On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else.

Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up. And with regards to Tango where you are attempting to calibrate your body to your thoughts in very precise ways, then you should, by all means necessary, be as precise with your questions, your language, and your descriptives as possible.

One phrase that is ‘tried and true’ for a lot of people is: “On My Balance”.

Stop and think about this phrase for a moment.

There’s really only one possible explanation for this phrase, right ?

Let’s try a little test ? Pick the descriptive that fits that phrase. Ready ? Go!

1.) My equilibrium is perfectly poised.

2.) I am standing upright in a way that is balanced over both feet.

3.) I am sitting, so that my spinal column is supporting me.

4.) I am over one foot and leaning to the side a bit.

5.) I am stable over both of my feet, but I am titling/breaking at the waist.

6.) My feet are firmly planted on the ground and I am tilted slightly forwards (apilado).

Would it surprise you to learn that all of those are correct, and situational ?

They are. 🙂

Truthfully using this ‘tried and true’ phrase has about as much clarity as a small kitchen appliance unplugged. Yes, yes, yes, YOU know what you meant, but does the listener ? Probably not. Not unless you confirm that they are in fact getting the message. And frequently we don’t. Furthermore we continue to use phrases like “Using my core”, or “Pushing into the floor”, or “Give me resistance”. Core ? Core of what ? Your body has several ‘core’ muscles. Do you mean your abs ? your obliques ? your psoas (both) ? Which ones ? And ‘pushing from the floor’ ? Good christ, this phrase is absolutely useless. All muscles pull, we feel the effect of gravity as a ‘push’, but the muscle is pulling, there is no ‘push’. And then we add ‘into the floor’ ? Oy.

At best, this is ‘fuzzy’ language INSTEAD OF describing what’s actually going on.

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Another one that you’re going to see a lot of is the Lead who places his palm upward, flat, and outwards, sometimes fingers outstretched as if they were a waiter serving drinks at an upscale bar. The elbow is dropped, and the hand is well below shoulder level.

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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Control is a really hard thing to get. It takes a while to have precise, or precision, control over exact foot placement, which is insanely important. It takes time to build up the necessary minute control that one needs to have over one’s body. A millimeter here, a millimeter there, cumulatively, can make all the difference between a dance that sucks (for both parties) and one that is absolutely fabulous. Precision control is where all the toys are at.

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There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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The ‘Passion’ Lie

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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DROP ME A MSG HERE

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