Musicality Vs. Interpretation

What you’re about to read is a very radical concept for some people, one that will cause you to reject it out of hand, until you dig a little deeper and discover the why part. So radical in fact that you’ll dismiss it as the crackpot rantings of a delusional madman who’s delivering ‘alternative facts’ in Conway fashion.

The statement ? There is no such thing as ‘Musicality’ in Argentine Tango.

To be clear. Yes, there is a word in the English Oxford Dictionary which is defined as “Musical Talent or Sensitivity”. However, as you can see, with regards to Argentine Tango, one thing does not mean what it has come to mean when we reference this word. Essentially we have bastardized this word to come to mean something entirely different than it’s English dictionary cognate.

So what do we really mean ? “To place Argentine Tango vocabulary, sequences, patterns, and figures, in time to the musical beat, pauses, and phrases of a particular song so as to create, or convey another level of meaning of the song that is either not in the song literal or is implied directly in its emotional context”.

Hmmmm…does that sound like ‘Musicality’ to you ? Or perhaps something else…

Enter, the literal definition of the word ‘Interpretation’ which means, “the action of explaining the meaning of something.” or “a stylistic representation of a creative work”.

Hmmmmm….gosh, doesn’t that sound more like the definition of ‘Musicality’ than anything else ?

So what we’re really doing is actually ‘Interpreting The Music’. How’s that ? If you consider for a moment that when you are dancing, regardless of level, you are constantly listening to what’s happening in the music, making navigational changes (regardless of role), which in turn affect your vocabulary/patterns/steps/figure choices, which in turn affects how and when you can execute anything. That entire process of affectation is Interpretation.

You’re going to ask yourself, “Who the frak cares if it’s ‘interpretation’ or ‘musicality’ ? It all means the same thing, right ? Well, actually, you should. Here’s why: When you stop and think about it, when you’re talking to someone and use the word ‘Musicality’, what do you think comes to their mind ? Any one of a dozen different ideas ranging from its literal definition above, to possible vocabulary choices, or a specific figure, or dancing milonga, or, or, or….you see where this is going right ? Lots and lots of places for confusion. Instead, if we employ the phrase “Interpreting The Music” it creates a state of absolute clarity with your language and what you intend to mean. Further still, it also gives you creative license to keep doing what you’re doing because you’re ‘Interpreting The Music’ the way you hear it. Stating ‘Musicality’ as ‘Interpretation’ removes all doubt of your intent. This is why there is a need to be crystal clear with our verbiage/language here. When describing what we’re working on, or what we want to work on, or how we would like to dance, or describing a problem that we’re having, wouldn’t it be better to be precise than to be vague ? 

MORE REMINDERS

Getting To Buenos Aires

You’ve been dancing for a while, and you keep seeing these posts about Buenos Aires. Your dream has slowly developed to go to Buenos Aires, to experience for yourself what all the fuss is about. First there’s the dancing, you’ve heard it’s the best. There’s the shoes! OMG the shoes. Then there are friends that have been and rave about teacher X or Milonga Y. You’ve see the videos of performances at Salon Canning (but didn’t know it was Salon Canning), the pictures from Milongas, and thought to yourself that it didn’t look all that challenging than your local milonga there are just more people. You’ve heard that Spanish isn’t necessarily a requirement because there’s a lot of foreigners that speak English, and a good portion of the teachers speak it too. So you if you went, you wouldn’t really need to learn Spanish. 

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The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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The Walking Debate

A good portion of Follower’s close their eyes while dancing. The Lead, obviously, can’t close their eyes, but they do cast their eyes towards the floor to watch their Follower’s feet (tsk, tsk, tsk). They close their eyes for a variety of reasons: 1.) To be able to concentrate better. 2.) To ‘feel’ their partner in a more ‘connected’ way. 3.) To not be so distracted by the rest of the room. 4.) To feel more intimate. 5.) To tune out.

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Lead Bashing

Bashing ? Meaning that you’re throwin’ some shade, picking on, pointing out the errors of, giving some shit, pointing fingers at, trash talking, talk down, blaming and shaming, and the euphemistic UK’ism “taking the piss”. While that last one is more about making fun of someone, that’s not actually what this idea is all about. It’s about disparaging someone, or in this case, from a Tango perspective, the L/lead’s abilities (the person, and the action).

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Architecture

Architecture. There are certain things we want to do with our bodies in relation to Argentine Tango and Social Dancing, one of them is to ‘close our fingers’ or bring our fingers together in every possible place where we lay our hands on our partners or they come into contact with our partner’s bodies.

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Going to El Corte ?

The words "El Corte" translated to English from Spanish literally means ‘Cut, Court, or Edge’. However, in the Tango world the word has another meaning: Nijmegen, The Netherlands. What’s in/at Nijmegen ? A dance studio of certain renown: El Corte! Think of El Corte as one of your GoTo destinations. Assuming you want to experience a quality of dance in an environment that is at once fun, and at the same time entirely engaging on multiple levels. Caveat: You do need to have your sh*t together if you visit, while at the same time you must be willing and open to a whole different way of looking at the dance (again, on multiple levels).

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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