Wood Floors

This is a short tango thought. In Europe, throughout the UK, the Phillipeans, Japan, China, and North America specifically, you are more likely to dance on wood floors, mostly. And as such you’re going to be somewhat expectant that that’s what your experience will be like everywhere else in the world. This is not the case the world over. As time has gone by wood, which was an abundant resources has gotten expensive, and wood flooring … astronomically priced. And dance floors ? Ha! These are even more expensive to put in. It’s cheaper to lay down cement and put tile over it. Tile lasts forever. Wood ? Needs to be maintained.

The toy of choice for most dancers is a ‘SprungFloor! Which is a work of art, science, and pure magic. Sprung Floors are to dancers, what honey is to bees.  A ‘Sprung’ Floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance, indoor sports, and physical education. They can easily enhance performance, and greatly reduce injuries on the feet, and most importantly, one’s knees!

Finding a Sprung Floor in the Tango world ? You’re at the mercy of the Milonga organizer.  You’ll get used to dancing on them very quickly, and come to expect them once you do. However, when you get to Buenos Aires, you’re going to be hit with a very real fact: Almost no wood floors! And a Sprung Floor ? Almost not. There are very few of them (left) to dance on. El Beso, Cachirulo (wood), DNI (wood over cement – top floor), El Yeite (wood over cement), Salon Canning (wood over cement), La Catedral (old sprung), Nuveo Chique, Griecel, La Nacional, La Leonesa , Los Laureles and a few others are the only places that have a wood floor. However, La Catedral’s wood floor isn’t exactly the safest thing on the planet. The floor has seen its better days. And quite possibly is a danger, so let the dancer beware. Salon Canning’s floor was redone a few years ago and is in better shape.

However what you’ll be presented with in Buenos Aires are Parque or Baldosa Tile floors to dance on. They’re hard, cement floors. So if you’re looking for this magical BsAs experience with wooden floors, not so much with that. Villa Malcolm, La Viruta, La Baldosa, etc…all Baldosa tiled floors!

Something to be aware of when dancing in BsAs it relates to the floors that you’re dancing on, and the time of year you’re going to go. If it’s the hot season (from Jan – Mar), when the rooms are insanely packed, and hot as the day is long from the heat outside, the TILED floors are going to be VERY slippery for a wide variety of reasons. Either the AC that’s running is running full blast and the floors are cold….or there’s so much sweat dripping going on that it quite literally ends up on the floor. So, as a result, you need to be aware of this little tiny factoid and be ready for it. As it will change how you turn, how you walk, and how stable you are. Ochos will be more difficult for both roles. The turns themselves will become far more challenging because of how slippery the floor is, especially for the dancer with suede on the bottoms of their shoes. The suede becomes impacted and needs to be cleaned out. So it’s a good idea to bring two things in your shoe bag if you haven’t thought of it yet. 1.) Talc Powder. and 2.) Shoe Brushes. Just sayin’. If it’s the cold season, you have no issues.

The Tango Topics Opinion. To dance on a hardwood floor or not to dance on a hardwood floor. That is the question. Whether it is nobler….ok enough bastardization of the bard. In North America and Western Europe, and perhaps the Russian Federation there is the luxury, and it is a luxury to dance on a hardwood floor. Pine, Oak, Beach….it’s almost a dream. And a SPRUNG dance floor ? Good lord, it’s like coming home. However, the rest of the world doesn’t even consider that an option. It’s just not on their radar, nor do they care. There’s a reason for that. Stone is cheaper than hardwoods to put in. So in other words, if you’re planning on visiting somewhere else in the world, aside from BsAs, expect to dance on hard surface.

Dancing in Buenos Aires on a hardwood floor ? Just get that little thought out of your head. There are very few of those spaces left in BsAs. Even the vaunted Salon Canning changed their dance floor to a parque baldosa tile floor a few years back because it was easier to maintain than the hardwood floor that they had previously. 🙂 So….sadly friends, the fantasy must die…right here. 🙁

MORE REMINDERS

Dancing In Berlin

Berlin is known for many reasons around the world, it’s culture, it’s Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list. If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…you should go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

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Musicality Vs. Interpretation

Welcome to the Department of the Obvious Department. Today’s menu of the Obvious includes: Men not asking for directions when lost, Men over talking Women, Men squeezing the living daylights out of their partners, and last but not least the Age of a Man has nothing to do with his ability to get dances!

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Variation

Repetition is only good in horseshoes and hand grenades. Which is to say, that no one, absolutely no one, likes being led to the same thing over and over and over again. Variation is the key to success! Small variation, large variations that open doors to other ideas, other thoughts. But in the end, variation. Taking an idea and then reversing it, or slowing it down, speeding it up, speeding up a part of it (musically), slowing down a piece of it, taking off the beginning or the end and reversing their positions. This is variation.

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Physiological Contact

There is one aspect of The ‘Connection‘ Fallacy that comes up a lot and that’s the idea that there is some mystical/spiritual/magical way in which we communicate in the dance. That communication is stated as how our ‘connection’ is to someone and them to us and how well we ‘connected’ with each other. Rubbish! Not to piss in someone’s Cheerios but that’s just magical thinking.

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Magical Improvement

“She’s not magically going to improve just because you ‘show’ her what she’s supposed to do at that moment.” To make this non gender specific, because this axiom applies to both genders, and both roles. As well as teachers and students. Some teachers know this truth, some teachers learn it the hard way. Clarity: The – “supposed to do” part above. This idea frequently occurs where you have a male Lead that has an expectation of X being followed properly, where X is Traveling Ochos, Volcada, Milonguero Turn, etc. And when it doesn’t they stop their dancing and then show the Follower what was intended. And here’s the magical part, they keep showing them, hoping that it will change the Follower’s behavior and frequently it doesn’t.

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Learning Castellano

Learning to speak and write in Spanish can be lots of fun. Doing so can really force you to understand that your own language is really wacky, that it is fully of colloquial phrases that when translated is a literal mess of confusion, and furthermore forces you to really start looking at your own culture and choices. However when it comes to Argentine Tango, and ultimately going to Buenos Aires, the question comes up … “Do you really need to learn to speak Spanish ?”

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The Importance of Two Millimeters

Contrary to what you might believe or think, distance, space, and rightfully precision absolutely matters when it comes to Argentine Tango. Let’s back up a bit and define a few things before we delve too deeply into today’s Tango Thought. Precision as defined by Webster’s Dictionary (2017) is a noun as derived from the English word ‘precise’ which is itself an adjective meaning “definitely or strictly stated, defined, or fixed”. Clear ? Not. In short, ‘Precision’ means that there is an area of exactitude, and/accuracy, finite accuracy, finely tuned acute and tight accuracy. And that just about sums up what has to happen with regards to Argentine Tango.

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The Neurology of Leading – Part 2

A question that comes up for some leads, not all leads, but some Leads (big ‘L’) is why is it important that you spend a lot of time listening to Tango music, and more importantly to mark the music ? Typically you’ll hear this question as “I have a life you know ? I have things to do. I can’t sit around all day long just listening to song after song after song for days, weeks, months, marking up every song in some crazy 8 count beat sort of way, and then try to memorize all that all so….

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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