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The ‘Classy’ Move

Argentine Tango has a lot of wonderful vocabulary that could be called ‘Moves’. Some are very svelte, some are incredibly sexy, and some are downright amazing to the untrained eye. However, there is one move that does not require a trained eye, and doesn’t require years of training. As a matter of fact a complete beginner can master this in under 10 seconds. Sadly there are no classes or workshops on this one, except maybe this Topic.

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went.

What is it ? It’s The ‘Classy’ Move.

This is a piece of Tango vocabulary that you absolutely want to have in your arsenal, no if’s, and’s, or but’s about it.

Let’s set this up – You invite someone to dance with you, preferably employing Cabeceo. You escort them from their table (or wherever you found them) to the floor. The dance ensues, with a bit of small-talk between the songs, and then the Tanda ends. 🙁 You say, “Thank you” and your partner responds appropriately. Up to this point everything is going well, but this is where the ‘advanced’ dancer rushes off the floor leaving their partner standing there, but you however employ – The ‘Classy’ Move!

Ready ?

This is The ‘Classy’ Move: You escort your partner back to where you found them! 🙂

Tango has certain protocols that over the years have developed into it’s own thing called ‘Codigos’. It’s the way we enter the room, ask for dances, figure out where to sit, who to talk to and why, this is the social aspect of the dance called ‘Codigos’ or the Codes of the Dance.

Sadly The ‘Classy’ Move is not taught, shown, or reinforced at all. And as a result of that lack of social knowledge you have whole generations of dancers that just rush onto and off the floor looking for their next partner, leaving their current partners standing there. In polite society, this is considered rude behavior. Codigos solves those nasty social problems that we typically create in our rush to get what we want. We can still get what we want, with elegance, and decorum, while looking fabulous doing it!

Escorting your partner from the floor – The Single Classiest Move in Tango.

And just so that we’re clear, if this sounds like the Tango Police, or claptrap, or arrogance, or as if you’re being dictated to, then you’re missing the point of the Topic. Which is ? To remind you that Tango is not about the moves, steps, patterns, or figures, or even the music, it’s about the Social aspect of the dance. Hence the reason it’s called a ‘Social Dance’. And that means treating people with respect, not rubbernecking and rushing from one dance to the next.

One More Thing: Some people will see a very typical male lead/female follower dynamic in this post. Meaning that ‘men’ are the perpetrators of this Tango ‘Crime’. 🙂 This is not case. This is not a man thing, it’s a people thing. Women do this too for a variety of reasons. So let’s not gender bash here, it’s not necessary, or warranted. This is a people thing.

A piece of this post was originally part of Tango Truisms Volume 3 – 1076. It has been updated a lot from the original post.

MORE REMINDERS

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A good portion of Follower’s close their eyes while dancing. The Lead, obviously, can’t close their eyes, but they do cast their eyes towards the floor to watch their Follower’s feet (tsk, tsk, tsk). They close their eyes for a variety of reasons: 1.) To be able to concentrate better. 2.) To ‘feel’ their partner in a more ‘connected’ way. 3.) To not be so distracted by the rest of the room. 4.) To feel more intimate. 5.) To tune out.

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Facility

Facility can be, but is not limited to, Familiarity with Vocabulary, Execution of the Vocabulary, also it’s about Balance, Equilibrium, Kinesthetic Awareness, Kinesthetic Listening, The Neurology of Leading, The Neurology of Following (which is how you respond to something from a follower’s perspective), Proprioception, and last but not least Extending Your Capabilities. We’ll get to that last one in just a bit. Two of the more common aspects of Facility are Execution and Proprioception. So let’s quickly review what Tango Topics means when it refers to these ideas…“

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The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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Tango Cities

Today’s Tango Thought covers a labor of Tantalus … where is Tango danced and in what cities ? What follows is by no means an exhaustive list of places where tango is danced, it only scratches the surface.

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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