Age (Women)

For women, age does matter. Sadly.

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

Understand something that skillz always trumps beauty, always. I know that your experience says otherwise. Because from your perspective said younger and prettier is getting all the dances, and you’re still sitting. What you fail to realize is that (as sexist as this sounds) said Follower is the ‘flavor of the moment’. Eventually there will be another ‘flavor’, and that one you’re getting all persnickety about right now, will be sitting next to you a week from now wondering the same thing (‘what happened ? I was so popular last week….’).

Your only winning move, the thing that will constantly trounce beauty, is to work on your skills, constantly: Work on your balance, your stability, your embrace, not to hang, not to pull, not to push. Work on your forward steps, your side steps, your back steps. Work on being an INDEPENDENT follower where you do not need to hold on to your lead in order to move, you do not need your lead to stabilize you, you can walk, turn, and cross BY YOURSELF! If you can’t do that, then you have issues that need to be resolved before you are going to get what you want.

There are other caveats to this line of reasoning that need to be addressed such as your ‘Tango Baggage’ (Vol 3 – Truism 1146) before you can trounce beauty completely. However, working on your skills, constantly and showing up diligently for classes every week, and dancing as much as possible in practicas, is a good start. That and more than a few private lessons with more than ONE tango teacher! And one more — Two words for you: Follower Technique videos, classes, workshops. 

There is another pathway to ‘dancing‘ where age has no meaning. It means learning to lead. And the mature dancer knows and understands that this is a viable possibility. It’s just one that a good number of them do not wish to think about. Some view it, for a variety of reasons, as either too much work (not so by the way, it’s the same amount of work just in a different area), as ‘unladylike‘, or something akin to not ‘real‘ dancing. All of this is of course is fallacy to be certain. It’s a reason not to go deeper, not to fully understand the dance, to take it out of the black art of gender specific dancing, and instead fully take responsibility for one’s own movement, and truly understand what you really want to doing. There is one major side benefit to swapping roles, and that’s you’ll finally understand the other side of the embrace and it will inform you to improve your gendered specific role in ways you can’t even begin to imagine.

One point of note, a good portion of Followers will hear this advice above as Follower Bashing. So the thinking goes, here you have one more male lead teacher/dancer blaming the follower instead of what’s happening for the lead (or so you assume), that doesn’t Follow (I do, and socially!), doesn’t know diddly about how to Follow (I teach this stuff frequently), that hasn’t danced in heels (Not so. I used to own a pair of black velour comme il fauts in my size), and doesn’t take the Lead to task for what’s going on for them! All not true. As evidenced here, and here. And here, and here, and here, and here, and here, and here, and here, and here just to name a few. This site, equally points out the issues with BOTH roles, not just one. This stuff is a lot to take in all in one bi/yte. and it’s hard enough with just one role to hear just one piece of the topic, where there are multiple issues that need to addressed.

The Tango Topics Opinion: Let’s get something straight, we live in a society that glorifies youth, and disposes of people of age. That sucks. It’s wrong. It shouldn’t happen, but it does. Youth sells. Age does not. It’s not sexy. And sexy sells. At the same time for a woman of a certain age, there is something to be said for age, wisdom, patience, and grace. Look, men are going to be men, and there’s no denying that. You can’t get around them. Ok, you can, but there’s a different way to deal with this stuff instead of beating yourself up that you’re not 25 and not getting all the dances in the room. Chillax, pick your partners very carefully, and while this may mean sitting more than you would like especially when you want to dance to a particular milonga tune, be patient and relax. Enjoy the music, and get the tandas that you absolutely want. Don’t go after every tom, dick, and larry. Choose your Tom’s very carefully. Very. Focus on the quality of the dance as much as you can not the frequency. That and private lessons wouldn’t hurt on a weekly basis. That said, one thing to note is to get out of your local scene and travel as much as you possibly can. The more you travel and the more that you see the tango world, the less it will feel stagnant in your local scene. One thing to try is the Encuentro Scene in Europe. It is where a lot of women of a certain age are showing up. Just a thought. Anyway, YMMV. Smile.

MORE REMINDERS

The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Good/Bad & Dancer/Teacher

At the beginning of our Tango lives, most people go to a Tango Class to learn how to dance Tango. Some people throw caution to the wind and just go to the Milonga and ‘learn’ on the dance floor sometimes with positive but most of the time with disastrous results. And some people take the route of skipping group classes all together and start with one-on-one sessions to begin their Tango journey.

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The Powerful Follower

What is a Powerful Follower ? A Follower that has first and foremost a.) the force of the Follower’s muscles (legs – quads & glutes specifically) engaging with acceleration, power, and strength….

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Wood Floors

The toy of choice for most dancers is a ‘Sprung’ floor! That’s a work of art, science, and pure magic. Sprung floors are to dancers, what honey is to bees.  A ‘Sprung’ floor ? What’s that ? A Sprung floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance and indoor sports and physical education. They enhance performance and greatly reduce injuries.

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Low Heels

This isn’t rocket science. It’s pure fact. Lower heels for the Follower aren’t exactly the sexiest things in the world. All the attention is on the High Heel and the shape of the foot, calf, and thigh that the high heel generates as a result. The Low heel ? Not so much with that. It’s like the poor cousin, ne’er do-well that comes close but not quite. Uuuugh. 

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La Viruta

Let’s get the details out of the way. The sight lines are awful. It’s dark, pitch dark in certain parts of the room. It’s crowded, and hot even with the A.C on in the ‘summer’. The drinks are expensive. The tables are small, assuming you can find one or have reserved one (which is recommended). The ‘hot’ area, meaning a place to ‘get’ dances, in the room is in front of the bar at the back left side of the room, and the entrance fee is on par with everywhere else (see end). There’s a restaurant upstairs, and on Mondays and Tuesday nights there is Salsa there. The rest of the week, it’s all Tango baby. There are classes nearly every night of the week, for different levels.

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It’s Too Late

Frequently most dancers after they ‘learn’ something will fail to solo practice it, as well as use it at a social practica, which as a result fails to deepen their fluidity when dancing so that when X, Y, and Z is led or followed they ‘miss’ it and hesitate. Thereby creating the impression that they’re inept dancers.

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5 Reasons

Why does someone enter the Tango world ? What drives them to engage in Argentine Tango ? Not what makes them stay but why do they get involved with Argentine Tango ? There are commonalities to why someone walks this pathway, no pun intended. These are distilled down to about Five Common Reasons why someone enters Tango. These are the reasons why and not the reasons why someone stays in Tango. Those are very different reasons, but rather why they started dancing in the first place.

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Rejection

What follows relates to the verbal ask for a dance and the rejection, this thought does not talk about the reject from a failed cabeceo or mirada. Let’s lay out some facts before we get to the heart of this stuff. Fact: The ask, no matter how ‘sly’ you think you’re being, is going to be awkward.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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