video
play-rounded-fill

Important Note: The video above is either a sample of the full video, or a ‘free’ video.
Be aware that the video is playing at 480p (less resolution).
All videos on the site for basic subscribers are at 720p, and 1080p/4k resolution for premium subscribers.

Listen to this article

The Follower’s Exercise

There are countless drills a Follower can do to sharpen technique, improve control, and fine-tune execution. This site includes several, each designed to strengthen tendons, stretch muscles, and—most importantly—recalibrate neurological awareness and mental habits. But among them, one exercise stands alone.

It’s the first thing every Follower student does in their private lessons with me. Without exception.

It is the single most important exercise a Follower will ever do. Why? Eleven reasons, actually (which you’ll see below—assuming you’re a subscriber. If you’re not, you can still fix that for the cost of a monthly subscription).

At first glance, the exercise looks absurd. Exaggerated steps you’d never actually use on the dance floor. And you’re right—you won’t. But that’s not the point. This is an isolation drill. It’s a neurological reset. A training ground for control, precision, and deep awareness. It sets up everything a Follower will ever do in Tango. And it lays the foundation for one of the most misunderstood, misused, and misnamed techniques in tango: disassociation (a.k.a. “pivot,” a term we don’t use here).

Let’s be clear: this exercise is deceptively simple. It is anything but easy. It demands obsessive detail, surgical control, and mental clarity. Which is why it drives nearly every Follower a little crazy at first—for two reasons:

1. Details Matter Here

Precision matters. A lot.
Where is your foot landing? Are you crossing over the body meridian ?
How is your foot landing (in supination or pronation)?
What’s your level of extension? Are you popping the knee ?
Are you actually in opposition or faking it? And is the opposition in the extreme as it should be ?
Where are your arms? Your hands? Your head?

2.) No Partner Required.

This is one of those times when you can NOT use a partner to stabilize you. You will feel every instance of your own instability everywhere in every piece of this motion. Further you can not RELY on what you see in the mirror. You will only see bits and pieces of the motion. It’s for this reason you must video everything you’re doing for playback and feedback. You must also be INSANELY RELIGIOUS about doing this work. You can not falter, you can not waver. Ever.

“But No One Dances Like That!”

Correct. No one should dance like that. And you won’t—on a social dance floor.

But here’s what you need to understand:

a.) The exercise is setting up other things.
b.) It’s training you in the extreme so that the minimal becomes second nature.
c.) It’s building control you probably don’t have (yet).
d.) It’s a full-body isolation drill for balance, control, and proprioception.

Who Should Do This?

Short answer: Everyone. Especially experienced dancers.

But they usually don’t. Why?

1. They think they’re above this kind of thing.
2. They see a barefoot man demonstrating a Follower exercise and immediately check out.
3. They assume I couldn’t possibly have anything useful to say about Follower technique.

They’re wrong. But that’s their loss. If you’re reading this and doing the work, your gain.

Why This Exercise Works (If You’re Honest)

This drill will only help you if you’re brutally honest about what’s happening in your body. If you’re not? It’s a waste of time.

What you’ll start to notice (and this is where the frustration sets in):

You don’t actually extend cleanly.
You bend your knees too much.
Your extension is inconsistent and visually messy.
You wobble. A lot.
You can’t walk in a straight line backward without support.

And here’s the kicker—if you’re wobbling alone, just imagine what you’re doing in the embrace. If you’re relying on the Lead to keep you upright, that’s a problem. No one wants to be a crutch. If the roles were reversed, you wouldn’t like it either. So let’s stop pretending otherwise.

This exercise rebuilds your stability from the ground up. No partner required. No excuses allowed.

Barefoot? Really?

Yes. And yes, I know: for some people, the moment they see I’m barefoot in the video, they stop listening.

Here’s why I’m barefoot:

Shoes compensate. They cover up flaws. They stabilize things for you. That’s not what we want. We want you to feel the floor. Really feel it. Direct contact. Raw data. No buffers. Only then can you train the real systems that keep you balanced and grounded.

Eventually, we’ll do this work in heels. But only after you’ve built the tendon strength, control, and precision to manage them. Then the heels don’t control you—you control them!

Heels Are Sexy, But…

Let’s be honest: heels are gorgeous. They’re sexy. But they’re also unstable torture devices. You’re balancing on the head of a pin. They wreck your joints, cartilage, circulation, and nerves (yes, that nerve behind the ball of your foot that goes numb after 90 minutes—that’s your plantar nerve, and it’s not happy with you).

And let’s not even talk about the Leads who drill their partners into the floor like jackhammers. It’s not helping. You’re absorbing all of it. In bad shoes. With no training. No strength. Just endurance. And endurance is not the same as training. It’s just pain management.

That’s why we start in socks or bare feet. You’ll thank me later.

Final Note

The “heel work” phase of this training was never posted on this site. It’s something I only ever taught in person during intensives. And maybe one day I’ll share it. But for now, if you want to get there—you start here.

Do the work. Barefoot. With precision. With brutal honesty.

The rest will come.

The Follower’s Exercise: One Exercise to Rule Them All.

1.) The Turn Out Factor!
2.) Leg Extensions (Part 1)
3.) The Straight Line on the Floor!
4.) The Pigeon Toed Feeling.
5.) The Weight Transfer.
6.) Opposition Explained.
7.) Extreme Opposition Used.
8.) Homo-Lateral Movement.
9.) The Long Extension (Part 2)
10.) The Knee Bend (Compression).
11.) The Little Lean We Don’t Want.
12.) Your Body Wavers.
13.) The Isolation Technique/Ballet Rises
14.) The Eleven Reminders.
15.) The Actual Exercise (seen above).
16.) The Leg/Foot Reminders.
17.) The Checklist.

These are the 17 topics that are covered in this extensive article that goes over every aspect of this very important exercise and then some. It’s a full treatise on how to extend one’s leg…as a Follower. Everywhere!

10 REASONS TO SUBSCRIBE

There are 4 Levels of Access: Free, Basic, Premium, and Premium+. Free pays nothing but gets a perk just for signing up. 

1.) Free Users get to see 5 of the 125 Different Tango Topics on the site. Plus you get access to the entire Tango Reminders and Tango Ideas sections of the site. These are short form Topic descriptors with a little detail about the topic and the video.

2.) 
Basic and Premium users Save A BOATLOAD of MONEY! Buying this stuff outright is expensive.

3.) Basic, Premium, and Premium+ users get access to the ALL ARTICLES and THE FULL ARTICLE which you can’t see right now.

4.) Basic, Premium, and Premium+ users have way better video resolution: Free = 420p, Basic = 720p, Premium = 1080p and 4K. 

5.) Basic, Premium, and Premium+ users get the ‘Dancing Perspectives’ & ‘The Soup’ sections of the document you just read (Lead, Follow, and Dancing) which are open to you. And that’s where all the good stuff is at. 

6.) Video Downloads! 

7.) Access to the Tango Topics Music Library (22 Curated Golden Age Orchestras)

8.) Access to ‘Tango Del Dia’ – Our Music Education System with access to 14 Days of Music, 30 Days of Music Education, and 30 More Days of Tango Del Dia. 

9.) We explain things, break the vocabulary down in a visual way, from multiple angles, showing feet, hands, and close ups! Yes there’s a lot of talking but we want you to understand what it is that you’re doing and why, not just steps, patterns, and figure

and #10:
No more annoying ads at the bottom of the page, begging you to subscribe! 

Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

DROP ME A MSG HERE

Hide picture