Couples

Couples, as a pair, develop their own shorthand for communicating with each other. They remark on events in their time together as ‘that time we did that thing when that thing happened, remember ?’. They invest their emotional time in each other as caring, loving (hopefully), partners that genuinely are invested in each other’s successes (hopefully). In one respect they are to each other intimates, while at the same time they see each other as support mechanisms, and so much more. 

Enter Argentine Tango. 

Unlike other social dances where you’re learning steps, patterns, figures that comprise the dance, usually from a ballroom, swing, or salsa based perspective. Tango boils itself down to a movement study of intricate complexities and minutae. Yes there are the 7 base ideas that one has to learn (forward, side, back, embraceochosturns, and crosses), but that just scratches the surface. It’s far more than that as most people discover. There are the ‘moves’ of Tango and then there is dancing Tango and one very rarely matches the other. It is the never ending onion of layer after layer after layer of further, deeper levels of technique, music, and history, all rolled into one. It’s intellectual, while at the same time, very personal. It’s kinesthetic, while at the same time, insanely musical. It’s intimate while at the same time being very social. Those first few steps that most people take is the realization that their not going to look elegant, at all, and most certainly not like what their teachers look like. Those people eventually succeed with the dance because of that perspective, it allows for lots of honesty and growth potential. Now add to the fact that Tango brings up someone’s issues, personal and physical in a myriad of different ways that is wholly unexpected. Tango magnifies those issues, and brings them to the forefront, as it mirrors life in so many ways. You can not hide anything on a social dance floor, it’s all there for anyone to see. And that’s just on a personal or individual level. 

Enter The Couple That Studies Together. 

You can see where this is going, right ? You have two people that have spent oodles of time together. They eat together, sleep together, watch TV together. One snores while the other tries not to pay attention. One chews too loud while the other puts on music to mask the annoyance. One has their head buried in their phone, while the other wonders who they fell for to begin with at times. They come to understand each other (hopefully). Their way of talking with each other is at once direct, and then again, not direct. This is the ‘short hand’ communication referenced above. And then ‘BAM’, Tango happens. 

If there were/are areas of concern in the relationship, insecurities, grievances, issues, behaviors that weren’t resolved by the time that they found Tango, all of those things will come out in the educational process, and they’ll certainly come out in the Social Dancing process. They’ll be magnified. And sometimes, not always, but sometimes that magnification process, of feeling the pressure to have fun, while at the same time trying to succeed with the dance can be very stressful on the relationship. Stressful to a breaking point, where one, not both, will eventually give up Tango for the sake of the relationship. It’s just too much.

The proverbial ‘Pink’ Elephant in the room. At the heart of any romantic relationship, especially the monogamous ones, is the belief, and really the trust that your romantic partner is going to be ‘faithful’ to you. Now add Argentine Tango into the equation and you can connect the dots on this one. Seeing a romantic partner in the arms of someone else, and then watching their face enjoying someone else that is not their intended, is hard for some people, not all, but some. Some people can detach from it and see Tango as just what it is, a movement. Some people place real, or imagined, but definitely projected insecurities into what might be very harmless fun. The ‘Pink’ Elephant in the room is the insecurity that has occurred. It’s there. You honestly can’t get away from it. You wouldn’t be human if you did. The insecurity is a fleeting thought that not only is like relatives that come for a Saturday afternoon bbq and end up staying for a week or so, but is right there in their face: Someone else is with your romantic partner in a, seemingly, intimate embrace. That’s the ‘Pink’ Elephant in the room. 

To be fair, this particular Tango Thought is not indicative of every romantic partnership that comes to Tango. It only covers a slice of the spectrum. Like for instance, it doesn’t talk about those romantic relationships that develop because of Tango or the opposite, in spite of Tango. Nor does it take into account those romantic partnerships that have succeeded in Tango without any of the ‘Pink’ Elephants. Nor does it talk about same gendered couples, or opposite aged and opposite gendered couples, nor teacher/student couple dynamics, all of which have their own very specific issues. This is particular thought only covers one slice of the full spectrum

MORE REMINDERS

Compression

‘Compression’ means that you’re either pulling your partner into you and/or at the same time restricting their movements in a myriad of ways (hand, arm, head). As a Lead this typically manifests itself with your right forearm. As a Follower compression is typically done with your left forearm around your lead’s shoulder (tsk, tsk, tsk, it should not be there).  

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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Saying ‘No’.

So without further variance, below is a 10 step process in “How to say ‘No’, and not dance with Y!” 🙂

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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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The Importance of Two Millimeters

Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else. Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up.

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Architecture

Architecture. There are certain things we want to do with our bodies in relation to Argentine Tango and Social Dancing, one of them is to ‘close our fingers’ or bring our fingers together in every possible place where we lay our hands on our partners or they come into contact with our partner’s bodies.

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Tango Frustration

Contrary to what you may have heard, the reality of Tango for some people is, as a Lead as well as a Follow, is not all happy and lovely. The fact is that some of those dancers go to the Milonga knowing that they are going to sit, a lot. And that sitting leads a winding path through a host of emotions that ultimately lands them on the door step of Tango Frustration.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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