Wood Floors

This is a short tango thought. In Europe, throughout the UK, the Phillipeans, Japan, China, and North America specifically, you are more likely to dance on wood floors, mostly. And as such you’re going to be somewhat expectant that that’s what your experience will be like everywhere else in the world. This is not the case the world over. As time has gone by wood, which was an abundant resources has gotten expensive, and wood flooring … astronomically priced. And dance floors ? Ha! These are even more expensive to put in. It’s cheaper to lay down cement and put tile over it. Tile lasts forever. Wood ? Needs to be maintained.

The toy of choice for most dancers is a ‘SprungFloor! Which is a work of art, science, and pure magic. Sprung Floors are to dancers, what honey is to bees.  A ‘Sprung’ Floor is a dance floor that easily absorbs shocks, giving it a softer feel. Such floors are considered the best available for dance, indoor sports, and physical education. They can easily enhance performance, and greatly reduce injuries on the feet, and most importantly, one’s knees!

Finding a Sprung Floor in the Tango world ? You’re at the mercy of the Milonga organizer.  You’ll get used to dancing on them very quickly, and come to expect them once you do. However, when you get to Buenos Aires, you’re going to be hit with a very real fact: Almost no wood floors! And a Sprung Floor ? Almost not. There are very few of them (left) to dance on. El Beso, Cachirulo (wood), DNI (wood over cement – top floor), El Yeite (wood over cement), Salon Canning (wood over cement), La Catedral (old sprung), Nuveo Chique, Griecel, La Nacional, La Leonesa , Los Laureles and a few others are the only places that have a wood floor. However, La Catedral’s wood floor isn’t exactly the safest thing on the planet. The floor has seen its better days. And quite possibly is a danger, so let the dancer beware. Salon Canning’s floor was redone a few years ago and is in better shape.

However what you’ll be presented with in Buenos Aires are Parque or Baldosa Tile floors to dance on. They’re hard, cement floors. So if you’re looking for this magical BsAs experience with wooden floors, not so much with that. Villa Malcolm, La Viruta, La Baldosa, etc…all Baldosa tiled floors!

Something to be aware of when dancing in BsAs it relates to the floors that you’re dancing on, and the time of year you’re going to go. If it’s the hot season (from Jan – Mar), when the rooms are insanely packed, and hot as the day is long from the heat outside, the TILED floors are going to be VERY slippery for a wide variety of reasons. Either the AC that’s running is running full blast and the floors are cold….or there’s so much sweat dripping going on that it quite literally ends up on the floor. So, as a result, you need to be aware of this little tiny factoid and be ready for it. As it will change how you turn, how you walk, and how stable you are. Ochos will be more difficult for both roles. The turns themselves will become far more challenging because of how slippery the floor is, especially for the dancer with suede on the bottoms of their shoes. The suede becomes impacted and needs to be cleaned out. So it’s a good idea to bring two things in your shoe bag if you haven’t thought of it yet. 1.) Talc Powder. and 2.) Shoe Brushes. Just sayin’. If it’s the cold season, you have no issues.

The Tango Topics Opinion. To dance on a hardwood floor or not to dance on a hardwood floor. That is the question. Whether it is nobler….ok enough bastardization of the bard. In North America and Western Europe, and perhaps the Russian Federation there is the luxury, and it is a luxury to dance on a hardwood floor. Pine, Oak, Beach….it’s almost a dream. And a SPRUNG dance floor ? Good lord, it’s like coming home. However, the rest of the world doesn’t even consider that an option. It’s just not on their radar, nor do they care. There’s a reason for that. Stone is cheaper than hardwoods to put in. So in other words, if you’re planning on visiting somewhere else in the world, aside from BsAs, expect to dance on hard surface.

Dancing in Buenos Aires on a hardwood floor ? Just get that little thought out of your head. There are very few of those spaces left in BsAs. Even the vaunted Salon Canning changed their dance floor to a parque baldosa tile floor a few years back because it was easier to maintain than the hardwood floor that they had previously. 🙂 So….sadly friends, the fantasy must die…right here. 🙁

MORE REMINDERS

The ‘Classy’ Move

Truth be told, the beginner dancer that does this will make themselves, and their dancing partner look absolutely fabulous regardless of how the dance went. What is it ? It’s The ‘Classy’ Move.

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Getting To Buenos Aires

You’ve been dancing for a while, and you keep seeing these posts about Buenos Aires. Your dream has slowly developed to go to Buenos Aires, to experience for yourself what all the fuss is about. First there’s the dancing, you’ve heard it’s the best. There’s the shoes! OMG the shoes. Then there are friends that have been and rave about teacher X or Milonga Y. You’ve see the videos of performances at Salon Canning (but didn’t know it was Salon Canning), the pictures from Milongas, and thought to yourself that it didn’t look all that challenging than your local milonga there are just more people. You’ve heard that Spanish isn’t necessarily a requirement because there’s a lot of foreigners that speak English, and a good portion of the teachers speak it too. So you if you went, you wouldn’t really need to learn Spanish. 

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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The Unseen

There is an unspoken, unwritten rule with regards to Argentine Tango. Actually there are a few of them. However, one of them is that once you are acknowledged you are now persona grata. However, if you are NOT acknowledged….then you are Persona Non-Grata. You don’t exist. They don’t see you. And the more that you stand in front of them, the less that they’ll see you. You are the ‘Unseen’.

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The Neurology of Leading – Part 2

A question that comes up for some leads, not all leads, but some Leads (big ‘L’) is why is it important that you spend a lot of time listening to Tango music, and more importantly to mark the music ? Typically you’ll hear this question as “I have a life you know ? I have things to do. I can’t sit around all day long just listening to song after song after song for days, weeks, months, marking up every song in some crazy 8 count beat sort of way, and then try to memorize all that all so….

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5 Reasons

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The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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Tango Accents

You may not realize this but you have an accent. The place that you live in, the people that you dance with, the teachers that you have studied with, and last but not least, the variation of those ideas from the original, creates a local tango ‘accent’. Every city where Tango is danced has an accent which is specific to that place and to that place alone. Boston, San Francisco, Paris, London, Berlin, Moscow, etc. They all have one, up to and including Buenos Aires, especially Buenos Aires! The difference between your local flavor of Tango and say Boston, Paris, and London, is like night and day within a spectrum of ideas.

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Lead Bashing

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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