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Lazy Follower Foot

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Lazy Follower Foot

Lazy Follower Foot. Most people don’t think about this stuff except for when they’re in a class or a Follower Technique Seminar, or in a private lesson. Mostly they hear it and completely forget about it about 10 seconds after it’s been said. That is unless some diligent teacher continually reminds you of this stuff, constantly. To be fair, while this particular topic happens a lot for Followers, this happens everywhere across the entire spectrum of the dance and into real life. If someone says something to you that needs to be corrected, it will take you a few tries to remember to do it, and even then that’s a stretch. The fact is that you’re dealing with muscle memory or in this case ‘muscle comfort’. It’s comfortable for you to do this stuff. So why change it. The reality is that the change comes hard to some people, and comfort is easy. If you’re comfortable why bother changing ? Right ? What you may not realize is that that comfort may or may not be desirable to look at, as in this case of Lazy Follower Foot.

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Have you seen any of our entire Follower Technique Series ? It’s over 2.37 hrs (24 videos) of Follower Technique covering your Extensions, Feet, Posture, Embrace, Walk, Embellishments, Traveling Ochos, The Follower’s Molinete, The Argentine Cross and more…

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What is ‘Lazy Follower Foot’ ? It is a state where the Follower’s back foot as it comes into collection from a Forward step, is either dragged without care or unconsciously. The foot itself, seemingly hangs off the ankle, and is summarily dragged into collection from the Forward step. This doesn’t happen from the Back or Side step, that’s the ‘Dangling’ Foot error. Whole different ball of wax, but the solution is exactly the same as shown in today’s video! 

Difficulty Rating: 0.5 out of 5 stars (0.5 / 5) (this item is freely available to all free and paid users, just register to see it)

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

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The Reality of WHY You Need This: There are many moves, steps, patterns, and figures to Argentine Tango that are really cool. What you may not realize is that most of that stuff is ‘fluff’, they’re nice to have, they’re nice to know, but honestly, you’re not going to use them that often! Mind you this is one side of the argument. This ain’t that! This piece is one of the more venerable selections of Argentine Tango that you will use frequently like Walking, Milonguero Ochos/Milonguero Turns, The Follower’s Molinete/Traveling Ochos, or The Argentine Cross. Tango Topics take this stuff very seriously, and we say that because we use this stuff ALL – THE – TIME! Our case is that you need this stuff because > This is all about foundation, or one of the Seven Foundation Steps that we use all the time to create the dance that we know as Argentine Tango. That’s why! 🙂 That said, you do actually need to watch this stuff. You can learn what you need from this video and then apply it. No lie. No gimmick. As always YMMV and to remember that the video itself is only a stepping stone! You will need some private lessons to go along with it to get the ‘feel’ of things. That is the reality of WHY you need this stuff. So subscribing for a few months to TangoTopics to get what we’re on about wouldn’t kill you. Further, it would probably help to hear another person saying what your current tango teacher has been saying all along. Think of this stuff as one more reminder that you absolutely need to hear.

bsas-prep-title

The Error In Your Thinking. The reason why this dance was challenging for you, and this is the error, is that’s just their ‘style’ of dance, and it’s not your style. Yes there is an estillo to some people’s dance, but sometimes with the more advanced dancers this isn’t about style…it’s about technique and the execution of that technique! So, put simply you’re missing the other side of the equation: You’re not ready for them! And the reason is, because your understanding of your own technique, your underlying foundation, how you move, how you land your feet, how you extend your legs, how you embrace your partners, where you place your body in relationship to your L/lead, where and how you engage X piece of vocabulary…all of that stuff is not trained in you. It’s just not. Further, because you’re dancing with a certain class of L/lead mostly you only get to experience a very small sliver of what a fully trained and operational Lead can actually do. Further still the Neurology of Following (as opposed to the Neurology of Leading) is lacking in you. So as a result you ‘miss’ things. So a Lead like that above, is mostly lost on you. Yes it’s insanely fun, and challenging, but you ‘missed’ so much and what’s worse is you know it. It wasn’t embarrassing, thank god, but you know in your heart you missed so much of what was ‘said’. You missed the nuances. The subtlety.

Diving Deep.

There is a reason this stuff happens, actually four possibilities: 1.) Poor execution of technique. 2.) Poorly understood technique.  3.) No Practice. or 4.) All of the above!

While it’s not rocket science what those things mean, they do require a bit of detail.

1.) Poor Execution. This means that your attention to detail of your technique is sloppy. Meaning that you allow your foot to unconsciously move as it sees fit to move in relation to your ankle and leg. Even though you have been shown X, it’s not showing up in your dance. Either consciously or unconsciously.

2.) Poorly Understood. This happens quite frequently. We hear ‘X’ when a teacher says something to us, and in reality they meant ‘Y’.  But because we hear it through the filter of our understanding we end up misunderstanding more often than not. Poorly understood means that you hear or see something and presume that ‘A’ is ‘A’ instead of diving deeply to dig down to the roots of what ‘A’ actually is. To see it’s inner workings. Not just to accept it, but figure out for yourself how and why something functions.

