The Super Enrosque
The Super Enrosque. There are only a small handful of things that a lead can do to ‘decorate’ what a Follower is doing. Usually, as Leads, we tend to leave the ‘decoration’ to the Follower. However we can in a small number of ways adorn what the Follower is doing, while they’re doing it. Doing so, tends to draw attention away from the Follower and towards the Lead, but sometimes that is desirable, sometimes. Today’s Tango Topic deals with one of these pieces of Tango vocabulary that isn’t seen too often (for a variety of reasons, see below), that when executed nicely can have a really nice effect on the dance, and at the same time open options and opportunities for both roles, not just the lead! 🙂
Let’s get this out the way, before another word is read, the Enrosque, and it’s kissin’ cousin of Today’s Tango Topic: The Argentine Super Enrosque is quite simply Lead flash, spectacle, and nothing more than that. Furthermore there’s absolutely nothing here for the Follower to do or to think about. Got it. You do not need to add this to your repertoire of tango vocabulary. It does not need to be executed every 3rd step simply because you believe that it’s cool Nor does every Follower want you to do this. Once or twice is fine in a night and then LET IT GO, move on to something else. Trust that the room has seen it all before, they don’t care that you can do 57 versions in 3 minutes, nor should a single song ever be populated with more Enrosques and Super Enrosques than the time it took for you to read this. Never. Ever. This is flashy vocabulary. It’s fun, to be certain but lord knows you don’t need to execute it!
That said, before we talk about what a Super Enrosque is, we have to define what an Enrosque is and is not!
The word ‘Enrosque’ (pron: ehn-RrOhs-kay – accent on the ‘O’) loosely translated to English from Spanish means ‘Thread’ or ‘Screw’. However, from a Tango perspective it has a very specific meaning. This a Lead based piece of vocabulary that can be done as adornment or accent to what the Follower is doing. It’s usually done with the Follower’s Molinete, but can be done anywhere really. But the place where it shines really is the Follower’s Molinete. So what is it ? The Enrosque is where the lead will cross one foot behind the other (in a clean fashion – there should be no daylight between the feet) and as the crossing behind happens there’s usually a pivoting rotation of the bodily position – This is the ‘Screw’ part of the definition of the Enrosque, not the crossing feet part. An actual ‘pivot’ may occur, however where things get flashy and really where the Super Enrosque comes in, is where the Lead engages Applied Disassociation! There is a common misconception that the Enrosque also contains a Lapíz (a lead leg extension) that trails the Follower’s motion. This is not part of the Enrosque! It is it’s own separate thing, and you quite literally must separate these things, one from the other. Doing so will create a greater range of capabilities.
Below you should see one of two videos: Free/Open users will see an Enrosque without any explanation of what should happen, or the paid subscribers should see the Entire Enrosque video from your Lead Technique section which fully explains the technique that generates the example videos. 😉 Without this explanation you’re quite literally pissing into the wind!
What is a ‘Super’ Enrosque ? You’re going to ask yourself this question: If an Enrosque is placing one foot behind the other, or in front, both are true where the feet are in a crossed position, AND (the ‘and’ is very important) there is a pivoting bodily rotation that occurs. Then what on earth creates a ‘Super’ Enrosque ? MORE ROTATION! And in specific More Applied Disassociation, as there’s an enormous amount of super rotation that can occur due to the release of all that pent up energy. And that release creates some really interesting options and opportunities. 😉 So without further adieu: The Super Enrosque!
Difficulty Rating: (4 / 5)
There’s a lot more to this Article! There’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂
you can do better, all it takes is practice and time.
The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:
From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.
And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!
There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.
No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.
About The Video. This video comes in at 23m:34s in length in 11 Sections. Lead Technique is explained here in the video. No Follower technique is explored.
Section 1 – Introduction – 00:01:33
Section 2 – Applied Counter Disassociation – 00:00:52
Section 3 – Enrosque with Lapíz – 00:01:48
Section 4 – The ‘Super’ Part – 00:04:08
Section 5 – A Few ‘Gotchas’ – 00:01:41
Section 6 – The Super Exercise – 00:01:40
Section 7 – Super Exercise Notes – 00:02:26
Section 8 – The Enrosque with a Follower – 00:02:50
Section 9 – The Super Part – 00:01:25
Section 10 – The Second Side Step – 00:01:20
Section 11 – A Few More Details/Closure – 00:03:05
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Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’ or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!
You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister. Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!
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