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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh.

However, there are some things you should realize about the Low Heel.

1.) While the High Heel gets all the attention, it’s not the healthiest thing you could do to your body. It puts undue strain on the nerves of the foot, it creates pressure for the bones for long periods of time that the foot was not designed for. The Low Heel does NOT do this. Because it’s low, the shape of the shoe and the shape of the foot, the impact of stress and pressures on the foot is far less, so therefore it stands to reason that the foot can handle the strains and pressures longer in lower heels.

2.) While the High Heel comes in all sorts of colors, shapes, sizes, and styles…the Low Heel does as well! Just because they’re low doesn’t mean that they don’t sell! They do. Quite frequently.

3.) A good low heel usually has good, if not better padding than the higher heel. This statement is subjective. The reality is that the shoes are made exactly the same way. The only difference is height of the heel and as a result the shape of the arch support. Other than that, the shoes are identical.

4.) You can learn to dance in Low Heels the same way that you dance in High Heels. Actually, truth be told, you can create a more desirable learning environment for yourself by starting out in Low Heels and then when you feel ready you can start your High Heel training. What the Low Heel does is create a stepping stone for the Follower to start their heel work so that they can make a slow, but steady transition into the Higher Heels.

5.) High Heels, Low Heels, the price is usually the same for the shoe. Don’t expect because they’re lower heels that you should pay less for the shoe. The workmanship is the same. The materials are the same. Why would you believe that you should pay less for them ?

6.) While it may sound like the Lower Heel are like training wheels, they’re not. The same work is required in High Heels as it is in Lower Heels or Flats for that matter. The techniques are exactly the same. The only difference is the balancing point, and of course your equilibrium, and learning to manage the same stuff in ever-increasing heights. So just because the heels are low to the ground does not mean that instantly everything is easier. No. It’s the same amount of work. Just a different perception of height!

7.) Believe it or not there are quite a few of the Older Milongueras that danced exclusively in lower heels because they knew they were more comfortable. Not. That’s a fallacy. The reality is that the High Heel in Tango is a recent invention. The Low Heel was the staple of Argentine Tango for DECADES! 😉

8.) The stem of the Lower Heel is usually bigger, and that tends to make the shoe slightly more heavy. However that doesn’t need to be the case. The shoe can be made with a slightly less heavy stem and still be ‘low’.

9.) The fallacy that only old ladies wear these things is just that…a fallacy.

10.) At the end of the day, it’s a shoe to put on your foot, and if it makes you comfortable and you can dance, then there’s nothing wrong with that. Don’t hate just because it’s a lower heel. Don’t judge because it’s a lower heel.

MORE REMINDERS

Tango Frustration

Contrary to what you may have heard, the reality of Tango for some people is, as a Lead as well as a Follow, is not all happy and lovely. The fact is that some of those dancers go to the Milonga knowing that they are going to sit, a lot. And that sitting leads a winding path through a host of emotions that ultimately lands them on the door step of Tango Frustration.

Read More »

Follower Bashing

All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’.

Read More »

Giving Feedback

This is probably one the most important things in Argentine Tango that you can do for yourself and the people that you dance with. Giving constructive, clear, concise, clean, direct, and most of all, honest feedback. It is what is required. While feedback is subjective, it is not personal, it’s what is going on for you in the construct of the dance, the walk, the embrace, and how someone moves in relation to you.

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Watching The Feet

Put simply – If you can see your partner’s feet while dancing with them…there’s a problem. The problem ? Well actually there are several that you’re completely unaware of, below are just a few of them….

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

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Dancing In Berlin

Berlin is known for many reasons around the world, it’s culture, it’s Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list. If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…you should go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

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The ‘Passion’ Lie

“The Passion of Tango” or “Tango is a Passionate Dance”. You have heard these statements repeated over and over again, from so many people, teachers, dancers, and teacher/performers that it’s almost like second nature at this point. These statements and others like them promote an idea or a series of ideas about Argentine Tango that get people into the dance, and ultimately to stay with the dance.

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Variation

Repetition is only good in horseshoes and hand grenades. Which is to say, that no one, absolutely no one, likes being led to the same thing over and over and over again. Variation is the key to success! Small variation, large variations that open doors to other ideas, other thoughts. But in the end, variation. Taking an idea and then reversing it, or slowing it down, speeding it up, speeding up a part of it (musically), slowing down a piece of it, taking off the beginning or the end and reversing their positions. This is variation.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

Read More »

Social Dancing

Social Dancing’ means going out with friends, or to meet friends, at a Milonga, for the purpose of getting together to dance Argentine Tango (or most any other dance) better known as ‘Social Tango’. The emphasis is on the social part, and not the technical part.

Read More »

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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