On My Balance

Frequently with Argentine Tango we use language that we think is descriptive of what we’re doing but in actual fact is either not that or so far from the mark it is more confusing than anything else.

Before we go any further, it is possible that in reading this that you may not see the issue at all. That you know what the speaker meant, and that’s the important part, right. Wrong. That’s the problem right there. The inference. If you have to infer that X or Y is occurring then there’s far too much ‘wiggle’ room for errors in understanding to crop up. And with regards to Tango where you are attempting to calibrate your body to your thoughts in very precise ways, then you should, by all means necessary, be as precise with your questions, your language, and your descriptives as possible.

One phrase that is ‘tried and true’ for a lot of people is: “On My Balance”.

Stop and think about this phrase for a moment.

There’s really only one possible explanation for this phrase, right ?

Let’s try a little test ? Pick the descriptive that fits that phrase. Ready ? Go!

1.) My equilibrium is perfectly poised.

2.) I am standing upright in a way that is balanced over both feet.

3.) I am sitting, so that my spinal column is supporting me.

4.) I am over one foot and leaning to the side a bit.

5.) I am stable over both of my feet, but I am titling/breaking at the waist.

6.) My feet are firmly planted on the ground and I am tilted slightly forwards (apilado).

Would it surprise you to learn that all of those are correct, and situational ?

They are. 🙂

Truthfully using this ‘tried and true’ phrase has about as much clarity as a small kitchen appliance unplugged. Yes, yes, yes, YOU know what you meant, but does the listener ? Probably not. Not unless you confirm that they are in fact getting the message. And frequently we don’t. Furthermore we continue to use phrases like “Using my core”, or “Pushing into the floor”, or “Give me resistance”. Core ? Core of what ? Your body has several ‘core’ muscles. Do you mean your abs ? your obliques ? your psoas (both) ? Which ones ? And ‘pushing from the floor’ ? Good christ, this phrase is absolutely useless. All muscles pull, we feel the effect of gravity as a ‘push’, but the muscle is pulling, there is no ‘push’. And then we add ‘into the floor’ ? Oy.

At best, this is ‘fuzzy’ language INSTEAD OF describing what’s actually going on.

MORE REMINDERS

Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is fully of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”

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Lethargy (Moving Too Slow)

Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was received. and b.) way in which it is done (the real speed issue). Note what’s missing from this definition, the roles of the dance! There is no blame in this definition. None what so ever. However, that is seemingly about to change. It’s not, but your perception of it will until you get to the end.

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Getting To Buenos Aires

You’ve been dancing for a while, and you keep seeing these posts about Buenos Aires. Your dream has slowly developed to go to Buenos Aires, to experience for yourself what all the fuss is about. First there’s the dancing, you’ve heard it’s the best. There’s the shoes! OMG the shoes. Then there are friends that have been and rave about teacher X or Milonga Y. You’ve see the videos of performances at Salon Canning (but didn’t know it was Salon Canning), the pictures from Milongas, and thought to yourself that it didn’t look all that challenging than your local milonga there are just more people. You’ve heard that Spanish isn’t necessarily a requirement because there’s a lot of foreigners that speak English, and a good portion of the teachers speak it too. So you if you went, you wouldn’t really need to learn Spanish. 

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Waiting vs. Listening

What is Waiting Vs. Listening ? In it’s simplest form this comparison deals with the axiom of Followers are told to "Wait for your L/lead", and instead implies that there is another idea sitting there that almost never gets talked about and in today’s Tango world almost never gets used, which is "Listening".

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The ‘High Season’ in Buenos Aires

What is the "High Season" in Buenos Aires ? It’s the period of time between December 15th and March 15th when several things happen all at once. 1.) It’s INSANELY HOT. It should be noted that sometimes this is called the ‘hot’ season. 2.) The traveling teachers return home to practice, and to build new routines. 3.) There’s a lot of tango touristas (you). 4.) There’s a lot of seminarios that happen. 5.) Did we mention there’s a lot of people ?

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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