Cake!

Today’s #Tango Thought 077: Tango Cities.

Today’s Tango Thought covers a labor of Tantalus … where is Tango danced and in what cities ? What follows is by no means an exhaustive list of places where tango is danced, it only scratches the surface.

At one point in time or another there has been a concerted directive to classify, and qualify, and quantify the number of cities/places where Tango is danced, where you can get information (because you’re traveling near there and want to know if there’s dancing), or who or where you can study to learn how (smart idea). However a global tango information resource seems like a dream, there have been many, many efforts to do just that. And each of them has failed for any one of a variety of reasons. 🙁

Follow the links of the city name and you’ll be directed to a facebook group.

Subscribe and ask your questions there.

This list will be updated as time goes by, so check back, and share this will everyone you know. Also If you are a facebook page organizer for a particular city that’s not on this list, please comment below with a link to your page and city name. Thanks.

The City List:

New York, San Francisco, San Diego, Los Angeles, Houston, Miami, Paris, London, Berlin, Moscow, Tokyo, China, Prague, Rome, Athens, Zurich, Helsinki, Copenhagen,  Shanghai, Hong Kong, Brisbane, Sydney, Melbourne, Frankfurt, Lincoln, Colorado, Vienna, Perth, Budapest, Bucharest, Minsk, Chicago, Austin, Stockholm, Portland, Oslo, Amsterdam, New Orleans, Nijmegen – El Corte, Brussels, Munich, Milan, Malta, Madrid, Lisbon, Toronto, St. Louis, Mexico City, Hawaii, Just to name and tag a few. For Buenos Aires Milongas, see ‘Hoy Milonga’. (note: some cities have multiple groups, the ones with the largest group of members was chosen) #SocialTango #SocialDance #ArgentineTango#TangoDancing

076: Salon Canning | 078: Mens’s Shoes 

see more tango thoughts – share: bit.ly/thought-077

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MORE REMINDERS

The Row of Women That Sit

They’re at every milonga in the world (with an exception or two – Russia & Asia). Every. Milonga. THAT row of women, of a certain age, and a certain disposition, that for a few valid reasons (pretty or not) who are sitting, and not by choice. Most have been sitting for more than an hour or two.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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5 Reasons

Why does someone enter the Tango world ? What drives them to engage in Argentine Tango ? Not what makes them stay but why do they get involved with Argentine Tango ? There are commonalities to why someone walks this pathway, no pun intended. These are distilled down to about Five Common Reasons why someone enters Tango. These are the reasons why and not the reasons why someone stays in Tango. Those are very different reasons, but rather why they started dancing in the first place.

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The Non-Gender Cabeceo

What is a ’Non-Gender Cabeceo’ ? A Non-Gender Cabeceo works exactly the same way that a Gendered Cabeceo works. There’s nothing special or different about it. The practice is exactly the same regardless of Gender, or at least it should be. If same sex dancing, or role fluidity, is permitted at Milongas, Marathons, and Encuentros, then the same rules apply in a Gendered Cabeceo.

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Heel vs. Toe (Lead) ?

Today’s Thought is a very old debate with a twist, as you’ll soon see. The Debate ? To step forward (or side) with a Heel strike first OR a Toe point first. So let’s debate, shall we ? The Heel Side: This side of the debate says that you can and should, when stepping forward, step forward as if you were walking on the street, normally. You would use the heel in a natural way, allowing it to strike the pavement or the floor (in the case of dancing) as you would normally. There’s nothing about this idea that is new. This is something that you don’t necessarily need to learn a whole lot about, as it just ‘happens’. There’s not a lot to it really.

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Physiological Contact

There is one aspect of The ‘Connection’ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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