The Bloody Toe

The fact is that while open-toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

To be clear, a Follower can have their toes injured in any number of different ways by a Lead who has not mastered Proprioception yet. And a fair number have not. How do you know ? Watch what the Lead is looking at! If they’re watching the floor/the follower’s feet…it’s a good bet that they’ve not mastered or even come close to thinking about mastering Proprioception! Failure to do that has real-world consequences as any Follower wearing open-toed shoes will tell you – the dreaded stubbed toe! 

The problem ? Is that when the Lead momentarily lifts their gaze/head from watching the Follower’s feet, to watch the line of dance, this is when an injury can and does happen. That instant is when their eye/foot coordination goes right out the window and it’s so unpracticed that they misjudge where they are in space and time….and well…BAM! Ouchie!

Worse than the stubbed toe is The ‘Bloody’ Toe! What’s that ? It’s when a Lead quite forcefully, and they’re completely unaware of it, steps into their follower’s foot line, and their shoe (usually hard leather) comes into hard or harsh contact with the Follower’s Toe Nail! Ouch. There are 2 possible results here depending on the force that was applied:

1.) Chipping the Toe Nail – This happens quite frequently and while painful, it does tend to ruin the Pedicure that said Follower had done. 🙁

2.) Lifting, and then either jamming the toenail backwards, or worse…up! That tiny little lift is just enough to either lift the nail completely off. And not only is wholly unpleasant, it’s painful as the day is long. Trust me at that point, the Follower doesn’t feel like dancing or completing the tanda. The only thing that they feel like doing is

a.) Getting off the floor and holding onto their foot.
b.) stopping the profuse amount of blood at that juncture. and
c.) Reminding themselves why they bought open-toed shoes to begin with.

There aren’t enough 🙁 emojis in the world to cover this one.

The Tango Topics Opinion. Is this a usage case for Closed Toe Shoes ? Yes. Absolutely. However, most Closed Toe shoes don’t have the sexy appeal that the Open-toed shoes have. So it’s trade-off between sexy comfort and not sexy and safety. The choice is as always yours. You do what you want with that one. But just be aware that at some point, you’re going to run into this, literally and figuratively. 🙁 To be fair, Closed Toe shoes have another detracting factor, and that’s the narrow tip of them. Meaning they tend towards a tapered narrowed closure. And quite honestly, it’s confining and compressive. Your toes eventually adjust to being so cramped but facts is facts…it’s not all that pleasant. It’s just another of the trade-offs — Safety and a modicum of comfort (‘modicum’!) vs. the risk of a chipped nail, or worse a bloody stump!

One way that you can avoid or minimize the ‘Bloody’ Toe issue is to keep an eye on the Leads who watch the floor…just say “No” when the cabeceo comes. 😉 Mind you, it is not the only way to minimize the Bloody Toe syndrome, but it’s definitely one way.

MORE REMINDERS

Practice (part 1)

For most people the idea of practice is about practicing the dancing part. Not about the actual "practicing" part. Practice really wants to take apart what one does, how one does it, while asking for feedback & input. Then asking questions, and then figuring out where things aren’t working and why, to smooth out the rough edges of something, and then continually refine, and refine, and refine it so that it becomes effortless.

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The Walking Debate

A good portion of Follower’s close their eyes while dancing. The Lead, obviously, can’t close their eyes, but they do cast their eyes towards the floor to watch their Follower’s feet (tsk, tsk, tsk). They close their eyes for a variety of reasons: 1.) To be able to concentrate better. 2.) To ‘feel’ their partner in a more ‘connected’ way. 3.) To not be so distracted by the rest of the room. 4.) To feel more intimate. 5.) To tune out.

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Dancing In Berlin

Berlin is known for many reasons around the world, it’s culture, it’s Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list. If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…you should go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Lethargy (Moving Too Slow)

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

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Physiological Contact

There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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The Follower’s Molinete

Typically referred to as ‘The Molinete’. This is the ubiquitous turn that everyone uses, even though there are 7 more that are equally as useful, it has the default turn for most dancers. The part that you should pay attention to is the second word in that phrase, ‘Follower’. This is Follower specific vocabulary. There is a Lead component to it, which is called a ‘Giro’ (translated from Spanish to English it means “I turn”) , but this is really all about the Follower.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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