Linking Notation: All the links on this site are internal definition links, nothing is external (excluding tangotopics youtube channel, and facebook like & share links), meaning the links are there to create a deeper and richer clarity.
The Argentine Calesita
The Argentine Calesita. Tango consists, surprisingly so, of an almost dizzying array of ‘steps’ that it quite honestly boggles the mind. Really when you stop and you think about it, it’s just 2 feet, well 4 really, and you can’t even begin to imagine what you could do with 4 feet. The possibilities are nearly endless! Which brings us to Today’s Tango Topic: The Argentine Calesita.
Calesita is not a word that you hear all that often, and quite frankly even if you look it up to translate it, you’ll more than likely be more than a little confused. In the annals of Tango Vocabulary this is one of those things that quite literally have to ask, “What on God’s green earth is a Calesita ?”.
The Argentine calesita is a type of turn. One of the 9 Types. 1.) The Follower’s Molinete (open embrace, and close embrace). 2.) The Milonguero Turn. 3.) The Rock Step. 4.) The Ocho Cortado. 5.) Argentine Media Luna. 6.) Walking Turns. (El Giro de Caminando). 7.) Single Axis Turns. 8.) Colgada Turns. and 9.) The Argentine Calesita.
What is an Argentine Calesita ? The word “Calesita” roughly translates as ‘Carousel’ or in English, a ‘Merry-Go-Round’. Anytime the you see a ‘sita’ or ‘cita’ ending on a Spanish word, it means that whatever object is being modified is small, or made smaller, tiny. So this is a small carousel, or a small ‘Merry-Go-Round’. The Argentine Calesita is a basically a small turn! It’s nothing more than a variation on a El Giro De Caminando or The Walking Turn with a ‘twist’, there’s always a twist!
Difficulty Rating: (2.5 / 5)
From A Leading & Following Perspective the Argentine Calesita is really simple for either one of you. This is nothing more than walking really. It’s just that this one of you (the person receiving the Calesita) will stay in the center, while the other (the person walking the Calesita) will walk around the other! While there are several versions of the Calesita, such as a Lead Forward Calesita (in the video), The Lead Back calesita (in the video), The Follower Side Calesita (in the video), and the Lead Molinete Calesita (not in the video) the one that you’re going to lead and follow over and over again, because of its simplicity, is the Follower’s Forward Calesita. This is where the Follower is going to walk forwards around the lead, as shown in the video above. While this is the common form of the Calesita that you’ll both be exposed to, there are the more interesting ones where you’re going to want play with (which is what the video is for). However, before you get to see that stuff (you can subscribe or purchase it), there are some things you may want to be aware of, read that as ‘issues’, that are common to both roles.
1.) Stepping Away. While this should be obvious, for a lot of people, it’s not and they wonder why the calesita fails. This is the primary reason why it will fail. Whichever partner is walking the Calesita, if you step away from your partner, you’re going to create an instability. The further away you step, the more instability you’re going to generate. And to be clear, you’re not the one that’s unstable. It’s the person in the center of the Calesita that becomes unstable because they can’t move! Most especially if it’s the Lead’s Forward or Back Calesita around the Follower!
2.) Stepping Too Close. The other primary issue that happens with the Calesita is stepping too close to the person that’s receiving the Calesita! This is sometimes known as stepping too shallow. In other words, your step is so close to their feet that you’re almost toppling them over.
3.) The ‘Rigid’ Embrace. Still another failing of the Calesita is an embrace where either the Lead, or the Follower, creates a state of rigidity with their arms and hands, and quite literally (if not factually) holds onto (seemingly for dear life), the partner that is receiving or generating the Calesita. That rigidity creates more problems than it’s worth. Ideally we want our embrace, in this case, to be somewhat fluid and very soft, think ‘air’, and then do ‘air’. We’re looking for either ‘air-to-air’ physiological contact, or ‘air-to-skin/fabric’ with our embrace and/or somewhere in between. This is better known as Level 1 and Level 2 of Tango Haptics.
4.) Poor Posture. The Argentine Calesita relies on having ‘good’ posture. Meaning that you’re not tilting towards or away from your partner, or breaking at the waist, or your head is pointing at the floor (watching your partner’s feet…tsk, tsk, tsk). Doing so, creates another instability that you do not want in a Calesita from either a Leading Perspective OR a Following Perspective.
5.) The Unstable Walk. If you’re used to walking on the 5th Metatarsal of your foot (your baby toe, which is actually the 5th Phalanges), you’re going to create yet another instability, thereby creating, and generating an instability in your own walk and really your partner’s stability to maintain the center of the Calesita.
One Gotcha! There is one particular Calesita, which for a variety of reasons (2 actually) that will be nearly impossible to pull off unless you know a tiny little trick that can create it. The problem child ? The Follower’s Back Step Calesita. This particular Calesita is generally not done due to two Follower default behaviors that occur. So if you’re looking for that in the video, and how to generate one, then you’ve come to the right place. The video talks about and then shows you a method to generating the Follower’s Back Step Calesita!
