Follower Bashing

All too often a good portion of Followers get the short end of the stick as it were. They’re blamed for missing this or that, not having enough resistance (a major no-no), not pushing, not leaning enough (false apilodo another major no-no), not stepping in the right place, not keeping up with the lead, etc. They’re blamed for a host of things from walking, to musical interpretation. After a while they develop a complex of just taking responsibility for almost everything that happens that isn’t desirable in the dance, instead of the Lead taking rightful responsibility for what’s been led! This is known as ‘Bashing The Follower’. Ask yourself this question Followers, if you’re being honest about what you felt, and it’s clear that you felt X, then why on earth are you apologizing for it ? At the same time from a Leading perspective, if you led X, and the Follower felt Y, and clearly does Y and when you intended X, why are you growling at them ? Especially when the issue is that your idea of that specific lead to do X which is not entirely clear for that Follower. So blaming them is not going to go over all that well. This is, again, known as “Bashing The Follower”.

Is this desirable behavior ? No. Is it what happens ? Yes. Are you going to continue to do this no matter what ? Yes. Is there a way to stop it ? Yes. How ? Fix the L/lead. 90% of the time the problem is with how the lead is invoked! Fix that, and automagically problems start to disappear. There is another way to fix this problem and it comes from the Follower’s side of the equation: Stop accepting their cabeceo! But that’s a whole different thought for a different day. Most L/leads don’t want to hear that part. That they could be rejected because their lead is not desirable. Their egos would shatter into a million tiny pieces. 

To be fair the Follower does have issues. Don’t mishear this as the Follower is all perfect. Not by any stretch of the imagination. They have their issues, as noted here, here, here, here, here, here, here, here, and here just to name a few. However, you as a Lead need to collectively get your sh*t together, as indicated here, here. here, here, here, here, here, here, here, and here just to name a few. This site, and the requisite videos/articles points out the issues with both roles, not one over the other. This stuff is a lot to take in all in one bi/yte. and it’s hard enough with just one role to hear just one piece of the topic, where there are multiple issues that need to addressed. (see also: Lead Bashing)

The Tango Topics Opinion: Should the Follower be ‘bashed’ for following what they were led to do ? In our opinion, this is a categorical “NO, they should not”. However that’s typically not what happens. The Follower is continually blamed and shamed, and apologizes for what they were led to do. And frequently the Follower quite honestly blames themselves for missing something that they weren’t even led to do. They second guess themselves and end up in a withering mess of “I’m sorry” over and over and over again. When in fact the issue on the table is that the Lead didn’t lead the Follower as clearly as they needed to in the first place. Typically what happens is the Follower is put in the role of having to read the Lead’s mind and thereby have to guess what was intended. Sometimes they’re right, and sometimes they’re wrong. It’s a good dance for some Followers if they don’t have a rash of “I’m sorry” in the dance. Some Followers just move on and don’t even bother with the apology at all. Which, quite honestly is the way to go. The apology is a distraction from the execution of what may come next. Truthfully the apology that happens is more of an interruption more than anything else. It interrupts the flow of the partnership. And by that time, it’s too late. The reality is that the Lead has already blamed, shamed, or bashed the Follower for their perceived ineptitude. When in fact was no Follower ineptitude to begin with. It was the Lead’s fault the entire time.

Let’s be clear about something here, there are times when it is solely or squarely the Follower’s fault. When they genuinely miss something. And in that instance, yes you can take responsibility for yourself. However, to take responsibility for not being able to read someone’s mind and to infer what was led is a bit a stretch, yet this is precisely what happens.

That said, YMMV, and your vantage point may vary, but here’s something to try, the next time that the “I’m sorry” thing happens, and it will, stop in that moment and be honest and ask the following question: What are you apologizing for ?

Thanks for reading.

