The ‘Connection’ Fallacy

Connection” is a wonderful idea.

We like to believe in the romanticism of this word, and all that it implies, which is as it turns out a considerable amount.

However, the word itself, from a Tango perspective, has been beaten up and bruised that it more than likely has lost its original intent. When you say the word to someone it could mean any one of eight (8) different things as it relates to the dance. However, this is not a definition of the word, for that please see the Tango Topics Definition of the word “Connection“. 

The Fallacy that Today’s Tango Thought is talking about refers to the belief that somehow the physiological construct of someone’s embrace, or their walk, or their interpretation of the music is complimentary (or not) to the clarity of what was intended. Which, and here’s the rub, creates the illusion of safety, security, understanding, couple gestalt, co-dependence, and most of all intimacy. This is the fallacy.

To be fair no one can create those things, it is a perception that we all have to feel wanted and understood. It’s part of our basic group human nature that goes back thousands and thousands of years that has not left us, nor will it ever. It’s part of the reason that Tango is a social construct. A rigid, highly structured, social construct but a construct none-the-less!

Is this fallacy desirable ? No. Are you going to engage in it anyway? Yup. Why ? Because the fantasy is far easier to subscribe to than the reality. The reality is that you’re wobbling all over the place, that your embrace is insanely compressive, that you hang, you push, you pull, and you’re completely unaware that you’re doing these things, constantly. That’s the reality. And if that sounds like ‘bashing’, or perfectionistic language, then you’re missing the point entirely.

The point: While you can engage in the fallacy all you want, the realities are still going to be there until you clean up your issues. Once you do, and this is the part you’re really after believe it or not, then the ethereal constructs that you seek will be even more elusive to you, more so than you can realize. And you will continue to believe or delude yourself in the pursuit of the fallacy of ‘Connection’ that this is Tango, and it’s not. There is something far greater than you can possibly conceive of in the waiting for you if and only if you remove your issues from the equation.

MORE REMINDERS

The Row of Women That Sit

They’re at every milonga in the world (with an exception or two – Russia & Asia). Every. Milonga. THAT row of women, of a certain age, and a certain disposition, that for a few valid reasons (pretty or not) who are sitting, and not by choice. Most have been sitting for more than an hour or two.

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Presentation Tango

There is a very popular idea in Tango that gets paraded around a lot, an idea which gets confused with Social Tango which is NOT Social Tango at all but rather it’s about the steps, patterns, and figures is known as ‘Show’ Tango, ’Scenario’ Tango, ‘Stage’ Tango, ‘Fantasia’ Tango, or Presentation Tango.

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Variation

Repetition is only good in horseshoes and hand grenades. Which is to say, that no one, absolutely no one, likes being led to the same thing over and over and over again. Variation is the key to success! Small variation, large variations that open doors to other ideas, other thoughts. But in the end, variation. Taking an idea and then reversing it, or slowing it down, speeding it up, speeding up a part of it (musically), slowing down a piece of it, taking off the beginning or the end and reversing their positions. This is variation.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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Heel vs. Toe (Lead) ?

Today’s Thought is a very old debate with a twist, as you’ll soon see. The Debate ? To step forward (or side) with a Heel strike first OR a Toe point first. So let’s debate, shall we ? The Heel Side: This side of the debate says that you can and should, when stepping forward, step forward as if you were walking on the street, normally. You would use the heel in a natural way, allowing it to strike the pavement or the floor (in the case of dancing) as you would normally. There’s nothing about this idea that is new. This is something that you don’t necessarily need to learn a whole lot about, as it just ‘happens’. There’s not a lot to it really.

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The Female Lead

This post isn’t about the benefits of learning to lead for the woman that dances, of which there are many. No. Nor is it about the hyper awareness of all the things you do not want to do as a Follower, which is going to happen by default. Nor is this post about the supposition that women of a certain age swap shoes and end up leading because no one wants to lead them anymore. Not. Nor is it about the fact the simple fact that some women do enjoy leading quite a bit and are actually (contrary to what you might believe) pretty good at it. No. Today’s Tango Thought is all about Women that WANT to Lead! (Just as a side note, most of this stuff also applies to the male lead too, you need the reminders).

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The Practica

The idea of a Practica is ‘theoretically’ to Practice what you have learned. To try out what you have been shown, with multiple partners, as if you were in a class rotation. It is ‘theoretical’ because while the theory is nice, the reality is a little different.

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Private Lessons (Part 1)

Private Lessons, or ‘Privates’ as they’re called sometimes, can really help you, can change you. Sometimes. And sometimes not. There are several reasons why private lessons won’t help or change you. 1.) Is the teacher you’ve chosen isn’t really a didactic teacher. What’s that ? It’s a teacher that is focused on dancing with you for an hour and pointing out all your flaws with very little actual correction instead of focusing on your foundation and fundamentals, like walking, stability, balance (which are not the same things by the way), your embrace, your body position and body placement, your understanding of the beat and engaging the musical pauses, just to name a few. A didactic teacher can really change you, and up your game. 2.) You. And the thinking that private lessons can the magical fix all. They’re not. You actually have to, god forbid, work! And then here’s the hard part: Practice!

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Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

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