Dancing In Berlin

Berlin, as in Berlin, Germany is known for many reasons around the world, its culture, its Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list.  If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…go to Berlin you should, mmmm yes Berlin, go young padawan, you must go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

You’re going to ask a question “Why are we talking about ‘X’ city ? I don’t care about X. I want to know where tango is danced locally!” Why ? Well for one reason because you do need to travel. The more that you travel, the more diverse you become as a dancer, and versatility is one of the key components to become a better and very desirable dancer! Secondly, at some point you or someone you know is going to want to venture beyond your circle of milongas, to go to what seem like far away places. So it’s good to have an on the ground assessment of what you might find there. This is the quick and dirty assessment of Tango in Berlin, or if you’re looking for other international cities and need information, this is a becoming a good resource of facebook groups -> Tango Cities.

This Tango thought should be presented with a warning right up front: If you’ve been dancing for about 20 minutes in your local scene and you think or believe you’re ‘good’. Think again. Berlin is a whole different animal on multiple levels. It is not for the faint of heart. You have to be on your game otherwise you’re going to sit. It’s that simple. It doesn’t mean that you have to be the best of the best of the best. It just means, that when you get there you’ll see why we are saying this now. You’ll see all manner of clean, clear, close embrace dancing that will make you wonder what on earth you’ve been doing all this time. So this serves as a warning. There’s more to come in this Tango Thought.

Now to the ‘fuss’.  🙂 The deal with Berlin, and the question of whether or not it lives up to it’s reputation or not ? In a single word: YES! Emphatically so. The quality of dance meets or in this case exceeds all expectations. The quantity of dance meets, or in this case, exceeds most cities. One thing that gets talked about is the seemingly ‘cold’ behavior of Berlin Tango, sometimes seen as ‘snobbishness’, which happens in every Tango community, is also present here. And while it would be easy to state that ‘cold’ behavior as just ‘Germans!’, that would be wrong. The German people are quite warm, quite giving, and quite frank if nothing else. As to what will appear as ‘snobbishness’ in this case of the Berlin tango scenc it’s not snobbishness, it’s just that there is a certain level of dance that happens in Berlin, which creates the perception of aloofness in the dancers. It is a perception, and a reality. In many ways one might say that what’s happening in Berlin rivals what’s going on in Moscow, New York, Istanbul, Los Angeles, and most certainly gives Buenos Aires a run for it’s money as the Tango capital of the world. No one would argue that Berlin is the cultural center of Tango in Europe. It’s certainly the largest, has the largest tango populace either equaling or rivaling that of NYC or Moscow as the largest tango center (volume of dancers). So when we talk about ‘fuss’ we’re referring to number of dancers, quality of dance, quality of venue, number of venues, quality of djing (very important), number of schools, and last but not least the number of dancers that are generated by those schools dancing to a particular ideal. Berlin lives up to it’s ‘fuss’.

Secondly if you want to go, there are a few things you really want do before you do. 1.) 5 words for you: Work. On. Your. Close. Embrace! Not kidding. This is a Close Embrace venue city. More so than most. 2.) Still another word for you: Floorcraft! Learn it, know it, live it! Lanes and Lines of dance. Got it ? 3.) This one should be obvious but clearly, it’s not because there’s an awful lot of confusion about this one: LEARN HOW TO WALK! Seriously. Break it down, and put it back together again! And this is from a leading perspective as well as from a Following perspective! You may find that yourself sitting more than usual because some (if not most) of the dancers will seemingly judge what and how you’re walking. Mind you this happens in every city, it just seems that it happens a lot more in Berlin. 4.) Know your music! Not just the top 20 DiSarli tunes but most of his library, and Canaro’s, and Rodriguez, and Tanturi, and Troilo, and…and…and…and the top 20 orchestras in excess of about 2000 songs at minimum. Why ? Because you’re going to hear a lot of Tango music that you’ve probably never been exposed to before and you have not heard. 5.) Drop the flashy moves. You want to get noticed in Berlin ? Walk really well. And while they’ve seen it all before, it’s the walking part that get’s people to talking….so….Walk. Really. Well. 😉 and now one more….

Last, but not least, this one is going to cause some upset that it’s being singled out, there will certainly be some confusion over it, if not some statements of “that’s not true!” or “lies” or “bullshit!”. The ‘Berlin’ Embrace. There is a very specific idea, a variant of Close Embrace that is sometimes practiced/danced in Berlin. It is an idea that is not necessarily taught anywhere, at any Tango school in Berlin, nor is it all that common in some venues. However, this is something that you’ll see and experience from time to time.

What is The ‘Berlin’ Embrace ? It is a very specific embrace construct that is not body-on-body contact that is normally characterized as ‘Close Embrace’, but something akin to being ‘Close’ to someone and there’s a wrapping-of-the-arms-around-each-other-type-embrace involved. It’s like giving someone a hug without really hugging them, hips away from the partnership, torsos in towards each other without actually touching, there’s space between the partnership – not close and not open, there’s tension in the arms and fingers, all done with resistance.  The only reason this is even mentioned here is so that you’re prepared it, and so that you don’t freak out. More than a few people (read that as non-berlin folks) have commented on it, and made note of it. So it’s here as an acknowledgment of what’s happening in Berlin, not as a disparagement of it. It can be fun to play with because it allows for a certain amount of space in the embrace, therefore an inordinate amount of vocabulary can be executed within that construct because there is that space. You be the judge of whether or not this is desirable or undesirable. YMMV.

