Toe vs. Heel (Follower) ?

In case you have been living under a rock, this Today’s Tango Thought is going to shock you somewhat. There is a debate that has been raging for quite some time now. The debate ? Should the Follower step forward with their heel first, or their toe first ? Better known as the Heel or Toe debate only for Followers, not for Leads as is the usual debated topic.

To be clear: This isn’t your quiet little debate either. This is one of those blood feuds that quite literally have caused ‘friends’ to stop talking for a while. Much like the 2016 American election, “how could you vote for ….”. Same thing, just without the disastrous results, depending on your point of view.

Point of credence: Before we go any further, this Thought will probably not change anyone’s mind. It may make you think, it may in fact cause further debate on the topic. Eeek! 🙂 While the author does have a very clear, and definitive, vantage point of how a Follower should step forward, it’s not up to the author to foist that belief on you. But rather to inform you that there are ideas and options that are present here. This topic may actually cause more confusion than it’s worth. The reality is that talking about it is one thing, you have to see this stuff and talk about it at the same time. While this site does have extensive video on this topic in the Follower Technique section and videos that are for sale as well as part of the subscription, and does go into both ideas below, let’s at least start first with the discussion, and move on from there. 🙂 

That said….The Debate!

The Heel Side: This side of the debate says that you can and should when stepping forward, step forward as if you were walking on the street, normally. You would use the heel in a natural heel strike. That you would and should allow for the ankle to rotate downwards, the heel to strike and take the impact, the arch to attenuate, and then metatarsals to compress and constrict, and finally the toes to articulate in their natural way, all done with very little modification. There is the exception that some talk about stretching, and extending, the toes out, and some talk about constricting them, but both discuss ‘gripping’ the floor as the weight transfer occurs.

The Toe Side: This side of the debate says that because you’re already dancing in elevated position with the heel, that you must accommodate that elevation by stepping forward (seemingly) with your toes first. The seemingly part ? That you extend out along the 5th Phalanges (the side of your baby toe). The 5th Metatarsal (the bone just above the toe) does nothing here, it’s not supporting weight at all. It’s really the side of the Phalanges that’s taking the weight momentarily, and in reality, as the weight transfer happens, and the foot rotates to accommodate the weight transfer, so that all the Metatarsals take the weight distribution. Some argue that you can and should constrict the toes as this happens. Some argue that you can’t see it, so why bother ?

Which is better ? Quite honestly Neither. They both have their place, and both are entirely situational. This logic will confound most people. Shouldn’t it be one or the other ? No. The ‘Situational’ answer is the best of both worlds, and learning to recognize that there are certain conditions under which X is better than Y. Like for instance ? If you’re stepping forwards in the Follower’s Molinete, you would employ Toe to Heel (as described above). However, you could employ Heel to Toe if the conditions allowed it be so. In another situation, say dancing Milonga, you would employ linear forward steps, so therefore, stepping Heel to Toe and not Toe to Heel! You see ? It’s situational, not constant.

But “X” Says ….  You’re going to hear a lot of ‘So-And-So’ says this or that on this topic. Or that So-And-So does this, and here’s the proof, with the requisite video. Before you jump to youtube with the links and what not. a.) What you’re watching is more than likely a performance, and performances tend to be showy (hence the reason they’re called that), so that you can see every detail from the 15th row or further back. b.) What you’re looking at is the epitome of someone’s technique on the topic. c.) This is also some one’s idea of what they’ve been taught, and then perfected to work with what they’re doing. Don’t get all wrapped up in seeing that what X said is true. It’s not That works for them, and the rest of what they’re doing. It’s not right, it’s not wrong, it’s what they’re doing. There is no right and wrong in this instance. There is only desirable, functional, clean, and clear.

Just the Facts, Ma’am: The Follower only steps forward 10 to 20% of the time. They spend most of their time going backwards, and side steps, not forwards. It almost doesn’t happen, except under certain conditions: 1.) Forward steps of the Molinete in Close or Open embrace. This is under ideal conditions a step ‘around’ their lead, not away. But generally the Follower ends up stepping away for a variety of reasons, which is not desirable but must be occur for a variety of reasons. 2.) The opening forward step of the Linear or Circular Ocho Cortado, which starts out as a Rock Step. 3.) The Forward Ocho. and 4.) Linear Milonga (which is most of Milonga). 5.) Linear Incremental/Check Steps. 6.) The last step of the Media Luna Turn. 😉 Just to name a few of the more common places where a forward step can happen. But this is again, 10 to 20% of the time. It’s not a constant. 

The reality is that you do have to do your homework and discover what works best for you, and study both ideas, as they’re worthy of study, and the study of which can and does open doors for you in ways you can only imagine now.

MORE REMINDERS

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All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’.

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Men. Oy. Tango is hard enough, but adding ego to the equation just creates a whole other level of issues that most women can agree is a lot like a pissing contest. Before we lay into this like white on rice: Being fair, not all men have an ego when it comes to Tango. A smaller number of them do recognize that Tango is a study. As such it requires them to do their homework, on a regular basis. And ‘homework’ in this case means private study, solo practice, solo study, musical study, on a daily basis.

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Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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The ‘Right’ Shoes

Some day soon, you’re going to want the perfect pair of shoes. These shoes in your mind, completes the Tango image you have for yourself dancing socially. They make you look elegant. They make you feel like you can do anything. Mind you that image is an illusion in your head, but let’s not quibble about reality. These shoes are either handmade in Italy, Istanbul, Buenos Aires, or somewhere and/or something in between. They’re the shoes you always dreamed of. They’ve got all the features that you believe will allow you to become, finally, the dancer that you’ve always wanted.

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Follower’s Left Arm

You’re going to see this, and quite honestly, from a whole swath of Followers from your run of the mill local social dancer to professional doing this. Is this desirable ? No. Why ? Several reasons. Two of the more common reasons:

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Body Contortion

A good portion of people come into the embrace, Lead or Follow, and in one way, shape, or form, contort their bodies to make the dance work while dancing, rather than employ proper technique.

Contort ? Yes. For example: As a Lead or Follow they might dance with a ‘head tilt‘ towards (buried into) or away from their partner, or as a Lead they’ll employ ‘waiter arm and hand’, or as a Follower they’ll dance in their Lead’s armpit, twisting their body to the side, and un-leveling their shoulders. This is contortion. 

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Social Dancing

Social Dancing’ means going out with friends, or to meet friends, at a Milonga, for the purpose of getting together to dance Argentine Tango (or most any other dance) better known as ‘Social Tango’. The emphasis is on the social part, and not the technical part.

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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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