Metatarsals

Your foot has 5 metatarsals. Where are they ? And why are they important ? First, they’re just behind the toes. Looking at your foot, you’ll see your toes, and if you feel just where the toe connects to the ‘meat’ of your foot, that connector is where the metatarsal starts. These bones believe or not take the bulk of your weight when you’re walking, running, and yes…dancing, not your toes! The toes act like microbalancing tools, but the metatarsals are taking most of the punishment of your foot impacting the floor or the surface that it’s on. There are 2 very important metatarsals in Tango Topics way of seeing the Tango world. Those 2 important Metatarsals are the first and the fifth.

The first metatarsal is one that you use all day long. This one is also the easiest of the 5 to find, it’s also the biggest. This one is the just behind the ball of your big toe, and the first phalanges, or 1st toe joint. We’re looking for the bone just behind that toe joint. This bone above all others is taking most, if not, all of your weight. The rest of your foot is actually being used as a stabilizer and to distribute the weight transfers out over a larger surface area!

The fifth metatarsal is the one where unfortunately several nasty things can and do occur! This is the bone just behind your baby toe joint. Of all the bones in your foot, this is the most fragile and the most flexible one. It’s also the one that is going to snap under the right conditions. And those conditions happen for tango dancers, especially Followers, a lot. It’s where the Follower will quite literally land their weight on the fifth metatarsal itself. This is not ideal and can result in what’s called a Dancer’s Break, quite literally, anywhere along the 5th metatarsal bone itself. It happens because the foot rolls under itself thereby ‘crushing’ and breaking the 5th metatarsal bone, instead of the weight being distributed on the first and then metered out over the remaining metatarsals. 

MORE REMINDERS

Getting Into The Encuentro

This is a FIVE step process, that you will want to follow religiously, which does not necessarily depend on where you live. If you’re an American dancer and want to break into the scene in Europe, then this is a post for you. If you’re already living in Europe then you have a slightly different pathway, but the suggestions are exactly the same.

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The Bloody Toe

The fact is that while open toed shoes can be lovely to look at, they have a practical downside that no one likes to talk about – one wrong move and you’re lookin’ at a serious injury!

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The Powerful Follower

What is a Powerful Follower ? A Follower that has first and foremost a.) the force of the Follower’s muscles (legs – quads & glutes specifically) engaging with acceleration, power, and strength….

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It’s Too Late

Frequently most dancers after they ‘learn’ something will fail to solo practice it, as well as use it at a social practica, which as a result fails to deepen their fluidity when dancing so that when X, Y, and Z is led or followed they ‘miss’ it and hesitate. Thereby creating the impression that they’re inept dancers.

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The Practica

The idea of a Practica is ‘theoretically’ to Practice what you have learned. To try out what you have been shown, with multiple partners, as if you were in a class rotation. It is ‘theoretical’ because while the theory is nice, the reality is a little different.

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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Fear of Milonga

The fact is that some folks have a justifiable fear of Milonga! No not the dance party, nor the music at the milonga, no…this fear refers to the abject fear that is expressed by some people when Milonga music is played because now they must dance ‘Milonga’ moves to milonga music. The reason ? Either it’s the speed at which it is seemingly danced, or the music that is perceived to be ‘fast’, movements/steps/patterns/figures that are associated and specific to Milonga. Some people just freak right out when it comes to milonga. Some people actually break out in a cold sweat at the very thought of it, Lead or Follow.

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Talking While Dancing

Tango is a ‘Social’ dance. Meaning that the whole reason you are there is to hang out, meet new people, and to be social with each other. The dancing part is what brings us together but it’s really about being a social creature. That’s why it’s called a ‘Social’ dancing. Social in this case means talking and sharing your day or what’s been going on with you. Mostly it’s lots of talking, sharing, listening, and more talking.

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Body Contortion

A good portion of people come into the embrace, Lead or Follow, and in one way, shape, or form, contort their bodies to make the dance work while dancing, rather than employ proper technique.

Contort ? Yes. For example: As a Lead or Follow they might dance with a ‘head tilt‘ towards (buried into) or away from their partner, or as a Lead they’ll employ ‘waiter arm and hand’, or as a Follower they’ll dance in their Lead’s armpit, twisting their body to the side, and un-leveling their shoulders. This is contortion. 

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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