MORE REMINDERS

Milan for Followers

A good spot for Followers to plan their next Tango vacation is: Milano. Why ? Several reasons. 1.) The men dress nicely for Milongas. No. It’s true. They actually dress up for Milongas. And as has said before in Vol 3. (Truism 1096), nothing screams ‘come hither’ more to a woman than a man in a tailored suit! And in this case, usually the shoes are handmade as well. 2.) Then there’s the fact that they smell nice.

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The Birthday Song

The Benefits of a Birthday Song. There are a few, but important, benefits to having a Birthday Song for one or more people at the Milonga. 1.) From an organizational position, the Milonga Organizer can use this as a way to advertise the weekly Milonga. "It’s Miles’ Birthday, Come and Dance with him into the wee hours!". That sort of thing. 2.) It’s a way for the Community to come together and support one of their own.

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Floorcraft

What is Floorcraft ? In it’s simplest form, as there layers and layers to this stuff, it is how to navigate the floor while dancing with your partner and not hitting the couples ahead, or behind you. As well as not touching the tables, and chairs. All the while interpreting the music, concurrently interpreting the beat and the musical pauses to fit the tango vocabulary while maintaining the spacing between the couples.

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Age (Women)

The fact is that the younger and prettier you are, the more physically attractive you are, the more likely you are to get dances. That’s fact. I mean we’re dealing with ‘men’ here so … well do the math! However just because said younger and prettier girl gets the dance does not necessarily mean that said Follower will keep it. A good number of better leads, will actually over look said younger and prettier girl because they know that said Follower can barely walk, turn, embrace, or for that matter breathe properly. That is, unfortunately, only about 10-20% of the available L/leads in the room.

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The ‘High Season’ in Buenos Aires

What is the "High Season" in Buenos Aires ? It’s the period of time between December 15th and March 15th when several things happen all at once. 1.) It’s INSANELY HOT. It should be noted that sometimes this is called the ‘hot’ season. 2.) The traveling teachers return home to practice, and to build new routines. 3.) There’s a lot of tango touristas (you). 4.) There’s a lot of seminarios that happen. 5.) Did we mention there’s a lot of people ?

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Sweating

Tango can be, and usually is, a sweaty business for a variety of reasons. Not the least of which is the fact that in many places there are noise ordinances that prevent Milonga organizers from opening the windows. Or the venue where the Milonga is held, their air conditioning units are not up to the task, and are easily overwhelmed by more than 50 people in a room for sustained usage.

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The Neurology of Leading – Part 2

A question that comes up for some leads, not all leads, but some Leads (big ‘L’) is why is it important that you spend a lot of time listening to Tango music, and more importantly to mark the music ? Typically you’ll hear this question as “I have a life you know ? I have things to do. I can’t sit around all day long just listening to song after song after song for days, weeks, months, marking up every song in some crazy 8 count beat sort of way, and then try to memorize all that all so….

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Good Lead ?

There are many things to look for in a ‘Good’ Lead. Like for instance, the ability to keep time within the beat structure meaning that they’re placing their Follower’s on beat and not necessarily themselves. Still another is their posture which is reflected in the Follower’s posture as well. Still one more is the ‘cleanliness’ by which they execute a particular piece of vocabulary. That said ‘execution’ is done sharply, with snap and polish, and shows off their Follower, and in doing so, themselves. 😉 Those are some good signs of what qualifies as a ‘good’ lead (the action, not the person).

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The Non-Gender Cabeceo

What is a ’Non-Gender Cabeceo’ ? A Non-Gender Cabeceo works exactly the same way that a Gendered Cabeceo works. There’s nothing special or different about it. The practice is exactly the same regardless of Gender, or at least it should be. If same sex dancing, or role fluidity, is permitted at Milongas, Marathons, and Encuentros, then the same rules apply in a Gendered Cabeceo.

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Discomfort

Far too often we experience ‘discomfort’ when dancing. Most of the time we discard it and just accept it as the price we have to pay in order to dance with X, or so that we don’t have to sit through yet another milonga tanda, etc. Sometimes we feel that discomfort, and sometimes we don’t but in general it’s there, most of the time.

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You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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