Miles Tango Meanderings

Miles Story Time

When I was an Itty Bitty Tango Miles, I was not a fan of close embrace! Truth be told, I hated it. Let me explain: I started out learning open embrace and thought that that was how people were supposed to dance. I hadn’t actually been to a milonga yet,

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A Shocking Tango Truth

Every time I try to talk about embrace, walking, stability, clarity issues it always fails because it sounds like the same list over and over and over again. And that’s because it is. I keep thinking that if I say the same thing several MILLION times, that perhaps someone might

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Don’t Try To Be Original

“Don’t try to be original. Be simple. Be good technically, and if there is something in you, it will come out.” – Matisse You’re going to ask, “Miles ? What does this statement have to do with tango ? This is a tango topics group, not your personal playground!”. Well

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The ‘Conversation’.

Before you read any of this, I strongly advise you to approach what’s below with an open mind. It’s highly theoretical and requires a mindset of imagination first and foremost. If you are not able to do this, then what’s below will sound a lot like gobbly-gook to you. Further

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Musical Interpretation: Carlos Di Sarli – “El Recordo”

Today’s Tango Topic is about Musical Interpretation using the 5 Pause Types.  (https://tangotopics.com/musical-interpretation/) Over the years I have done a number of PUBLC interpretations with this stuff. However, here’s a really simple breakdown of where all the pauses are at in particular song like Di Sarli’s “El Recordo” without all

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Pivot – The Lie

{Read the text below BEFORE you watch the attached video} Pivot (Pron: Pee-vot). This is one of those words that you hear in Argentine Tango a LOT. It’s usually used to describe the motion contained within what you think of as the Common Follower’s Ocho or what I call a

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DROP ME A MSG HERE

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