Metatarsals

Your foot has 5 metatarsals. Where are they ? And why are they important ? First, they’re just behind the toes. Looking at your foot, you’ll see your toes, and if you feel just where the toe connects to the ‘meat’ of your foot, that connector is where the metatarsal starts. These bones believe or not take the bulk of your weight when you’re walking, running, and yes…dancing, not your toes! The toes act like microbalancing tools, but the metatarsals are taking most of the punishment of your foot impacting the floor or the surface that it’s on. There are 2 very important metatarsals in Tango Topics way of seeing the Tango world. Those 2 important Metatarsals are the first and the fifth.

The first metatarsal is one that you use all day long. This one is also the easiest of the 5 to find, it’s also the biggest. This one is the just behind the ball of your big toe, and the first phalanges, or 1st toe joint. We’re looking for the bone just behind that toe joint. This bone above all others is taking most, if not, all of your weight. The rest of your foot is actually being used as a stabilizer and to distribute the weight transfers out over a larger surface area!

The fifth metatarsal is the one where unfortunately several nasty things can and do occur! This is the bone just behind your baby toe joint. Of all the bones in your foot, this is the most fragile and the most flexible one. It’s also the one that is going to snap under the right conditions. And those conditions happen for tango dancers, especially Followers, a lot. It’s where the Follower will quite literally land their weight on the fifth metatarsal itself. This is not ideal and can result in what’s called a Dancer’s Break, quite literally, anywhere along the 5th metatarsal bone itself. It happens because the foot rolls under itself thereby ‘crushing’ and breaking the 5th metatarsal bone, instead of the weight being distributed on the first and then metered out over the remaining metatarsals. 

MORE REMINDERS

Lead Bashing

Bashing ? Meaning that you’re throwin’ some shade, picking on, pointing out the errors of, giving some shit, pointing fingers at, trash talking, talk down, blaming and shaming, and the euphemistic UK’ism “taking the piss”. While that last one is more about making fun of someone, that’s not actually what this idea is all about. It’s about disparaging someone, or in this case, from a Tango perspective, the L/lead’s abilities (the person, and the action).

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Discipline

Ballet dancers know all too well that a good dance teacher is strict, hard as a nails, and won’t let you get away with anything. While it may be hard on the body, and hard on the ego, the fact is that dance teachers like that are a godsend. However, the teacher is only one component to the educational process.

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The Non-Gender Cabeceo

What is a ’Non-Gender Cabeceo’ ? A Non-Gender Cabeceo works exactly the same way that a Gendered Cabeceo works. There’s nothing special or different about it. The practice is exactly the same regardless of Gender, or at least it should be. If same sex dancing, or role fluidity, is permitted at Milongas, Marathons, and Encuentros, then the same rules apply in a Gendered Cabeceo.

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The Follower’s Work

The Follower’s Work. These words may come as a surprise to you dear reader considering that this page has seemingly ‘bashed’ or disparaged the role of the Follow in any number of ways, however: The role of the Follower is work. This is by no means a complete list, but just a taste: A Follower must master in order to ‘dance’ with a particular Lead their stability, their walk backwards, and forwards to the side without wobbling.

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The Negative of Tango

There is distinct negative side to Tango. Ask anyone that has done any level of work to improve their dance, and they’ll tell you that it is at once eye opening, again blistering, noxious and wholly demoralizing. Demoralizing to the point where they want to quit dancing altogether.

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Toe vs. Heel (Follower) ?

In case you have been living under a rock, this Thought is going to shock you somewhat. There is a debate that has been raging for quite some time now. The debate ? Should the Follower step forward with their heel first, or their toe first ? Better known as the Heel or Toe debate only for Followers, not for Leads as is the usual debated topic.

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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