Moscow For Leads

There’s a row of women sitting in Moscow (usually several rows deep actually). Only these rows…are every Lead’s fantasy! Yup. Truth. Let’s get something straight. The food is awful. It’s usually effing cold anytime after september and before june. Getting in an out of Moscow (Russia) isn’t exactly a piece of cake (for an American), there are hoops to jump through (read that as VISA issues). It is not exactly cheap. And there is rampant crime in ways you can’t even begin to imagine. Remember it’s ‘democratic’ society … cough, cough, cough…(read that as authoritarian regime). Aside from all of that ? Once you get past all of that stuff, and you’ve gotten into the Milonga scene, you will never, ever, want to leave, or go anywhere else for a long, long, long while and that includes Buenos Aires! Why ? The row of women that are sitting!

There’s a reason why those women are sitting. And it’s not because of the usual reasons. It’s because there aren’t enough men to lead them. And if you’re thinking they’re sitting because they’re less than desirable Followers to dance with….ummmm think again! There’s something about the Russian thought process that you need to understand, it’s this: 1.) They accept the fact that they suck. They sucked yesterday. They suck today. They’ll suck tomorrow. Whereas westerners ? “When do I get to do that cool move that I saw in that tango video ?”. 2.) Russian Followers they work on their walk. “Walk, Walk, Walk, Walk, Walk, Walk, Walk….etc” Over and over and over. They spend years just working on the near infinite aspects of the walk in lurid detail. It is a desire to perfect their walk, to work on it in ever increasing levels of clarity. These two aspects combined, a near constant state of acceptance of suckage AND working on their walk in infinite detail, creates the one thing that is absolutely required for any dancer to succeed: Tango takes time, and this whole walking business, which most westerners discard as rubbish, is kind of important. So by the time you get these Followers on the floor, they already have a deeply invested attitude in perfecting their walk. Which makes them oooooodles of fun to dance with in ways you can not even begin to imagine! Especially in Milonga!

So that row of women sitting ? Go down the line, one by one, and it will be a cornucopia of dervish delights that will inspire, thrill, awe, and more than likely tantalize you to try the next and the next and the next. Trust that it will not be the chore of dread that you might suspect, it will be the question of why didn’t you do this sooner ? You’re welcome!

Oh and one more thing: This is a room full of women that love, love, love Milonga. LOVE IT! This isn’t so much of a Follower thing, it’s a Russian thing. So if you go, have your milonga act together! You can not go to Moscow and not have your Milonga together. That’s just not going to get you what you want. These are some of the world’s best Milonga dancers you will ever run across. So either you dance the shit out of Milonga…or you don’t. If you don’t, then here’s two words for you: private lessons!

MORE REMINDERS

The Row of Men That Stand

There’s that row of men that stand at every milonga. They hover. They waver from side to side. They stand with their arms crossed. All by themselves. They never sit, and they seemingly never dance. There’s usually a row of them, more than 3 or 4. And no matter what happens, you almost never see them dance. There’s a reason for that. It’s because a good portion of the better Followers in the room has had a less than desirable experience with them.

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

Read More »

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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