Age (Women)

For women, age does matter. Sadly.

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

Understand something that skillz always trumps beauty, always. I know that your experience says otherwise. Because from your perspective said younger and prettier is getting all the dances, and you’re still sitting. What you fail to realize is that (as sexist as this sounds) said Follower is the ‘flavor of the moment’. Eventually there will be another ‘flavor’, and that one you’re getting all persnickety about right now, will be sitting next to you a week from now wondering the same thing (‘what happened ? I was so popular last week….’).

Your only winning move, the thing that will constantly trounce beauty, is to work on your skills, constantly: Work on your balance, your stability, your embrace, not to hang, not to pull, not to push. Work on your forward steps, your side steps, your back steps. Work on being an INDEPENDENT follower where you do not need to hold on to your lead in order to move, you do not need your lead to stabilize you, you can walk, turn, and cross BY YOURSELF! If you can’t do that, then you have issues that need to be resolved before you are going to get what you want.

There are other caveats to this line of reasoning that need to be addressed such as your ‘Tango Baggage’ (Vol 3 – Truism 1146) before you can trounce beauty completely. However, working on your skills, constantly and showing up diligently for classes every week, and dancing as much as possible in practicas, is a good start. That and more than a few private lessons with more than ONE tango teacher! And one more — Two words for you: Follower Technique videos, classes, workshops. 

There is another pathway to ‘dancing‘ where age has no meaning. It means learning to lead. And the mature dancer knows and understands that this is a viable possibility. It’s just one that a good number of them do not wish to think about. Some view it, for a variety of reasons, as either too much work (not so by the way, it’s the same amount of work just in a different area), as ‘unladylike‘, or something akin to not ‘real‘ dancing. All of this is of course is fallacy to be certain. It’s a reason not to go deeper, not to fully understand the dance, to take it out of the black art of gender specific dancing, and instead fully take responsibility for one’s own movement, and truly understand what you really want to doing. There is one major side benefit to swapping roles, and that’s you’ll finally understand the other side of the embrace and it will inform you to improve your gendered specific role in ways you can’t even begin to imagine.

One point of note, a good portion of Followers will hear this advice above as Follower Bashing. So the thinking goes, here you have one more male lead teacher/dancer blaming the follower instead of what’s happening for the lead (or so you assume), that doesn’t Follow (I do, and socially!), doesn’t know diddly about how to Follow (I teach this stuff frequently), that hasn’t danced in heels (Not so. I used to own a pair of black velour comme il fauts in my size), and doesn’t take the Lead to task for what’s going on for them! All not true. As evidenced here, and here. And here, and here, and here, and here, and here, and here, and here, and here just to name a few. This site, equally points out the issues with BOTH roles, not just one. This stuff is a lot to take in all in one bi/yte. and it’s hard enough with just one role to hear just one piece of the topic, where there are multiple issues that need to addressed.

The Tango Topics Opinion: Let’s get something straight, we live in a society that glorifies youth, and disposes of people of age. That sucks. It’s wrong. It shouldn’t happen, but it does. Youth sells. Age does not. It’s not sexy. And sexy sells. At the same time for a woman of a certain age, there is something to be said for age, wisdom, patience, and grace. Look, men are going to be men, and there’s no denying that. You can’t get around them. Ok, you can, but there’s a different way to deal with this stuff instead of beating yourself up that you’re not 25 and not getting all the dances in the room. Chillax, pick your partners very carefully, and while this may mean sitting more than you would like especially when you want to dance to a particular milonga tune, be patient and relax. Enjoy the music, and get the tandas that you absolutely want. Don’t go after every tom, dick, and larry. Choose your Tom’s very carefully. Very. Focus on the quality of the dance as much as you can not the frequency. That and private lessons wouldn’t hurt on a weekly basis. That said, one thing to note is to get out of your local scene and travel as much as you possibly can. The more you travel and the more that you see the tango world, the less it will feel stagnant in your local scene. One thing to try is the Encuentro Scene in Europe. It is where a lot of women of a certain age are showing up. Just a thought. Anyway, YMMV. Smile.

MORE REMINDERS

The Tango Haus

What’s below is a small snippet of 13m:06s audio podcast of Today’s Topic on the benefits and detractors of building community using the idea of a Tango House. “What I refer to as the Tango ‘Haus’ idea. In this case this is the German spelling of ‘HAUS’. I just like the way it sounds. But we can use the American spelling of ‘House’. So a few years back and I may be bastardizing some history here. There was a tango house, and I’m not going to name the city, that grew up out of a U.S. based city. This community, at the time had a number of teachers in its area, and they were all using the typical model of how they wanted their students to learn to dance.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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All Night Milonga ?

Yes you read that correctly. There are places in the world where a Milonga does (theoretically) go ‘All Night’. The idea is very romantic, that you’re dancing until the sun comes up. ’Theoretically’ ? Because ‘all night’ has different meanings in different places. If, however, we’re talking about Buenos Aires, there are 3 Milongas that do in fact go all night long 1.) La Viruta (on the weekends), 2.) Salon Canning on Monday nights (usually until about 5 am ish), and 3.) El Yeite (Pron: Shay-tay). There are others that go ‘late’ to 4 am, but not necessarily until the sun comes up.

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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Heel vs. Toe (Lead) ?

Today’s Thought is a very old debate with a twist, as you’ll soon see. The Debate ? To step forward (or side) with a Heel strike first OR a Toe point first. So let’s debate, shall we ? The Heel Side: This side of the debate says that you can and should, when stepping forward, step forward as if you were walking on the street, normally. You would use the heel in a natural way, allowing it to strike the pavement or the floor (in the case of dancing) as you would normally. There’s nothing about this idea that is new. This is something that you don’t necessarily need to learn a whole lot about, as it just ‘happens’. There’s not a lot to it really.

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Body Contortion

A good portion of people come into the embrace, Lead or Follow, and in one way, shape, or form, contort their bodies to make the dance work while dancing, rather than employ proper technique.

Contort ? Yes. For example: As a Lead or Follow they might dance with a ‘head tilt‘ towards (buried into) or away from their partner, or as a Lead they’ll employ ‘waiter arm and hand’, or as a Follower they’ll dance in their Lead’s armpit, twisting their body to the side, and un-leveling their shoulders. This is contortion. 

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The Neurology of Leading – Part 1

There’s a component to Leading that you cannot even begin to assess or even address that happens because we’re in the line of dance. All of us have spent time in practice sessions, or in working with somebody one on one, or doing solo practice work, or class time, or solo practice time, or solo class time with your teacher. All of that is warm up to getting you to what happens in the line of dance. This is what I refer to as the neurology of leading.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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