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Social Volcadas

You’ve seen them at Milongas, and for most Leads that see them, most think they’re really cool and then want to do them because of their coolness factor. Most Followers when they see them for the first time are rightfully afraid of them for obvious reasons. The Follower is being led to a controlled fall. Controlled is a loose term here because 9 times out of 10, that control never happens, mostly because the Lead has not mastered several things, most notably how to support their Follower without the use of their arms! Typically you’ll see variations of an Argentine Volcada that range in size from large and egregious, taking up ginormous amounts of space, with the more common open side volcadas being the most common variety, all the way down to the more reasonable ‘Social’ Volcada which takes up no space in the line of dance. And then everything in between those two extremes. Today’s Tango Topic deals with 2 specific varieties of these ideas. The common Egregious variety, and the more desirable Social Volcada. That said, let’s dive into The Argentine Volcada.

What is a Volcada ? First, the word ‘Volcada’ comes from the root Spanish verb ‘volcar’ which when translated into English means ‘To Fall’ or ‘To Tip Over’ or ‘To Overturn’. The ‘ada’ ending means, in English, ‘en’ or ‘ed’, or in this case FallEN, FellED, TippED Over, OverturnED. While the translation gives you a tiny idea of what a Volcada is from a Tango perspective, very small, it doesn’t even come close to what it actually is.

A Volcada is nothing more than a glorified Argentine Cross with a 20 to 30 degree forward tilt or bodily slant (for both roles) along the longitudinal axial line for both roles that ideally does not break at the waist. A Volcada itself can be supported or unsupported (which is not desirable) and is usually performed from Cross System or from a standing Mordida. When done properly….and ‘proper’ is a very loose word here because there are a whole series of Volcadas that can be done (safely) that loosely qualify as a ‘Volcada’. These are what are considered shared-axis pieces of tango vocabulary that result in a series of crossed feet for the Follower to either Follower left or Follower right. This is a Volcada.

What is a Social Volcada ? A ‘Social Volcada’ is a little different.This is a version of the Argentine Volcada that is, in our opinion, far sexier and way more svelte than the egregious versions of the Volcada than what you’re used to seeing. The Social Volcada is smaller, tighter, much more ‘cloistered’. It’s referred to as a ‘Social’ Volcada because it takes up about as much space than a typical walking step, maybe less. It fits within the line, and the lane of dance, and does not in any way, shape, or form, extend beyond the couple’s walking frame. This is what makes it ‘Social’. 😉 Why do we bring up this as the topic ? Because in this video, we’re going to go one step beyond the typical Argentine Volcada and focus on the Social variety! 😉 Thereby making the Volcada far more useful in the line of dance. You’re welcome.

The Free Tip. There is a natural ‘kickstand’ for all Volcadas, a safety mechanism that the Follower can invoke, if they’re not supported in the initiation phase of the Volcada, thereby saving themselves from a trip to the Chiropractor the next morning!

About The Video. This video comes in at 14m:27s in length in 11 Sections.

Introduction – 00:00:34
Carpa Technique – 00:02:59

Follower Cross Technique Reminder – 00:00:19
Follower Mordida Reminder – 00:00:24
Follower’s Kickstand – 00:01:16
Lead Right Arm/Forearm – 00:01:06
Lead Torso Rotation – 00:01:24
The Lead’s Free Leg – 00:00:31
Follower Posture & Free Leg – 00:03:37
Volcada Details – 00:00:34
Lead Footwork & Steps – 00:00:53
Volcada Demo – 00:00:53

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

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