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The Social Lápiz & Enrosque

The Spanish word ‘Lápiz’ (pron: lah-pees – emphasis on the ‘LAH‘ and not the ‘pees’) translates to English as Pencil, and the word ‘Enrosque’ translates to English as ‘Screw’ or ‘Thread’. From a Tango perspective these are primarily ideas that relate solely to the Lead’s side of the dancing equation. Mostly. 🙂 A Follower can and does engage in a version of the Lápiz when applying a needle turn in ochos, or a planeo but as it relates to the Enrosque, it is very infrequently done by the Follower on their own. That said, let’s talk about the Social Lápiz & Enrosque.

What is a Lápiz & Enrosque ? Let’s take those words one at a time. A Lápiz is a leg extension (and pointing of the foot/toe) done in a circular fashion in response to what the Follower is doing. Usually, this is a leg extension out away from the body (Forward to 12 O’Clock), then around to the side (at Nine O’Clock), and then the back (at Six O’Clock), and then back to collection. The Lápiz is usually done to the Follower’s Molinete or Traveling Ocho on their resulting backstep.

The Lapiz Exercise

What makes it ‘Social’ is that it is very small, very tiny. Meaning that the footprint (no pun intended) should not take up any more space in the line of dance than say another step forward would. In other words ? No space.

And what about the Enrosque ? An Enrosque is essentially the lead crossing one foot behind the other without space between the crossed feet (better known as a ‘clean’ cross) and then, here’s the hard part, unwinding that cross back to collection without wobbling, wavering, or using the Follower to do it! Typically the Lápiz and the Enrosque Follow each other. First a Lápiz and then the Enrosque.

The Stability Exercise

The Free Tip. This is going to challenge you. No lie. The rotational pivot that has to occur over the standing foot, will drive you absolutely batty. Now try doing that while your partner is hanging on you, pulling you, pushing you….good luck with that. You must work on your own stability independent of your Follower. So here’s a free hint for you – more compression in the standing knee. The more you have, the easier this becomes. However, you do not want to be on your heel while you’re doing it! 😉 Good luck, you’re going to need it.

Notation: It should be noted that the Lápiz is generally done in concert with the Follower’s Back Step of the Follower’s Molinete; And it can also be done with the Follower’s Traveling Ocho (Back or Forward). It can be done anywhere where the Follower is being led to transit around their Lead. At the same time, it can also be done with the Follower’s side of the Milonguero Turn. However, engaging the Milonguero Turn and then engaging in Lápiz is kinda ‘flashy’ and doesn’t look so good in our opinion.

About The Video. This video is 14:03 in length in 7 Sections

Section 1 – Introduction – 00:00:12
Section 2 – Basic Technique – 00:01:29
Section 3 – Close Embrace Exercise – 00:02:22
Section 4 – Executing The Social Lápiz – 00:03:34
Section 5 – Adding The Enrosque – 00:02:45
Section 6 – The Social Version – 00:04:17
Section 7 – Closing – 00:00:19

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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