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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh.

However, there are some things you should realize about the Low Heel.

1.) While the High Heel gets all the attention, it’s not the healthiest thing you could do to your body. It puts undue strain on the nerves of the foot, it creates pressure for the bones for long periods of time that the foot was not designed for. The Low Heel does NOT do this. Because it’s low, the shape of the shoe and the shape of the foot, the impact of stress and pressures on the foot is far less, so therefore it stands to reason that the foot can handle the strains and pressures longer in lower heels.

2.) While the High Heel comes in all sorts of colors, shapes, sizes, and styles…the Low Heel does as well! Just because they’re low doesn’t mean that they don’t sell! They do. Quite frequently.

3.) A good low heel usually has good, if not better padding than the higher heel. This statement is subjective. The reality is that the shoes are made exactly the same way. The only difference is height of the heel and as a result the shape of the arch support. Other than that, the shoes are identical.

4.) You can learn to dance in Low Heels the same way that you dance in High Heels. Actually, truth be told, you can create a more desirable learning environment for yourself by starting out in Low Heels and then when you feel ready you can start your High Heel training. What the Low Heel does is create a stepping stone for the Follower to start their heel work so that they can make a slow, but steady transition into the Higher Heels.

5.) High Heels, Low Heels, the price is usually the same for the shoe. Don’t expect because they’re lower heels that you should pay less for the shoe. The workmanship is the same. The materials are the same. Why would you believe that you should pay less for them ?

6.) While it may sound like the Lower Heel are like training wheels, they’re not. The same work is required in High Heels as it is in Lower Heels or Flats for that matter. The techniques are exactly the same. The only difference is the balancing point, and of course your equilibrium, and learning to manage the same stuff in ever-increasing heights. So just because the heels are low to the ground does not mean that instantly everything is easier. No. It’s the same amount of work. Just a different perception of height!

7.) Believe it or not there are quite a few of the Older Milongueras that danced exclusively in lower heels because they knew they were more comfortable. Not. That’s a fallacy. The reality is that the High Heel in Tango is a recent invention. The Low Heel was the staple of Argentine Tango for DECADES! 😉

8.) The stem of the Lower Heel is usually bigger, and that tends to make the shoe slightly more heavy. However that doesn’t need to be the case. The shoe can be made with a slightly less heavy stem and still be ‘low’.

9.) The fallacy that only old ladies wear these things is just that…a fallacy.

10.) At the end of the day, it’s a shoe to put on your foot, and if it makes you comfortable and you can dance, then there’s nothing wrong with that. Don’t hate just because it’s a lower heel. Don’t judge because it’s a lower heel.

MORE REMINDERS

La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

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The Bloody Toe

The fact is that while open toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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The Seasoned Dancer

The dancer who has been dancing for a certain amount of time has passed through the multiple, multiple flirtations. They’ve had the flirtations that lead to attractions, and then the attractions that turn into dalliances, and some that go beyond that.

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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Dancing In Berlin

Berlin is known for many reasons around the world, it’s culture, it’s Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list. If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…you should go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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