On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else.

Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up. And with regards to Tango where you are attempting to calibrate your body to your thoughts in very precise ways, then you should, by all means necessary, be as precise with your questions, your language, and your descriptives as possible.

One phrase that is ‘tried and true’ for a lot of people is: “On My Balance”.

Stop and think about this phrase for a moment.

There’s really only one possible explanation for this phrase, right ?

Let’s try a little test ? Pick the descriptive that fits that phrase. Ready ? Go!

1.) My equilibrium is perfectly poised.

2.) I am standing upright in a way that is balanced over both feet.

3.) I am sitting, so that my spinal column is supporting me.

4.) I am over one foot and leaning to the side a bit.

5.) I am stable over both of my feet, but I am titling/breaking at the waist.

6.) My feet are firmly planted on the ground and I am tilted slightly forwards (apilado).

Would it surprise you to learn that all of those are correct, and situational ?

They are. 🙂

Truthfully using this ‘tried and true’ phrase has about as much clarity as a small kitchen appliance unplugged. Yes, yes, yes, YOU know what you meant, but does the listener ? Probably not. Not unless you confirm that they are in fact getting the message. And frequently we don’t. Furthermore we continue to use phrases like “Using my core”, or “Pushing into the floor”, or “Give me resistance”. Core ? Core of what ? Your body has several ‘core’ muscles. Do you mean your abs ? your obliques ? your psoas (both) ? Which ones ? And ‘pushing from the floor’ ? Good christ, this phrase is absolutely useless. All muscles pull, we feel the effect of gravity as a ‘push’, but the muscle is pulling, there is no ‘push’. And then we add ‘into the floor’ ? Oy.

At best, this is ‘fuzzy’ language INSTEAD OF describing what’s actually going on.

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According to Webster’s Dictionary the word ‘Proprioception’ comes from the latin word ‘proprius’ meaning “one’s own” or “individual”, and ‘capio’ or ‘capere’ meaning to take or to grasp. The word itself means a perception of one’s own body in space and time, as in the awareness of one’s body in space and time, as it refers to bodily position in space and time.

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“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went. What is it ? It’s The ‘Classy’ Move.

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Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

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There’s a row of women sitting in Moscow (usually several rows deep actually). Only these rows…are every Lead’s fantasy! Yup. Truth. Let’s get something straight. The food is awful. It’s usually effing cold anytime after september and before june. Getting in an out of Moscow (Russia) isn’t exactly a piece of cake (for an American), there are hoops to jump through (read that as VISA issues). It is not exactly cheap. And there is rampant crime in ways you can’t even begin to imagine.

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Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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You’re going to see this, and quite honestly, from a whole swath of Followers from your run of the mill local social dancer to professional doing this. Is this desirable ? No. Why ? Several reasons. Two of the more common reasons:

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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