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Head Tilt

The tilt or position of one’s head (for lead or follow) is far more important than you might imagine. First and foremost, where the head points the body tends to follow. There’s a reason for this, your equilibrium, contrary to popular belief your balance is not generated in the center of your belly. This ‘myth’ is better known and often repeated as to indicate your ‘core’ muscles. This is a lie. Your balance, stability, and equilibrium is generated from one place only in your body: your inner ear! And where the inner ear points….the body tends to follow suit. So in effect tilting your head to either forward, either side, or back will tend to generate a state of non-equilibrium in you, and thereby you’re now leaning, and more likely hanging on your partner in a variety of Tango moves (as a Lead OR as a Follower!).

In short, the tilt of one’s head causes an orientation issue that you want to avoid. Best practice ? Lift up your head! Pretty simple. Right ? Wrong. You’re so used to doing this that you’re not even aware that you’re doing it. For Followers the practice is to tilt their heads into their lead’s shoulder and neckline (mostly it’s a height thing). For Leads it’s watching their Follower’s feet. Neither of which is desirable.

There are two other reasons why Dancer Head Tilt is an issue, aside from the aforementioned: 1.) Physiological and Kinesthetic Body Posture. 2.) Visual alignment.

1.) One’s body posture, or just posture, is the stance that you take with your own presence on the floor and how you move, and the stance that you take with your partner. By tilting your head towards or away from your partner (either as a Lead or a Follow) you are honestly, disrupting the physiological posture that we want to generate in every move, at every point along the curve of dancing with someone. By tilting one’s head you are compromising that physiological posture!

2.) This may come as a surprise but when you tilt your head consciously, or unconsciously you are breaking the visual line that you generate with your own body. Now add in to the equation that you’re breaking the line of the couple by tilting your head and you begin to see that you have a problem. We do not want to do this in any way, shape, or form.

So in short: Lift up your head! However, as was pointed out earlier. The solution is not that simple. The reason ? Ingrained habit. You will go back to tilting your head repeatedly with every step because it’s what’s comfortable for you. Keeping you head in a floating but neutral position is difficult for someone that’s never done it before. It will seem like work at first. But once you start seeing it in your posture, and start the correction process, it will take you some time to unlearn what you have learned. Warning: Fixing this issue will create other unintended issues, you will find that your balance and stability will change as a result. You will find that your motions and vocabulary will change as a result and become seemingly more difficult for a while. The reason ? Because your center point has changed. Duh! Give it some time, it will get better.

Good luck.

MORE REMINDERS

The Neurology of Leading – Part 2

A question that comes up for some leads, not all leads, but some Leads (big ‘L’) is why is it important that you spend a lot of time listening to Tango music, and more importantly to mark the music ? Typically you’ll hear this question as “I have a life you know ? I have things to do. I can’t sit around all day long just listening to song after song after song for days, weeks, months, marking up every song in some crazy 8 count beat sort of way, and then try to memorize all that all so….

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Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

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A Community Tanda

What is a Community Tanda ? Put simply it’s a Tanda whereby the participants of a Milonga are invited, and then wholly encouraged, to dance with someone that they have NOT danced with before or at all.

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The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

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Variation

Repetition is only good in horseshoes and hand grenades. Which is to say, that no one, absolutely no one, likes being led to the same thing over and over and over again. Variation is the key to success! Small variation, large variations that open doors to other ideas, other thoughts. But in the end, variation. Taking an idea and then reversing it, or slowing it down, speeding it up, speeding up a part of it (musically), slowing down a piece of it, taking off the beginning or the end and reversing their positions. This is variation.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Going to El Corte ?

The words "El Corte" translated to English from Spanish literally means ‘Cut, Court, or Edge’. However, in the Tango world the word has another meaning: Nijmegen, The Netherlands. What’s in/at Nijmegen ? A dance studio of certain renown: El Corte! Think of El Corte as one of your GoTo destinations. Assuming you want to experience a quality of dance in an environment that is at once fun, and at the same time entirely engaging on multiple levels. Caveat: You do need to have your sh*t together if you visit, while at the same time you must be willing and open to a whole different way of looking at the dance (again, on multiple levels).

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Where’s The Fun ?

Believe it or not, the ‘fun’ part is everywhere. You are focused on just the outcome of the dancing part. The immediate hit that you get from dancing. But what if you found out that you’re only scratching the surface with Tango. What if you discovered that you’re missing a very important aspect that not only can change the dance from what it is today for you but for it to go far deeper than you ever imagined. What if you found out that the drive to be better is not only a requirement, but it’s the gateway to dancing with better and better partners that you only dream of dancing with but can do because you changed your perspective a bit ?

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