The Same People

You have local friends that you have acquired through the dance. They met you at a very specific point in your tango development. You’ve danced with them over and over again. You almost never say ‘no’ to them because they’re fun to dance with or they’re nice people. Over time you settle into a nice, almost comfortable routine of your dancing friends, where you’ll go to the practica or milonga, you’ll dance with J, then K, then L, then M, then N, rest, then dance with A, then B, then C, then D, rest, then J again, then M again, then A, and that’s your night right there. The next event. It will be the same people in a different order. The next event, same people different order. Over and over again for months on end.

Sound familiar ?

While this may sound like fun as this is part of the point of social dancing to make friends and to dance with them, understand something else that’s happening to you: You are dancing with the same people, over, and over, and over again.

At what juncture do you think you’re going to improve dancing with the same people ? Answer ? Never. This practice is akin to learning with beginners expecting that this will improve your understanding of technique. It won’t. It can’t. You need an experienced dancer to show you what desirable dancing is really like.

There is a point of diminishing returns in continuing down the same pathway with the same person doing the same thing over and over again. There is no growth in this. Don’t mishear this is as the dance should be all about growth, all about technique, or all about this or that. No. Think of this as a reminder that there needs to be an equal balance of growth and tango development in your tango life, as well as dancing with friends, study, practice, music, traveling for events, etc. lest you stagnate into “thud”, pulling, pushing, hanging, compression, and the ladies that sit, or the guys that stand! You need a constant stream of ‘better’, things that will challenge you, change you. And dancing with the same people over and over again over a long period of time you tend to live inside of an echo chamber that tells you everything is alright, when in fact, it may not be.

Let’s address the ‘pink’ elephant in the room that comes up when this topic is addressed. “What’s wrong with staying the same ?”. Try this on : You’ll go to dance with someone outside of your bubble/echo chamber and the experience is a lot like a box of chocolates. For you it may be delightful, but it’s the other side of the coin that you need to be concerned with. Why ? Because for them, it may not be ‘all that’. And because you’ve lived inside your bubble of sameness for so long you may not be aware of the signs that something is amiss and misread the situation, and thereby miss a really good opportunity to learn, to change, and to grow as a dancer. The goal here is not about perfection (which is how some people hear this feedback), but rather balance AND versatility! Growth is desirable. The real and palpable dancer is stagnation. Just as in life we should always be looking to create and never just float along for too long. It gets old after a while. The end result is that you become a desirable dancer to everyone that you dance with, always interesting, a pleasant experience across the board, instead of within your bubble.

Put another way: You need to dance with as many different people as possible, as often as possible, you want a vast array of tango experiences not just the same thing over and over again.

MORE REMINDERS

Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

Read More »

Cake!

Should you eat before, or after a milonga, or not at all ? Some people say “before, so that you don’t get hungry during the milonga”. But then they complain that they can’t move as freely. Some people say “After! Because I’ll be ravenous”. But then these same people quite factually ‘grumble’ (meaning their stomachs are growling because they’re hungry) while they dance with you. Some people are in the ‘not’ at all category! They can seemingly contain their exertion and not require sustenance before, during, and after a milonga.

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Being Criticized

The truth is that this is critical feedback, about what you’re doing and how you’re doing it. Hopefully that critical feedback or criticism is done with exacting detail, which is needed for analysis, breakdown, and then reconstruction or rebuilding your posture, walk, embrace, vocabulary, and/or musical interpretation. Without that critical feedback, you will continue to make the same mistakes over and over again thinking that everything is happy and lovely when in fact it’s not.

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Physiological Contact

There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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Waiting vs. Listening

What is Waiting Vs. Listening ? In it’s simplest form this comparison deals with the axiom of Followers are told to "Wait for your L/lead", and instead implies that there is another idea sitting there that almost never gets talked about and in today’s Tango world almost never gets used, which is "Listening".

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The Female Lead

This post isn’t about the benefits of learning to lead for the woman that dances, of which there are many. No. Nor is it about the hyper awareness of all the things you do not want to do as a Follower, which is going to happen by default. Nor is this post about the supposition that women of a certain age swap shoes and end up leading because no one wants to lead them anymore. Not. Nor is it about the fact the simple fact that some women do enjoy leading quite a bit and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Women that WANT to Lead! (Just as a side note, most of this stuff also applies to the male lead too, you need the reminders).

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Men That Don’t Study

Men. Oy. Tango is hard enough, but adding ego to the equation just creates a whole other level of issues that most women can agree is a lot like a pissing contest. Before we lay into this like white on rice: Being fair, not all men have an ego when it comes to Tango. A smaller number of them do recognize that Tango is a study. As such it requires them to do their homework, on a regular basis. And ‘homework’ in this case means private study, solo practice, solo study, musical study, on a daily basis.

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

Read More »

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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