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The ‘Classy’ Move

Argentine Tango has a lot of wonderful vocabulary that could be called ‘Moves’. Some are very svelte, some are incredibly sexy, and some are downright amazing to the untrained eye. However, there is one move that does not require a trained eye, and doesn’t require years of training. As a matter of fact a complete beginner can master this in under 10 seconds. Sadly there are no classes or workshops on this one, except maybe this Topic.

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went.

What is it ? It’s The ‘Classy’ Move.

This is a piece of Tango vocabulary that you absolutely want to have in your arsenal, no if’s, and’s, or but’s about it.

Let’s set this up – You invite someone to dance with you, preferably employing Cabeceo. You escort them from their table (or wherever you found them) to the floor. The dance ensues, with a bit of small-talk between the songs, and then the Tanda ends. 🙁 You say, “Thank you” and your partner responds appropriately. Up to this point everything is going well, but this is where the ‘advanced’ dancer rushes off the floor leaving their partner standing there, but you however employ – The ‘Classy’ Move!

Ready ?

This is The ‘Classy’ Move: You escort your partner back to where you found them! 🙂

Tango has certain protocols that over the years have developed into it’s own thing called ‘Codigos’. It’s the way we enter the room, ask for dances, figure out where to sit, who to talk to and why, this is the social aspect of the dance called ‘Codigos’ or the Codes of the Dance.

Sadly The ‘Classy’ Move is not taught, shown, or reinforced at all. And as a result of that lack of social knowledge you have whole generations of dancers that just rush onto and off the floor looking for their next partner, leaving their current partners standing there. In polite society, this is considered rude behavior. Codigos solves those nasty social problems that we typically create in our rush to get what we want. We can still get what we want, with elegance, and decorum, while looking fabulous doing it!

Escorting your partner from the floor – The Single Classiest Move in Tango.

And just so that we’re clear, if this sounds like the Tango Police, or claptrap, or arrogance, or as if you’re being dictated to, then you’re missing the point of the Topic. Which is ? To remind you that Tango is not about the moves, steps, patterns, or figures, or even the music, it’s about the Social aspect of the dance. Hence the reason it’s called a ‘Social Dance’. And that means treating people with respect, not rubbernecking and rushing from one dance to the next.

One More Thing: Some people will see a very typical male lead/female follower dynamic in this post. Meaning that ‘men’ are the perpetrators of this Tango ‘Crime’. 🙂 This is not case. This is not a man thing, it’s a people thing. Women do this too for a variety of reasons. So let’s not gender bash here, it’s not necessary, or warranted. This is a people thing.

A piece of this post was originally part of Tango Truisms Volume 3 – 1076. It has been updated a lot from the original post.

MORE REMINDERS

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You’re going to see this, and quite honestly, from a whole swath of Followers from your run of the mill local social dancer to professional doing this. Is this desirable ? No. Why ? Several reasons. Two of the more common reasons:

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is fully of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”

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The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Couples

Couples, as a pair, develop their own shorthand for communicating with each other. They remark on events in their time together as ‘that time we did that thing when that thing happened, remember ?’. They invest their emotional time in each other as caring, loving (hopefully), partners that genuinely are invested in each other’s successes (hopefully). In one respect they are to each other intimates, while at the same time they see each other as support mechanisms, and so much more.

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La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

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Tango Cities

Today’s Tango Thought covers a labor of Tantalus … where is Tango danced and in what cities ? What follows is by no means an exhaustive list of places where tango is danced, it only scratches the surface.

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Snobby People

The fact is that there are snobby people everywhere. There are always going to be the ‘holier than thou’ among your local group, and really anywhere you travel. The fact is that you can’t get around them, you have to deal with them, and there is a way to do that. Ok, truthfully you could avoid them all night long if you wanted to but that doesn’t help you very much.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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