lot of seminarios that happen. 5.) Did we mention there’s a lot of people ?

Read More »

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