The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you.

And the more that you stand in front of them, the less that they’ll see you.

You are the ‘Unseen’. 

The fact is that this is socially rude behavior in some people’s eyes, especially if you come from another social dance where everybody dances with everyone and no one ever says ‘No’. Tango is a different experience altogether, top to bottom. It’s one of those dances where you really do have to study the codígos to understand why things are done the way that they’re done so that you don’t get frustrated or pissed off. The fact is that this behavior has a purpose. Before we get to that specific purpose, there is another idea that should be mentioned in part here because they’re easily confused with each other. 

Let’s assume for the moment that you know “X”. You’ve danced with “X” previously. And you’ve been friendly with “X”. However when you see them they don’t acknowledge your presence immediately until later, after you’ve already entered the room, sat down, gotten a drink, and then perhaps danced around the room a bit with a few partners. So the acknowledgement of your presence may be a really simple thing as they didn’t see you. Quite honestly, they’re so busy with other things, that you just didn’t pop up on their radar. Depending on the size of the room, the number of people in the room this is easily the case. Especially at the more busy and popular milongas. It’s easy to miss someone for hours like this, and in fact miss them for an entire night until you both find yourselves out on the street afterwards both saying the same thing “Where were you all night long ?”. This can and does happen. 

However there is the more unpleasant side of this behavior which is that you’re deliberately being shunned, and shunned for a reason. However the only way that you’ll know what that reason is, is to ask said individual what the effing problem is, and then you’re into someone’s issues. The two behaviors look very similar to each other because it will appear as though while you recognize “X”, they don’t see you, you are The Unseen. One reason why this happens is the size of the room, still another is the volume of people in the room, still one more is that they do see you but are they’re saving you until later until they’ve gotten their ‘duty’ dances out of the way, or they’re placing you in order so that you are greeted properly and danced with properly. This may be the case, and you really have no way of knowing if you’re being shunned or not. 

So what’s the best thing you can do ?

Go about your business, dance with whomever you want to but for the love of christ, do not get up in someone’s cabeceo/mirada hoping for a dance. Acknowledge their presence and if they respond in kind, you know that everything is cool. If not, wait it out or ask “WTF ?”. Whatever works best for you. But do yourself a small favor, don’t get up in their face about it UNTIL AFTER the milonga. Don’t cause a scene, take it outside and chillax with a simple question, “Where were you ?”, and let things roll from there. To be fair if said “unseen” behavior continues to occur, then there’s some indirect ‘shunning’ going on and a few words to that effect wouldn’t kill you so that you stop having the same interaction with that person. Understand that some people, probably yourself included, have a problem with confrontation. So take it in stride, chillax, this is someoen’s experience and story that’s in their head about you. Do your best to correct that story if it’s not true, but the end result is to chillax. 🙂 YMMV.

MORE REMINDERS

Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie.

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Good/Bad & Dancer/Teacher

At the beginning of our Tango lives, most people go to a Tango Class to learn how to dance Tango. Some people throw caution to the wind and just go to the Milonga and ‘learn’ on the dance floor sometimes with positive but most of the time with disastrous results. And some people take the route of skipping group classes all together and start with one-on-one sessions to begin their Tango journey.

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Alternative

There is another option as it’s referred to in the Tango world, Alternative Tango. Sometimes Alternative Tango is known by it’s other names “Neo” Tango or “Nuevo” Tango (which is a misnomer, as this was name that Astor Piazzolla gave to his musical genre that changed Tango music forever). Frequently “open embrace” is lumped in there as well due to the fact that a good portion of the vocabulary of Alternative Tango seemingly comes via an opening of the embrace.

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Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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Men (Age)

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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Facility

“Facility can be, but is not limited to, Familiarity with Vocabulary, Execution of the Vocabulary, also it’s about Balance, Equilibrium, Kinesthetic Awareness, Kinesthetic Listening, The Neurology of Leading, The Neurology of Following (which is how you respond to something from a follower’s perspective), Proprioception, and last but not least Extending Your Capabilities. We’ll get to that last one in just a bit. Two of the more common aspects of Facility are Execution and Proprioception. So let’s quickly review what Tango Topics means when it refers to these ideas…“

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Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is fully of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancing! Whereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME A MSG HERE

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