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The ‘D’ Word

At the beginning of our Tango lives, most of us who start out taking a weekly series to get our feet wet, just so that we can say we ‘learned’ to tango. If only that were the end of it. It’s not. The classes never stop really. If you want to improve. If you want to get better and better dances with better partners, then you need to improve. However, there’s a factor in that ‘improvement’ that’s never, ever discussed. And quite truthfully, it’s the game changer. It’s also the one that almost no one wants to do. They believe for a variety of reasons that X teacher will turn them into a desirable dancer, or that Y dancer’s feedback will magically create in them the amazing partner they’ve always wanted to be. If they just dance with X, or Y, or that if Z happened for them, that magically they’d become THAT dancer.

This is a fallacy and idle fantasy.

There is really only one thing that will create the dancer you want to be.

It’s not just classes. To be fair, classes only show you the basic constructs of how to do something. They’re not a catchall. They’re not meant to be a catchall either. They’re like the foundation of a house, and you need a good one that shows you all the tools that create a really good embrace (sans the tension, pressure, compression, and force), or a fabulous walk (sans the wobbling, wavering and foot lifting that happens so often).

It’s not just private study. Don’t mishear this as private study is not the end all be all. It can be a means to an end. The end being that you will clean up your issues that are integral to you and you alone. Not everyone’s private study experience will be the same, nor should it be. However private study, alone, by itself is not enough to create the right conditions to improve.

It’s not just solo practice. The reality is that solo practice can do wonders for you. Solo practice can give you a regime to follow. It can clean up your response times. It can create cleanliness in your executions and your technique. This is where drills happen, and repetition happens. Over and over again. However, by itself, Solo practice is not enough. You require a whole lot of something else that Solo Practice can’t give you.

It’s not just private practice. Yup. You do actually have to practice with a partner, and setting up private practice with a series (not just one) partner is absolutely crucial to your development as a better dancer. A few dances around the room to a few tandas and videoing yourself and then analyzing the video after each dance, nothing can replace that. However, it’s still not enough. It’s a good way to recognize your issues and to clean them up. But again…it’s not enough.

It’s not just social dancing. The fact is that social dancing can not be replaced. You actually have to go out social dancing on a regular basis to keep your skills at their peak. Social dancing keeps the tango muscle that you’ve developed in good working order, more than once per week is required. However, by itself, social dancing alone is not enough. There has to be something else.

The ‘D’ Word stands for Discipline.

All of those things above must be done, every day, every week, every month. Improvement comes not from doing one over the other. Nor does it come from some amazing teacher that gives you the magical tools that creates in you amazing dancing. Nor does it come from Classes, Private Study, Solo Practice, Private Practice, or Social Dancing. It comes from YOU.

You have to want to be better.

But first, you have to see that what you’re doing is less than desirable.

Without that want, without the realization that what you’re doing is less than desirable ? You’re spinning your wheels as it were.

And all of that requires Discipline. A dogmatic, pragmatic, dispassionate approach to the work that is divorced from the ‘emotional’ component that can and will cloud your development. Don’t mishear that as emotion is wrong or bad or less than desirable. It has it’s place to be certain. However, it should not be the end all be all of what you’re doing. It’s a valuable (cough, cough) component that some people rely on (solely). However the professional dancer does not rely on this, they use it as a tool for emphasis, but not the entire component of the dance. What do they rely on ? Discipline of technique, discipline of study, discipline of work, discipline….and lots of it. You want to be a better social dancer…the pathway towards better requires discipline.

MORE REMINDERS

The Same People

You have local friends that you have acquired through the dance. They met you at a very specific point in your tango development. You’ve danced with them over and over again. You almost never say ‘no’ to them because they’re fun to dance with or they’re nice people. Over time you settle into a nice, almost comfortable routine of your dancing friends, where you’ll go to the practica or milonga,

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Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh. 

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Men That Don’t Study

Men. Oy. Tango is hard enough, but adding ego to the equation just creates a whole other level of issues that most women can agree is a lot like a pissing contest. Before we lay into this like white on rice: Being fair, not all men have an ego when it comes to Tango. A smaller number of them do recognize that Tango is a study. As such it requires them to do their homework, on a regular basis. And ‘homework’ in this case means private study, solo practice, solo study, musical study, on a daily basis.

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The Taxi Dancer Paradox

The Taxi Dancer Paradox is that hiring or being one creates an undesirable social stigma and yet at the same time is actually a very practical, if not entirely reasonable resource to have available to solve the ‘waiting’ for a dance problem.

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Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour and pointing out all your flaws with very little actual correction instead of focusing on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

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Cake!

Should you eat before, or after a milonga, or not at all ? Some people say “before, so that you don’t get hungry during the milonga”. But then they complain that they can’t move as freely. Some people say “After! Because I’ll be ravenous”. But then these same people quite factually ‘grumble’ (meaning their stomachs are growling because they’re hungry) while they dance with you. Some people are in the ‘not’ at all category! They can seemingly contain their exertion and not require sustenance before, during, and after a milonga.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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10 REASONS TO SUBSCRIBE

There are 4 Levels of Access: Free, Basic, Premium, and Premium+. Free pays nothing but gets a perk just for signing up. 

1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

2.) 
Basic and Premium users Save A BOATLOAD of MONEY! Buying this stuff outright is expensive.

3.) Basic, Premium, and Premium+ users get access to the ALL ARTICLES and THE FULL ARTICLE which you can’t see right now.

4.) Basic, Premium, and Premium+ users have way better video resolution: Free = 420p, Basic = 720p, Premium = 1080p and 4K. 

5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

6.) Video Downloads! 

7.) Access to the Tango Topics Music Library (22 Curated Golden Age Orchestras)

8.) Access to ‘Tango Del Dia’ – Our Music Education System with access to 14 Days of Music, 30 Days of Music Education, and 30 More Days of Tango Del Dia. 

9.) We explain things, break the vocabulary down in a visual way, from multiple angles, showing feet, hands, and close ups! Yes there’s a lot of talking but we want you to understand what it is that you’re doing and why, not just steps, patterns, and figure

and #10:
No more annoying ads at the bottom of the page, begging you to subscribe! 

Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME A MSG HERE

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