Wood Floors

This is a short tango thought. In Europe, throughout the UK, the Phillipeans, Japan, China, and North America specifically, you are more likely to dance on wood floors, mostly. And as such you’re going to be somewhat expectant that that’s what your experience will be like everywhere else in the world. This is not the case the world over. As time has gone by wood, which was an abundant resources has gotten expensive, and wood flooring … astronomically priced. And dance floors ? Ha! These are even more expensive to put in. It’s cheaper to lay down cement and put tile over it. Tile lasts forever. Wood ? Needs to be maintained.

The toy of choice for most dancers is a ‘SprungFloor! Which is a work of art, science, and pure magic. Sprung Floors are to dancers, what honey is to bees.  A ‘Sprung’ Floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance, indoor sports, and physical education. They can easily enhance performance, and greatly reduce injuries on the feet, and most importantly, one’s knees!

Finding a Sprung Floor in the Tango world ? You’re at the mercy of the Milonga organizer.  You’ll get used to dancing on them very quickly, and come to expect them once you do. However, when you get to Buenos Aires, you’re going to be hit with a very real fact: Almost no wood floors! And a Sprung Floor ? Almost not. There are very few of them (left) to dance on. El Beso, Cachirulo (wood), DNI (wood over cement – top floor), El Yeite (wood over cement), Salon Canning (wood over cement), La Catedral (old sprung), Nuveo Chique, Griecel, La Nacional, La Leonesa , Los Laureles and a few others are the only places that have a wood floor. However, La Catedral’s wood floor isn’t exactly the safest thing on the planet. The floor has seen its better days. And quite possibly is a danger, so let the dancer beware. Salon Canning’s floor was redone a few years ago and is in better shape.

However what you’ll be presented with in Buenos Aires are Parque or Baldosa Tile floors to dance on. They’re hard, cement floors. So if you’re looking for this magical BsAs experience with wooden floors, not so much with that. Villa Malcolm, La Viruta, La Baldosa, etc…all Baldosa tiled floors!

Something to be aware of when dancing in BsAs it relates to the floors that you’re dancing on, and the time of year you’re going to go. If it’s the hot season (from Jan – Mar), when the rooms are insanely packed, and hot as the day is long from the heat outside, the TILED floors are going to be VERY slippery for a wide variety of reasons. Either the AC that’s running is running full blast and the floors are cold….or there’s so much sweat dripping going on that it quite literally ends up on the floor. So, as a result, you need to be aware of this little tiny factoid and be ready for it. As it will change how you turn, how you walk, and how stable you are. Ochos will be more difficult for both roles. The turns themselves will become far more challenging because of how slippery the floor is, especially for the dancer with suede on the bottoms of their shoes. The suede becomes impacted and needs to be cleaned out. So it’s a good idea to bring two things in your shoe bag if you haven’t thought of it yet. 1.) Talc Powder. and 2.) Shoe Brushes. Just sayin’. If it’s the cold season, you have no issues.

The Tango Topics Opinion. To dance on a hardwood floor or not to dance on a hardwood floor. That is the question. Whether it is nobler….ok enough bastardization of the bard. In North America and Western Europe, and perhaps the Russian Federation there is the luxury, and it is a luxury to dance on a hardwood floor. Pine, Oak, Beach….it’s almost a dream. And a SPRUNG dance floor ? Good lord, it’s like coming home. However, the rest of the world doesn’t even consider that an option. It’s just not on their radar, nor do they care. There’s a reason for that. Stone is cheaper than hardwoods to put in. So in other words, if you’re planning on visiting somewhere else in the world, aside from BsAs, expect to dance on hard surface.

Dancing in Buenos Aires on a hardwood floor ? Just get that little thought out of your head. There are very few of those spaces left in BsAs. Even the vaunted Salon Canning changed their dance floor to a parque baldosa tile floor a few years back because it was easier to maintain than the hardwood floor that they had previously. 🙂 So….sadly friends, the fantasy must die…right here. 🙁

MORE REMINDERS

The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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The Shoe Lip

Today’s Tango Thought is a bit of Tango minutiae that seems unimportant at first, but is in reality very important actually. It is an awareness that can help you to understand why certain kinesthetic instabilities (regardless of gender) exist: A fair number of street shoes, male or female, have a thick hard leather construct known as the ‘Sole of the Shoe’. The Sole serves several purposes, one of which is to protect your feet from harm, still another (which relates to today’s thought) and secondly it’s what we call the ‘Shoe Lip’.

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Tango Accents

You may not realize this but you have an accent. The place that you live in, the people that you dance with, the teachers that you have studied with, and last but not least, the variation of those ideas from the original, creates a local tango ‘accent’. Every city where Tango is danced has an accent which is specific to that place and to that place alone. Boston, San Francisco, Paris, London, Berlin, Moscow, etc. They all have one, up to and including Buenos Aires, especially Buenos Aires! The difference between your local flavor of Tango and say Boston, Paris, and London, is like night and day within a spectrum of ideas.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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La Viruta

Let’s get the details out of the way. The sight lines are awful. It’s dark, pitch dark in certain parts of the room. It’s crowded, and hot even with the A.C on in the ‘summer’. The drinks are expensive. The tables are small, assuming you can find one or have reserved one (which is recommended). The ‘hot’ area, meaning a place to ‘get’ dances, in the room is in front of the bar at the back left side of the room, and the entrance fee is on par with everywhere else (see end). There’s a restaurant upstairs, and on Mondays and Tuesday nights there is Salsa there. The rest of the week, it’s all Tango baby. There are classes nearly every night of the week, for different levels.

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The Former Salon Canning

There are very few places left in Buenos Aires that still evoke the majesty of Tango’s yesteryears, for many, that is Salon Canning. From the moment you walk in the door, down the long hallway towards the white double door ‘entrance’ to the dance floor, you know you’re in a special place. The walls are lined with pictures of dancers that have come and gone, artwork and photography from local tango artisans. The entry hallway almost looks athenian, almost. It may help that the columns outside add to that idea.

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Perfectionism

There are those of us that separate being ‘good’ as being good enough, and anything beyond that is just ‘unnecessary’. It’s really about getting around the floor, and if no one complains about the embrace, or you don’t hit anything, or anyone, and you can throw in that cool move now and again, so much the better!

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Physiological Contact

There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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