Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is full of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”.

First and foremost the version of Spanish that is spoken in Buenos Aires is not necessarily Traditional Spanish, it’s a variation (an unrecognized variation – a dialect) of Spanish called ‘Castellano’. The primary difference between what you think of as Traditional Spanish and Castellano are two sounds that don’t necessarily happen in Traditional Spanish. The first is the “shh” sound which is used in place of a “y”. So the word “I”, in Traditional Spanish is “Yo”, would be pronounced “Show”. The second sound is a ‘juh’ or ‘j’ as in the word ‘jay’. In Traditional Spanish you’ll see this represented as a double ‘ll’, and it sounds like a ‘y’ as in the word ‘yes’. However in Castellano it sounds a little different. Take for instance the word Castellano, it would be pronounced “Cas-TE-Yan-oh” in Traditional Spanish. However in Buenos Aires it would be pronounced “Cas-TE-Jah-no”.

Secondly, what separates Castellano from Traditional Spanish is its pronunciation! Traditional Spanish varies wildly from country to country. However two versions of it are very ‘clean’, and that would be Panama/Costa Rica, and then Colombia. These versions of Spanish are spoken more ‘cleanly’ or closely to what one thinks of as Spanish without an accent. Castellano on the other hand sounds more like ‘Italian’ in its pronunciation more than anything else. It’s very ‘musical’, almost sing-songy. It has a unique cadence that can only be found in Buenos Aires. It’s a very soft romance language on every level. There’s nothing guttural sounding about it. It almost has a lyrical quality to it. Almost. At the same time you can’t really talk about Castellano without mentioning ‘Lunfardo’ which is the slang version of Castellano, more on that later.

Two primary characteristics of Castellano where it differs from Traditional Spanish would be the usage of Vos/Sos and Tu/Eres/Usted (2nd person singular). The usage of VOS instead of TU is very informal whereas TU/Usted is formal. Vos makes you sound casual, whereas TU/Usted makes you sound very formal.

That said, now we answer the question posed above, the answer is a qualified ‘yes’ and ‘no’.

The ‘No’ part. From a Dancing Argentine Tango perspective you don’t really need to understand the native language that the dance is built upon. It’s not going to help you to understand an Ocho any better. Really it’s not. Understanding Castellano is not going to change your ability to learn X. It’s just not. Truthfully the dance is taught in so many languages at this point that it’s should not be a surprise at all. The reality is that Tango is taught in the native language of the dance teacher and then made clear in that language. Usually English is used a secondary language for clarity. Usually. Quite honestly you could (and the author has) go from country to country and continent to continent and never learn Castellano, with the only language you need to speak being that of a Cabeceo/Mirada and then of course (Por supuesto) Argentine Tango.

The ‘Yes’ part. Yup, you absolutely do for a variety of reasons, in no particular order. 1.) It’s a sign of respect to the Native speaker and the culture that Tango comes from! 2.) Reading lyrics can be a bit more clear, and the meanings of songs made even more clear if you understand what’s being sung! However there’s a caveat to that, because the lyrics are a mixture of  ‘Lunfardo’ and Castellano and that is a whole different ball of wax in and of itself. But understanding Castellano will help to a certain extent. 3.) Being in Buenos Aires and understanding the native language while you’re dancing with X or asking for a dance (sans Cabeceo/Mirada), or chatting in between the songs with someone, or studying with Y.  and lastly 4.) Being able to navigate around the city with a Cab driver or getting on and off a Colectivo, or to speak to a service person while ordering something is absolutely crucial instead of pointing at something and waving your arms around!

To be fair learning Castellano is going to be a plus all the way around for you, there’s no downside to it. So, there’s no reason for you not to start today. A simple one to start you on your way: Change your facebook page from your native language to Spanish! That’s an eye opener! Another is by downloading the Duolingo App (ios/android) which turns learning the basics of Spanish into a very fun and engaging game that will keep you busy for hours and hours, all the while you’re learning the foundations of Spanish (for free). And if you want to go a little deeper, and really brush up your Spanish – 1.) Listen to Argentine Radio (Live) there are multiple sources online. 2.) Bueno Entonces is a good start too.  3.) An online tutor. There are tons of those. Ask around, you’ll find one.

Trust that these simple things go a long way towards you not being seen as just another Gringo/a who’s playing tango tourista and instead seen as a “Che” (sort of).

MORE REMINDERS

Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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The Non-Gender Cabeceo

What is a ’Non-Gender Cabeceo’ ? A Non-Gender Cabeceo works exactly the same way that a Gendered Cabeceo works. There’s nothing special or different about it. The practice is exactly the same regardless of Gender, or at least it should be. If same sex dancing, or role fluidity, is permitted at Milongas, Marathons, and Encuentros, then the same rules apply in a Gendered Cabeceo.

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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve.

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Body Contortion

A good portion of people come into the embrace, Lead or Follow, and in one way, shape, or form, contort their bodies to make the dance work while dancing, rather than employ proper technique.

Contort ? Yes. For example: As a Lead or Follow they might dance with a ‘head tilt‘ towards (buried into) or away from their partner, or as a Lead they’ll employ ‘waiter arm and hand’, or as a Follower they’ll dance in their Lead’s armpit, twisting their body to the side, and un-leveling their shoulders. This is contortion. 

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The Importance of Two Millimeters

Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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Compression

Compression’ means that you’re either pulling your partner into you and/or at the same time restricting their movements in a myriad of ways (hand, arm, head). As a Lead this typically manifests itself with your right forearm. As a Follower compression is typically done with your left forearm around your lead‘s shoulder (tsk, tsk, tsk, it should not be there).  

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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