The Bloody Toe

The fact is that while open-toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

To be clear, a Follower can have their toes injured in any number of different ways by a Lead who has not mastered Proprioception yet. And a fair number have not. How do you know ? Watch what the Lead is looking at! If they’re watching the floor/the follower’s feet…it’s a good bet that they’ve not mastered or even come close to thinking about mastering Proprioception! Failure to do that has real-world consequences as any Follower wearing open-toed shoes will tell you – the dreaded stubbed toe! 

The problem ? Is that when the Lead momentarily lifts their gaze/head from watching the Follower’s feet, to watch the line of dance, this is when an injury can and does happen. That instant is when their eye/foot coordination goes right out the window and it’s so unpracticed that they misjudge where they are in space and time….and well…BAM! Ouchie!

Worse than the stubbed toe is The ‘Bloody’ Toe! What’s that ? It’s when a Lead quite forcefully, and they’re completely unaware of it, steps into their follower’s foot line, and their shoe (usually hard leather) comes into hard or harsh contact with the Follower’s Toe Nail! Ouch. There are 2 possible results here depending on the force that was applied:

1.) Chipping the Toe Nail – This happens quite frequently and while painful, it does tend to ruin the Pedicure that said Follower had done. 🙁

2.) Lifting, and then either jamming the toenail backwards, or worse…up! That tiny little lift is just enough to either lift the nail completely off. And not only is wholly unpleasant, it’s painful as the day is long. Trust me at that point, the Follower doesn’t feel like dancing or completing the tanda. The only thing that they feel like doing is

a.) Getting off the floor and holding onto their foot.
b.) stopping the profuse amount of blood at that juncture. and
c.) Reminding themselves why they bought open-toed shoes to begin with.

There aren’t enough 🙁 emojis in the world to cover this one.

The Tango Topics Opinion. Is this a usage case for Closed Toe Shoes ? Yes. Absolutely. However, most Closed Toe shoes don’t have the sexy appeal that the Open-toed shoes have. So it’s trade-off between sexy comfort and not sexy and safety. The choice is as always yours. You do what you want with that one. But just be aware that at some point, you’re going to run into this, literally and figuratively. 🙁 To be fair, Closed Toe shoes have another detracting factor, and that’s the narrow tip of them. Meaning they tend towards a tapered narrowed closure. And quite honestly, it’s confining and compressive. Your toes eventually adjust to being so cramped but facts is facts…it’s not all that pleasant. It’s just another of the trade-offs — Safety and a modicum of comfort (‘modicum’!) vs. the risk of a chipped nail, or worse a bloody stump!

One way that you can avoid or minimize the ‘Bloody’ Toe issue is to keep an eye on the Leads who watch the floor…just say “No” when the cabeceo comes. 😉 Mind you, it is not the only way to minimize the Bloody Toe syndrome, but it’s definitely one way.

MORE REMINDERS

The Non-Gender Cabeceo

What is a ’Non-Gender Cabeceo’ ? A Non-Gender Cabeceo works exactly the same way that a Gendered Cabeceo works. There’s nothing special or different about it. The practice is exactly the same regardless of Gender, or at least it should be. If same sex dancing, or role fluidity, is permitted at Milongas, Marathons, and Encuentros, then the same rules apply in a Gendered Cabeceo.

Read More »

Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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Tango Frustration

Contrary to what you may have heard, the reality of Tango for some people is, as a Lead as well as a Follow, is not all happy and lovely. The fact is that some of those dancers go to the Milonga knowing that they are going to sit, a lot. And that sitting leads a winding path through a host of emotions that ultimately lands them on the door step of Tango Frustration.

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Couple Exercises

There are lots of really good tango exercises for your feet, your balance, your stability, but there aren’t so many for the couple to practice. Or so you would think. The really obvious ones are 1.) The Molinete Together Exercise. 2.) The No Arms Exercise. and  3.) The Walk Together Exercise.

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The Waiter Hand

Another one that you’re going to see a lot of is the Lead who places his palm upward, flat, and outwards, sometimes fingers outstretched as if they were a waiter serving drinks at an upscale bar. The elbow is dropped, and the hand is well below shoulder level.

Read More »

Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

Read More »

Practice (Part 8)

The question of what to practice for most dancers is really simple. The belief is that you should practice ‘dancing’. And this is not always the case. To be fair, while Tango does require a neurological adjustment on multiple levels which can only be attained from actual dancing – this is called ‘the neurology of dancing’, this is a given. However, in order to get to that place where refinements can actually occur in one’s dance, one has to practice, and that practice is not, so that we’re clear, with a partner, it is individually or solo practice.

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

Read More »

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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