Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is full of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”.

First and foremost the version of Spanish that is spoken in Buenos Aires is not necessarily Traditional Spanish, it’s a variation (an unrecognized variation – a dialect) of Spanish called ‘Castellano’. The primary difference between what you think of as Traditional Spanish and Castellano are two sounds that don’t necessarily happen in Traditional Spanish. The first is the “shh” sound which is used in place of a “y”. So the word “I”, in Traditional Spanish is “Yo”, would be pronounced “Show”. The second sound is a ‘juh’ or ‘j’ as in the word ‘jay’. In Traditional Spanish you’ll see this represented as a double ‘ll’, and it sounds like a ‘y’ as in the word ‘yes’. However in Castellano it sounds a little different. Take for instance the word Castellano, it would be pronounced “Cas-TE-Yan-oh” in Traditional Spanish. However in Buenos Aires it would be pronounced “Cas-TE-Jah-no”.

Secondly, what separates Castellano from Traditional Spanish is its pronunciation! Traditional Spanish varies wildly from country to country. However two versions of it are very ‘clean’, and that would be Panama/Costa Rica, and then Colombia. These versions of Spanish are spoken more ‘cleanly’ or closely to what one thinks of as Spanish without an accent. Castellano on the other hand sounds more like ‘Italian’ in its pronunciation more than anything else. It’s very ‘musical’, almost sing-songy. It has a unique cadence that can only be found in Buenos Aires. It’s a very soft romance language on every level. There’s nothing guttural sounding about it. It almost has a lyrical quality to it. Almost. At the same time you can’t really talk about Castellano without mentioning ‘Lunfardo’ which is the slang version of Castellano, more on that later.

Two primary characteristics of Castellano where it differs from Traditional Spanish would be the usage of Vos/Sos and Tu/Eres/Usted (2nd person singular). The usage of VOS instead of TU is very informal whereas TU/Usted is formal. Vos makes you sound casual, whereas TU/Usted makes you sound very formal.

That said, now we answer the question posed above, the answer is a qualified ‘yes’ and ‘no’.

The ‘No’ part. From a Dancing Argentine Tango perspective you don’t really need to understand the native language that the dance is built upon. It’s not going to help you to understand an Ocho any better. Really it’s not. Understanding Castellano is not going to change your ability to learn X. It’s just not. Truthfully the dance is taught in so many languages at this point that it’s should not be a surprise at all. The reality is that Tango is taught in the native language of the dance teacher and then made clear in that language. Usually English is used a secondary language for clarity. Usually. Quite honestly you could (and the author has) go from country to country and continent to continent and never learn Castellano, with the only language you need to speak being that of a Cabeceo/Mirada and then of course (Por supuesto) Argentine Tango.

The ‘Yes’ part. Yup, you absolutely do for a variety of reasons, in no particular order. 1.) It’s a sign of respect to the Native speaker and the culture that Tango comes from! 2.) Reading lyrics can be a bit more clear, and the meanings of songs made even more clear if you understand what’s being sung! However there’s a caveat to that, because the lyrics are a mixture of  ‘Lunfardo’ and Castellano and that is a whole different ball of wax in and of itself. But understanding Castellano will help to a certain extent. 3.) Being in Buenos Aires and understanding the native language while you’re dancing with X or asking for a dance (sans Cabeceo/Mirada), or chatting in between the songs with someone, or studying with Y.  and lastly 4.) Being able to navigate around the city with a Cab driver or getting on and off a Colectivo, or to speak to a service person while ordering something is absolutely crucial instead of pointing at something and waving your arms around!

To be fair learning Castellano is going to be a plus all the way around for you, there’s no downside to it. So, there’s no reason for you not to start today. A simple one to start you on your way: Change your facebook page from your native language to Spanish! That’s an eye opener! Another is by downloading the Duolingo App (ios/android) which turns learning the basics of Spanish into a very fun and engaging game that will keep you busy for hours and hours, all the while you’re learning the foundations of Spanish (for free). And if you want to go a little deeper, and really brush up your Spanish – 1.) Listen to Argentine Radio (Live) there are multiple sources online. 2.) Bueno Entonces is a good start too.  3.) An online tutor. There are tons of those. Ask around, you’ll find one.

Trust that these simple things go a long way towards you not being seen as just another Gringo/a who’s playing tango tourista and instead seen as a “Che” (sort of).

MORE REMINDERS

Rejection

What follows relates to the verbal ask for a dance and the rejection, this thought does not talk about the reject from a failed cabeceo or mirada. Let’s lay out some facts before we get to the heart of this stuff. Fact: The ask, no matter how ‘sly’ you think you’re being, is going to be awkward.

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Follower Bashing

All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’.

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Tango Cities

Today’s Tango Thought covers a labor of Tantalus … where is Tango danced and in what cities ? What follows is by no means an exhaustive list of places where tango is danced, it only scratches the surface.

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Tango Improvement

You say the words, “I want to get better”. You mouth them as you watch the latest performance tango video on youtube. While at the same time, the thought flashes in your mind that you should schedule a private or two with X. ‘X’ being the local variant that teaches what you ‘believe in’. This teacher is also the one that you have gone to before and from your perspective has ‘helped’ you.

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All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay). There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME A MSG HERE

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