These are just some of the more common issues that can and do happen with the Argentine Calesita that are common to both roles, as both roles can and do engage in a Calesita.
There are two common components to the Argentine Calesita, and they’re the primary reason why you need a video like this.
a.) The Common Entry points. There are several places that we can enter a Calesita from. The first and more common of them is a simple side step in either direction (to lead left, or to lead right). A Calesita can be generated in either direction. However there are multiple entry points that you’ll want to consider (see the video), that can create a dynamic ‘wow’ moment, and relaxing of the embrace.
b.) The Common Exit points. There are really only 3 common exit points that we want to engage in. While there are a host of options and opportunities for us to start to play with, the more esoteric items such as Sacadas, or any of the Colgada options, ideally we want to stick to the simplest exit points. And there’s a reason for that: Simplicity. Learning the exit points and understanding why they’re insanely important to keeping not only the dance moving but the ronda (the room) moving is not only good floorcraft, it also just makes good sense.
One More Thing. This stuff is really not that hard to envision but there’s one overriding reason why we actually want to add this into our dance, and it has everything to do with heat. Heat ? Yes, bodily heat. Typically the dance can generate a lot of body warmth and as such, things can get overheated quite easily. So engaging the Argentine Calesita tends to release that heat trap temporarily. Ok, that’s not a real reason but it sounds like one, no ? A good reason that we want to engage the Argentine Calesita is purely a musical one. A good Calesita can be used in any number of ways to accentuate the upbeat, the downbeat, dropping a beat, playing with 8th or 16th notes (almost patter like). This is the primary reason why we use them!
About The Video. This video is 01h:14m:13s in length in 15 Sections. Both lead and follower technique is combined and integrated in the video.
Section 1 – Introduction – 00:01:10
Section 2 – Caveats – 00:05:35
Section 3 – Lead Set Up – 00:07:01
Section 4 – Lead Forward Calecita – 00:02:49
Section 5 – Follower’s Forward Calesita – 00:07:40
Section 6 – with Close Embrace – 00:05:23
Section 7 – with Milonguero/Lazy Ochos – 00:03:47
Section 8 – Calesita with 2 Turns – 00:03:42
Section 9 – Close Up – 00:05:09
Section 10 – Errors – 00:11:42
Section 11 – Footwork – 00:03:11
Section 12-Follower Technique – 00:05:15
Section 13-Lead Back Step Calesita – 00:05:54
Section 14 – Follower Back Step Calesita – 00:05:13
Section 15 – Closure – 00:00:42
You can purchase the video for the kingly sum of $34.99 from the video store and whole bunch of other items that can improve your understanding and application of technique.
The Missing Information. There’s a free tip (for registered free users) that’s not here because you’re not logged in. If you were logged in, you’d see a free tip, but because you’re not, you’re not seeing it. So ? If you want the free tip, then go register as a free user and login. 🙂 However, if you want the toys, and to see the 1hr:13m HD quality video on how to properly lead & follow a Calesita and all the toys that go with it. Then you have 2 options. 1.) You can get a $3.00 discount if you register as a free user, and then buy it with the discount code contained here that you can’t see yet. or 2.) You can subscribe!
Watch It On Youtube ? Why should you pay for this video, or subscribe to this website when stuff like this is available on Youtube ? Because what you’ll find on Youtube doesn’t explain and walk you through the how a Calesita works! That’s why! Correction. You will find one or two videos that walk you through the Follower’s Forward Calesita, but not all the variations. So this is one reason why you want this video series, and more importantly to have this stuff broken down for you from a leading and following perspective.
So, please, go right ahead, go watch all the presentation videos on youtube all you want. Because that’s what they are ‘Presentation’ videos. The couple’s that you’re used to seeing are performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’. So please, go spend your time, trying to infer, and figure out how things may work in that situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher! (ahem) ME! The goal of youtube videos is to entice you to go study with those teachers in person. The goal of these videos is allow you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and be done with it. 😉
Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique.
In an hour long class, with the blind leading the blind through rotation of partners (uuuggggh!), you may glean a piece of the information you need and not get the whole thing, and you’ll miss important pieces that you’ll end up having to take a private lesson for to get the finer points. This way, you can watch over and over again, and get all the supplementary materials, and if you want you can still go take the class, only you’ll be better prepared to do so!
The Last Word. Tango Topics is little reminders and snippets of information that your teachers would have told you about but didn’t have time to or didn’t care to remind you for the umpteenth millionth time. Do you need videos like these ? Yes. Why ? Simple…you need as many reminders as possible in as many forms as you can get. In today’s Tango world it does take a village to raise a dancer. And that means having as many voices, reminders, ideas, concepts, perspectives as possible. This video and the rest of the ones that are sitting behind the Tango Topics paywall are that. While what you’re seeing above is only the smallest hint of what’s contained in the actual video. It should be enough for you to make a reasoned and intelligent choice that perhaps there’s something of value in this site and the videos that are here. Considering becoming a Gold, Gold Plus, or Diamond level subscriber today.