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The ‘Classy’ Move

Argentine Tango has a lot of wonderful vocabulary that could be called ‘Moves’. Some are very svelte, some are incredibly sexy, and some are downright amazing to the untrained eye. However, there is one move that does not require a trained eye, and doesn’t require years of training. As a matter of fact a complete beginner can master this in under 10 seconds. Sadly there are no classes or workshops on this one, except maybe this Topic.

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went.

What is it ? It’s The ‘Classy’ Move.

This is a piece of Tango vocabulary that you absolutely want to have in your arsenal, no if’s, and’s, or but’s about it.

Let’s set this up – You invite someone to dance with you, preferably employing Cabeceo. You escort them from their table (or wherever you found them) to the floor. The dance ensues, with a bit of small-talk between the songs, and then the Tanda ends. 🙁 You say, “Thank you” and your partner responds appropriately. Up to this point everything is going well, but this is where the ‘advanced’ dancer rushes off the floor leaving their partner standing there, but you however employ – The ‘Classy’ Move!

Ready ?

This is The ‘Classy’ Move: You escort your partner back to where you found them! 🙂

Tango has certain protocols that over the years have developed into it’s own thing called ‘Codigos’. It’s the way we enter the room, ask for dances, figure out where to sit, who to talk to and why, this is the social aspect of the dance called ‘Codigos’ or the Codes of the Dance.

Sadly The ‘Classy’ Move is not taught, shown, or reinforced at all. And as a result of that lack of social knowledge you have whole generations of dancers that just rush onto and off the floor looking for their next partner, leaving their current partners standing there. In polite society, this is considered rude behavior. Codigos solves those nasty social problems that we typically create in our rush to get what we want. We can still get what we want, with elegance, and decorum, while looking fabulous doing it!

Escorting your partner from the floor – The Single Classiest Move in Tango.

And just so that we’re clear, if this sounds like the Tango Police, or claptrap, or arrogance, or as if you’re being dictated to, then you’re missing the point of the Topic. Which is ? To remind you that Tango is not about the moves, steps, patterns, or figures, or even the music, it’s about the Social aspect of the dance. Hence the reason it’s called a ‘Social Dance’. And that means treating people with respect, not rubbernecking and rushing from one dance to the next.

One More Thing: Some people will see a very typical male lead/female follower dynamic in this post. Meaning that ‘men’ are the perpetrators of this Tango ‘Crime’. 🙂 This is not case. This is not a man thing, it’s a people thing. Women do this too for a variety of reasons. So let’s not gender bash here, it’s not necessary, or warranted. This is a people thing.

A piece of this post was originally part of Tango Truisms Volume 3 – 1076. It has been updated a lot from the original post.

MORE REMINDERS

The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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Compression

Compression’ means that you’re either pulling your partner into you and/or at the same time restricting their movements in a myriad of ways (hand, arm, head). As a Lead this typically manifests itself with your right forearm. As a Follower compression is typically done with your left forearm around your lead‘s shoulder (tsk, tsk, tsk, it should not be there).  

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Lethargy (Moving Too Slow)

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

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Musicality Vs. Interpretation

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Proprioception

According to Webster’s Dictionary the word ‘Proprioception’ comes from the latin word ‘proprius’ meaning “one’s own” or “individual”, and ‘capio’ or ‘capere’ meaning to take or to grasp. The word itself means a perception of one’s own body in space and time, as in the awareness of one’s body in space and time, as it refers to bodily position in space and time.

Read More »

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1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

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5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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