Berlin attracts some of the best teachers in the world, and because there are so many dancers, and so many teachers there, it’s not uncommon to have a very famous teacher with about 5 or 8 students in their class! Berlin is a tough nut to crack teaching wise. So if you’re planning on going there to teach, stand in line, there’s a lot of them. There are more than a few Tango schools in Berlin that teach ‘Social Dancing’ and ‘Social Tango’ as it is danced not performed, not steps or patterns but actual Social Dancing skills. This is one reason why tango is desirable in Berlin. It’s not the only reason, but it’s a contributing factor. Another reason of why tango is desirable in Berlin has everything to do with shear volume of desirable Social Dancers that it attracts on a regular basis, they come, they visit, they dance, and then decide to stay for long periods of time, and play.

Still another reason of why Berlin is a desirable stop on your tango journey has everything to do with the volume or number of Marathons that happen there on what seems like a running basis. That’s not true, but there are a fair number of them. One Marathon turned into a weeklong explorative of showcasing the Milongas and Venues/Schools in Berlin: Embrace! This is probably one of the better showcase Marathon Milonga City Tango Venues ever (aside from what BsAs does on a daily basis). It really does show off all the venues, and all the milongas to their best. You should go and check it out. To be clear: There is another week-long venue that happens in Amsterdam at the end of the year which ended up taking the place of TangoMagia – Tango Train.

The Tango Topics Opinion: For the first time dance in Berlin, regardless of role, you’re going to have a hard time getting dances for a variety of reasons. And the OLDER you are, again, regardless of role, you’re going to have issues and concerns. There are several ways to mitigate those issues and concerns. 1.) WORK ON YOUR SKILLS! 2.) WORK ON YOUR SKILLS. 3.) Hmmm….this one is hard…WORK ON YOUR SKILLS! Are you getting that you need to work on your skills ? Good. Because THAT is your saving grace. This site has gone to great lengths to help you with that. Working on your technique, your foundation, informing you about what you need to work on and how. Follower Technique, Leading Technique, Vocabulary Suggestions (Building Blocks, Simple Sacadas, Social Colgadas, Social Volcadas, Social Boleos, Social Ganchos, just to name a few), as well as working on How to Listen to the music and what to listen for and more importantly what to do with it! The tools are here for you to use. Use them.

You’re going to have questions, lots of question, and the first of those questions is where… WHERE to go to dance ? We have compiled a small list of some venues to go and dance at: Milonga Popular on Mondays, El Ocaso or Roter Salon on Wednesdays, Villa Kreuzberg or Mambita (alt) on Thursdays, Nou on Fridays, Cafe Dominguez @ Mala Junta (Sunday afternoons), Max und Moritz (on Sunday nights), just to name a few of the more popular venues where you’ll find some rather nice social dancing. There is a Tango Guide (at the time of this writing) which is kept up to date called ‘Berlin Tango Guide’. It gives a listing of nearly every Milonga, Venue, and School, and the types of music played at the Milongas by percentages. It’s in English and German.

One more thing: Language. For the native English speaker that wants to visit Germany, and Berlin in specific, you’re going to have a concern that everyone speaks German, and that you’ll need to learn some German before you go. While it is always a good practice to learn the native language of the country that you’re visiting. In the case of Berlin, that’s not necessarily so. The reason is that Berlin is a multicultural city, and as such it has a very rich and diverse populace from many places, so you’ll hear English spoken a lot in the street, subways, cabs, train stations, etc. Remember that Berlin was a divided city until about 30+ years ago, with a huge American influence for almost 50+ years, so it’s no wonder that English is spoken. That said, what you’ll find as it relates to Tango is that a good portion of dancers speak many languages. German, English, Russian, Ukrainian, Polish, and Turkish (!!!) are very common.

MORE REMINDERS

Saying ‘No’.

So without further variance, below is a 10 step process in “How to say ‘No’, and not dance with Y!” 🙂

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La Viruta

Let’s get the details out of the way. The sight lines are awful. It’s dark, pitch dark in certain parts of the room. It’s crowded, and hot even with the A.C on in the ‘summer’. The drinks are expensive. The tables are small, assuming you can find one or have reserved one (which is recommended). The ‘hot’ area, meaning a place to ‘get’ dances, in the room is in front of the bar at the back left side of the room, and the entrance fee is on par with everywhere else (see end). There’s a restaurant upstairs, and on Mondays and Tuesday nights there is Salsa there. The rest of the week, it’s all Tango baby. There are classes nearly every night of the week, for different levels.

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The Waiter Hand

Another one that you’re going to see a lot of is the Lead who places his palm upward, flat, and outwards, sometimes fingers outstretched as if they were a waiter serving drinks at an upscale bar. The elbow is dropped, and the hand is well below shoulder level.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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The Powerful Follower

What is a Powerful Follower ? A Follower that has first and foremost a.) the force of the Follower’s muscles (legs – quads & glutes specifically) engaging with acceleration, power, and strength….

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Couple Exercises

There are lots of really good tango exercises for your feet, your balance, your stability, but there aren’t so many for the couple to practice. Or so you would think. The really obvious ones are 1.) The Molinete Together Exercise. 2.) The No Arms Exercise. and  3.) The Walk Together Exercise.

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Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour and pointing out all your flaws with very little actual correction instead of focusing on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

Read More »

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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