The Blame Game

The dance starts out on an even footing. It’s quite clear two steps later that one of you is clearly better than the other. Usually the Lead believes that they’re all that, and the Follower is just trying to survive the compressive embrace, let alone actually dance. In reality…well let’s just say that no one is perfect and leave it at that, shall we ?

The fact is that regardless of which role we dance we have a tendency towards blaming our partners for our foibles. We don’t like to admit that we screw up in life, and in tango nearly all screw ups are the fault of the lead. Nearly. There is really only one instance under which the lead is not responsible. And it happens when the Follower makes a different choice than what was intended. To be clearer, a Follower can mishear/misread what was led, but if they’re being honest, then they can rightfully abdicate responsibility for X, Y, and Z because it was ‘led’. However, that’s not an entirely accurate summation because it leaves out of the equation the role of the Active Follower and deliberately making choices that may not be what was intended but end up being so much more of an egalitarian experience to the point where the ideas of traditional lead and follow blend and merge and you’re not really certain who’s leading or following whom. 😉

Blame on the other hand, happens quite frequently, which usually goes like this: Lead/er ‘suggests’ X (1), Follow tries to initiate X, Follower mishears/misreads X (2), Lead stumbles in the execution of X because the Follower executed the wrong thing or is not where they’re supposed to be, Blame ensues, and then here’s the kicker – The Follower Apologizes for what they were led to do!

Notation 1: That ‘suggestion’ is usually vague as the day is long. Meaning that said ‘lead’ (the action) is not as clear and direct as it could be, usually said lead (the action) is stopped or incomplete half way through the intention to do such. And as a result the Follower is unclear as to what they’re supposed to be doing and thereby must ‘infer’.

Notation 2: The Follower has to infer a great amount from an unclear lead. This happens quite frequently, and more so than we would like. 🙁

As a result, the Blame Game ensues, round and round we go.

There is a way out of the Game. Several really. One of them is to recognize that you’re not all that, and that you’re human, and that you make mistakes – frequently. Accept responsibility for those mistakes and move on.

MORE REMINDERS

Social Dancing

Social Dancing’ means going out with friends, or to meet friends, at a Milonga, for the purpose of getting together to dance Argentine Tango (or most any other dance) better known as ‘Social Tango’. The emphasis is on the social part, and not the technical part.

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La Cumparsita

At the end of nearly every Milonga in the world, that you will ever attend, while you will hear more than a few familiar songs, there are a handful that have very specific meanings. One of them is played at the end of the night to signify that the Milonga has come to end, which should be a cue to find your favorite partner and to dance with them. The song ? “La Cumparsita” or as it is translated into English, ‘The Little Carnival’.

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Practice (part 1)

For most people the idea of practice is about practicing the dancing part. Not about the actual "practicing" part. Practice really wants to take apart what one does, how one does it, while asking for feedback & input. Then asking questions, and then figuring out where things aren’t working and why, to smooth out the rough edges of something, and then continually refine, and refine, and refine it so that it becomes effortless.

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The Talking Cabeco/Mirada

If you’ve been dancing a little while, or for many years, at some point along the curve you’ve heard the word ‘Cabeceo’. Which roughly translates as a slight nod or nodding of the head (Cabeza) for the Lead to invite a Follower. The Follower’s side of that same invitation is referred to as a ‘Mirada’ (to look at, or ‘looked’). It’s an oddity that almost no one knows about the Follower’s side of the equation, that the Follower can ask for a tanda, employing the same methodology. It just has a slightly different name.

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Tango Cities

Today’s Tango Thought covers a labor of Tantalus … where is Tango danced and in what cities ? What follows is by no means an exhaustive list of places where tango is danced, it only scratches the surface.

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Good/Bad & Dancer/Teacher

At the beginning of our Tango lives, most people go to a Tango Class to learn how to dance Tango. Some people throw caution to the wind and just go to the Milonga and ‘learn’ on the dance floor sometimes with positive but most of the time with disastrous results. And some people take the route of skipping group classes all together and start with one-on-one sessions to begin their Tango journey.

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Posture

As has been said, many times, which is exceptionally important, and is frequently mentioned by many dancers almost immediately is: Posture.

Posture for most people boils down to the following two lines:

“Head up!”.

“Elongate your Spinal Column.”

This is a ‘good’ posture for most people.

Sounds easy enough, right ? Just lift your head up, and then ummmm ‘elongate’ your spinal column.

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Dancing In Berlin

Berlin is known for many reasons around the world, it’s culture, it’s Berlin accent of German, it’s fact as a post-cold war city, and most recently the financial capital of Europe. Tango was certainly not on that list. If however, you happen to be a Tango dancer, and at a very specific place in your dance, then you have heard Yoda-like whispers of “Berlin…you should go to Berlin…”. There’s a reason for those whispers, which has turned into ‘talk’. It’s because there is a reason for all the ‘fuss’ over Tango in Berlin.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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It’s Too Late

Frequently most dancers after they ‘learn’ something will fail to solo practice it, as well as use it at a social practica, which as a result fails to deepen their fluidity when dancing so that when X, Y, and Z is led or followed they ‘miss’ it and hesitate. Thereby creating the impression that they’re inept dancers.

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