3.) No Practice. This should be a no-brainer. But you’d be surprised just how many people will go to a teacher or a class and magically expect them to fix everything, and that now that they’ve visited with teacher ‘C’ that things are all better and they can go back to what they were doing in the first place. Because teacher ‘C’ said they’re “you’re doing fine but…” and “that’s fabulous, and…”, or … did you see it ? Probably not. You missed the ‘but’/‘and’ at the ends of those sentences. You only heard the praise and not the rest! Which was… “You should go home and practice the frak out of this stuff that I just spent the better portion of the last hour showing you! Not to mention you just handed me a boatload of cash to tell you this stuff, so you had damned well better go home and practice this stuff!!”.

4.) All of the Above! This needs no explanation. It’s not one or the other, but actually All of them together.

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


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Ocho Transitions: Milonguero Ochos into the Follower’s Molinete

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If you were logged in, you’d see the premium version of this Tango Topic! Just sayin’… 🙂

Milonguero Ochos into the Follower's Molinete

Lazy Ochos into The Follower’s Molinete. This is an odd transition to be certain. It mixes two very different types of tango styles or ideas into one way of dancing. Typically the ‘Lazy’ or Milonguero Style Ocho is done in Milonguero style of dancing, that means that the Lead is not leading the Follower’s hips to rotate at all, ever. And then, all of a sudden, and it is all of a sudden, we ask (note the language here…’ask’) the Follower to engage their Molinete. Not a Milonguero Turn, but a Close Embrace Molinete. Talk about confusing! Oy. So let’s get into L/leading and Following Milonguero Ochos into the Follower’s Molinete!

What is an Ocho Transition ? It is exactly what it sounds like. It’s a transition between a commonly used type of Ocho into another commonly used piece of vocabulary. There are 4 types of Ocho Transitions that rely on 2 of the more common types of Ochos. Milonguero Ochos, which are sometimes referred to as “Lazy” Ochos because the hips of the Follower do not rotate. This type of Ocho is absolutely perfect for dancing in a small space, and requires very little effort to lead and very little effort to follow, hence the reason why they’re called “Lazy” Ochos. The second commonly used type of Ocho is the one that everyone is familiar with, these are called “Traveling Ochos” because they do exactly what they say they do, they “Travel” down the line of dance! A Traveling Ocho is where the hips of the Follower do rotate. A Lead will typically engage one or sometimes both of these types of Ochos as a way to transition into another type of vocabulary, usually as a way to lead upto one of the Eight types of turns that are used in Argentine Tango.

What is a Traveling Ocho to Follower’s Molinete TurnIt’s quite possibly the single most used transition the Tango world, for those that are Dancing with a Lot of Space. This transition employs the Follower’s taught Ocho technique (applied disassociation) to open into their led Molinete!  A bit of clarity as to what a ’Traveling’ Ocho is and is not. A ‘Traveling’ Ocho is an ‘Ocho’ that goes down the line of dance. As shown below:

video

It is one of 8 Ocho types that we use quite frequently, and it is the one that most people think of when you say the word. However, there are others, just so you know! Moving on. What is it not ? It’s not a Lazy Ocho (sometimes rightfully referred to as a ‘Milonguero’ Ocho), nor a Circular Ocho, nor a Linear (just to name a few). No this Ocho, is the venerable one that most Followers are forced to do on day one of Following regardless of whether or not they have been properly trained to do them or not. Usually it’s more the ‘not’ variety than anything else. Why are we talking about ochos ? Because this particular variety of Ocho is so venerable that we use it for nearly every kind of transition there is.

Pre-Requisites: So that we’re all clear on this part, note the difficulty rating below, it is not an exaggeration! You would think this is just walking and turning. That would be a mistake. 1.) You must have mastered your walk first and foremost to the point where you are not using your partner (either lead or follow) for stabilization. 2.) You must be familiar with the Traveling Ocho from a Leading perspective as well as from a Following perspective. 3.) You must have mastered Applied Disassociation. This is not a Pivot! And anyone that tells you differently is taking the easy way out. Applied Disassociation is much harder to do but soooo worth it in the end for a variety of reasons, most notably due to its controlled elegance! 4.) You also must have mastered the Follower’s Molinete from both sides of the embrace. While this transition is a natural extension of both ideas put together it’s important that you have them both clearly in your mind before you attempt to put them together. The reason this video exists is to clean up the issues of the transition itself so that you don’t run into the common problems that most people do when they put these things together. 

Difficulty Rating: 3 out of 5 stars (3 / 5)

There’s a lot more to this ArticleThere’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂

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The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.

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About The Video. This video is 12:37 in length in 1 section.  Lead and Follow technique is co-combined.

The funny (strange, not ‘ha-ha’) thing about this Ocho Transition Series is that it is used more often than you would think. So learning both techniques and tools will help you in the long run as you can use both pieces of vocabulary almost anywhere. From a Following perspective, you’re going to make the mistake of believing that this is all about the Lead. And that’s not the case here. You really do want to understand the Milonguero Turn for you, because the question will come up as it always does, when would I do engage one turn over the other ? And who’s actually leading the turn, the Lead or the Follower ? And the answer is a little bit of both in today’s Tango world.

 

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

explore your dance with a subscription! 😉

Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 


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register for the site at no cost & get more great, and detailed content from tango topics!

 

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