The ‘Right’ Shoes

Some day soon, you’re going to want the perfect pair of shoes.  These shoes in your mind, completes the Tango image you have for yourself dancing socially. They make you look elegant. They make you feel like you can do anything. Mind you that image is an illusion in your head, but let’s not quibble about reality. These shoes are either handmade in Italy, Istanbul, Buenos Aires, or somewhere and/or something in between. They’re the shoes you always dreamed of. They’ve got all the features that you believe will allow you to become, finally, the dancer that you’ve always wanted.

The Reality ? The shoes really don’t matter at all! It’s the skill inside them that matters the most. Work on that, instead of the 200.00 you just spent on a pair of shoes you can’t wear because you haven’t learned how to walk yet! 

Put another way, a good number of people (women & men) are sold a bill of goods when they start dancing that they must have ‘the right shoes’ in order to dance, when that’s not the case at all. If you’re learning to dance at a studio, they’re trying to make money by selling you as much stuff as is humanly possible, and you don’t know any better. So the shoe is just one high priced ticket item, that sucks you in and keeps you coming back. The fact is that you need to learn how to walk first and foremost, and that’s not something you’re going to get in 5 minutes (it’s not) but slowly over time, as you retrain your body to do something that is wholly unfamiliar to you. And the shoe, actually, truthfully, honestly gets in the way of that happening for a variety of reasons. 

To be fair there is something to be said for comfort and finding the right pair of shoes that do not hurt your feet. However, that is for a later topic. 

Do you need shoes right now ? No. Eventually, yes you will…well not really – a pair of socks will do the job just fine until you get your foundation clean/r/ed (that’s the ‘walking’ business above). But eventually you’re going to want to go dancing and not look like a social misfit because you’re in socks, so you’ll want an actual pair of shoes! Honestly though, you really don’t need them, socks or street shoes work just fine, or socks over street shoes. 🙂 However a pair of Comme Il Faut (which had a reputation of being desirable, the company was sold a while back, and the quality isn’t what it used to be – the world has moved on to Madame Pivot actually), or something like that, are just a pair of shoes. To be clear, no matter whom you’ve seen wearing the latest brand of ‘hot shoes’ and the things that those people do in those shoes, it’s not the shoes…it’s the skill set in the shoe – that person! That human being has sweat in front of a mirror for hours, weeks, months, years at a time. Working on refining over and over and over again their ‘technique’. The shoes ? They mean nothing. Don’t miss-hear that as shoe bashing. That shoes aren’t pretty and shouldn’t be worn. No. That is not true. They should be, eventually, but not at the beginning, and certainly not until you have mastered your foundation (which is going to take awhile). Save your pennies (euros, rubles, etc), focus on your technique, focus on practicing (solo practice, and exercises) on a daily basis, focus on actual social dancing. That’s where the real skill lay, not in the shoe. The shoe is an illusion and only an extension of what is inside of you.

MORE REMINDERS

Watching The Feet

Put simply – If you can see your partner’s feet while dancing with them…there’s a problem. The problem ? Well actually there are several that you’re completely unaware of, below are just a few of them….

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Giving Feedback

This is probably one the most important things in Argentine Tango that you can do for yourself and the people that you dance with. Giving constructive, clear, concise, clean, direct, and most of all, honest feedback. It is what is required. While feedback is subjective, it is not personal, it’s what is going on for you in the construct of the dance, the walk, the embrace, and how someone moves in relation to you.

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Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour and pointing out all your flaws with very little actual correction instead of focusing on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

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Architecture

Architecture. There are certain things we want to do with our bodies in relation to Argentine Tango and Social Dancing, one of them is to ‘close our fingers’ or bring our fingers together in every possible place where we lay our hands on our partners or they come into contact with our partner’s bodies.

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The Shoe Lip

Today’s Tango Thought is a bit of Tango minutiae that seems unimportant at first, but is in reality very important actually. It is an awareness that can help you to understand why certain kinesthetic instabilities (regardless of gender) exist: A fair number of street shoes, male or female, have a thick hard leather construct known as the ‘Sole of the Shoe’. The Sole serves several purposes, one of which is to protect your feet from harm, still another (which relates to today’s thought) and secondly it’s what we call the ‘Shoe Lip’.

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Lead Bashing

Bashing ? Meaning that you’re throwin’ some shade, picking on, pointing out the errors of, giving some shit, pointing fingers at, trash talking, talk down, blaming and shaming, and the euphemistic UK’ism “taking the piss”. While that last one is more about making fun of someone, that’s not actually what this idea is all about. It’s about disparaging someone, or in this case, from a Tango perspective, the L/lead’s abilities (the person, and the action).

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The ‘High Season’ in Buenos Aires

What is the "High Season" in Buenos Aires ? It’s the period of time between December 15th and March 15th when several things happen all at once. 1.) It’s INSANELY HOT. It should be noted that sometimes this is called the ‘hot’ season. 2.) The traveling teachers return home to practice, and to build new routines. 3.) There’s a lot of tango touristas (you). 4.) There’s a lot of seminarios that happen. 5.) Did we mention there’s a lot of people ?

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Couples

Couples, as a pair, develop their own shorthand for communicating with each other. They remark on events in their time together as ‘that time we did that thing when that thing happened, remember ?’. They invest their emotional time in each other as caring, loving (hopefully), partners that genuinely are invested in each other’s successes (hopefully). In one respect they are to each other intimates, while at the same time they see each other as support mechanisms, and so much more.

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Musicality Vs. Interpretation

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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