Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is full of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”.

First and foremost the version of Spanish that is spoken in Buenos Aires is not necessarily Traditional Spanish, it’s a variation (an unrecognized variation – a dialect) of Spanish called ‘Castellano’. The primary difference between what you think of as Traditional Spanish and Castellano are two sounds that don’t necessarily happen in Traditional Spanish. The first is the “shh” sound which is used in place of a “y”. So the word “I”, in Traditional Spanish is “Yo”, would be pronounced “Show”. The second sound is a ‘juh’ or ‘j’ as in the word ‘jay’. In Traditional Spanish you’ll see this represented as a double ‘ll’, and it sounds like a ‘y’ as in the word ‘yes’. However in Castellano it sounds a little different. Take for instance the word Castellano, it would be pronounced “Cas-TE-Yan-oh” in Traditional Spanish. However in Buenos Aires it would be pronounced “Cas-TE-Jah-no”.

Secondly, what separates Castellano from Traditional Spanish is its pronunciation! Traditional Spanish varies wildly from country to country. However two versions of it are very ‘clean’, and that would be Panama/Costa Rica, and then Colombia. These versions of Spanish are spoken more ‘cleanly’ or closely to what one thinks of as Spanish without an accent. Castellano on the other hand sounds more like ‘Italian’ in its pronunciation more than anything else. It’s very ‘musical’, almost sing-songy. It has a unique cadence that can only be found in Buenos Aires. It’s a very soft romance language on every level. There’s nothing guttural sounding about it. It almost has a lyrical quality to it. Almost. At the same time you can’t really talk about Castellano without mentioning ‘Lunfardo’ which is the slang version of Castellano, more on that later.

Two primary characteristics of Castellano where it differs from Traditional Spanish would be the usage of Vos/Sos and Tu/Eres/Usted (2nd person singular). The usage of VOS instead of TU is very informal whereas TU/Usted is formal. Vos makes you sound casual, whereas TU/Usted makes you sound very formal.

That said, now we answer the question posed above, the answer is a qualified ‘yes’ and ‘no’.

The ‘No’ part. From a Dancing Argentine Tango perspective you don’t really need to understand the native language that the dance is built upon. It’s not going to help you to understand an Ocho any better. Really it’s not. Understanding Castellano is not going to change your ability to learn X. It’s just not. Truthfully the dance is taught in so many languages at this point that it’s should not be a surprise at all. The reality is that Tango is taught in the native language of the dance teacher and then made clear in that language. Usually English is used a secondary language for clarity. Usually. Quite honestly you could (and the author has) go from country to country and continent to continent and never learn Castellano, with the only language you need to speak being that of a Cabeceo/Mirada and then of course (Por supuesto) Argentine Tango.

The ‘Yes’ part. Yup, you absolutely do for a variety of reasons, in no particular order. 1.) It’s a sign of respect to the Native speaker and the culture that Tango comes from! 2.) Reading lyrics can be a bit more clear, and the meanings of songs made even more clear if you understand what’s being sung! However there’s a caveat to that, because the lyrics are a mixture of  ‘Lunfardo’ and Castellano and that is a whole different ball of wax in and of itself. But understanding Castellano will help to a certain extent. 3.) Being in Buenos Aires and understanding the native language while you’re dancing with X or asking for a dance (sans Cabeceo/Mirada), or chatting in between the songs with someone, or studying with Y.  and lastly 4.) Being able to navigate around the city with a Cab driver or getting on and off a Colectivo, or to speak to a service person while ordering something is absolutely crucial instead of pointing at something and waving your arms around!

To be fair learning Castellano is going to be a plus all the way around for you, there’s no downside to it. So, there’s no reason for you not to start today. A simple one to start you on your way: Change your facebook page from your native language to Spanish! That’s an eye opener! Another is by downloading the Duolingo App (ios/android) which turns learning the basics of Spanish into a very fun and engaging game that will keep you busy for hours and hours, all the while you’re learning the foundations of Spanish (for free). And if you want to go a little deeper, and really brush up your Spanish – 1.) Listen to Argentine Radio (Live) there are multiple sources online. 2.) Bueno Entonces is a good start too.  3.) An online tutor. There are tons of those. Ask around, you’ll find one.

Trust that these simple things go a long way towards you not being seen as just another Gringo/a who’s playing tango tourista and instead seen as a “Che” (sort of).

MORE REMINDERS

The Waiter Hand

Another one that you’re going to see a lot of is the Lead who places his palm upward, flat, and outwards, sometimes fingers outstretched as if they were a waiter serving drinks at an upscale bar. The elbow is dropped, and the hand is well below shoulder level.

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Couples

Couples, as a pair, develop their own shorthand for communicating with each other. They remark on events in their time together as ‘that time we did that thing when that thing happened, remember ?’. They invest their emotional time in each other as caring, loving (hopefully), partners that genuinely are invested in each other’s successes (hopefully). In one respect they are to each other intimates, while at the same time they see each other as support mechanisms, and so much more.

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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Learning The Other Side

Let’s get right to the heart of the question, "Why on earth would anyone want to learn the other side of the embrace ?". The answer to that question is actually not a singular answer, there are actually 5 good reasons why you learn the other role that you may or may not disagree with. They are as follows:

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Watching The Feet

Put simply – If you can see your partner’s feet while dancing with them…there’s a problem. The problem ? Well actually there are several that you’re completely unaware of, below are just a few of them….

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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