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Cross Body Incrementals

Let’s get something out of the way immediately, ok…a few things: This particular Tango Topic is a Tango Topics phrase. Meaning that you’re not going to find it in any tango class with any other teacher. Secondly this topic refers to a class of vocabulary that isn’t particularly sexy to talk about, “talk” being the operative word. Thirdly after watching the video above, you’re going to ask yourself, “what’s the point ?”. And you’d be right to ask that question. It’s actually, almost quite boring to watch. Watching it is one thing, doing it on the other hand, is radically different, and it sooooo vicseral in it’s application that you’ll want to spend all of your time doing nothing but just because of the way it feels when it’s done properly.  And that right there is the key component. Doing it properly.

To be clear a Cross Body Incremental is not necessarily the topic that makes you go, “WOW!!! OMG!! I want THAT!!!”. It’s just not. And yet, this particular topic is quite literally every. single. thing. about tango that you find to be fun, intimate, and absolutely delicious at the same time. It’s that good. So yeah, on the outside looking in, not so much. On the inside,  doing it….OH MY F*CKING GOD!!!! So without further adieu, today’s Tango Topic – Cross Body Incrementals.

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Have you seen Dancing In A Small Space (DIASS) ? If you’re planning to dance at a Tango Marathon, Festival, Encuentro, Buenos Aires, or your local Milonga is a very crowded and you want to know how to dance well in a small crowded space, then this video is the key to that process.

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What is a Cross Body Incremental ? In its simplest form a Cross Body Incremental is motion that is generated from Opposition, which results in the Follower’s leg extension across the meridian line of the couple, usually to the opposite side. The distinction between Cross Body Incrementals and a ‘step’, is that there’s typically no weight transfer at all in Cross Body Incrementals. Where it gets its name from is the fact this is all about, say it with me, ‘incremental’ motion. Meaning you don’t have to do this all at once but rather in tiny little bits, which typically match the beat, or an 8th or 16th note in the music (this is NOT shown in the video). So what’s the Cross Body part if it’s just incremental motion ? Isn’t that kinda like Traspie ? No, for two reasons. In Traspie, which is typically employed in Milonga…typically, there is a slight weight transfer. In this instance, there is no weight transfer. Secondly, in Traspie, the motion is usually (very often) linear. Meaning ? That the Lead will invoke the Follower to extend their leg backwards or forward, or side in linear fashion. In this instance, the Follower is being asked to extend and oppose across the Lead’s body, and across the couples meridian line in close embrace. So in essence while it may appear to be a Traspie. It is anything but!

Difficulty Rating: 2.5 out of 5 stars (2.5 / 5)

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About The Video. This video comes in at 36m:38s in length in 9 Sections. Separate Lead Technique and detailed Follower Technique is explained here in the video.

Section 1 – Introduction – 00:04:26
Section 2 – Lead Technique – 00:04:36
Section 3 – The Weight Change – 00:02:41
Section 4 – Embrace Clarity – 00:00:53
Section 5 – Cross Body Close Up – 00:02:34
Section 6 – Follower Technique – Opposition – 00:05:09
Section 7 – Follower Technique – Legs – 00:03:05
Section 8 – Follower Technique – Feet – 00:04:15
Section 9 – Dancing Ideas/ End – 00:08:20

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The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

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Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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