What is a Crossing Sacada Turn ? In its simplest form, it’s nothing more than a series of Simple Sacadas that are chained together that just so happen to utilize the Follower’s Molinete or ‘Turn’, which employs the Argentine Cross as it’s basis for entry. While the turn can be done without this entry point, it loses it’s ‘elegance’ by without using the Argentine Cross.
To be clear, a ‘Sacada’ is one of 4 types of Tango Displacements (Boleos, Gancho, Wrap/Enganche, and Sacadas), meaning that either the dancer’s leg will displace or their entire body will be displaced or take the place of their partner. A Sacada can be done from open or close embrace, it can be done by either role to the other, and has lots and lots and lots of options (about 501, at last count – not kidding).
A turn, as defined by Tango Topics, can be but is not limited to these ideas in order of precedence: 1.) The Follower’s Molinete to the Lead’s Giro (the Common ‘Turn’). 2.) A Milonguero Turn. 3.) The Ocho Cortado. 4.) The Argentine Rock Step/Turn. 5.) The Calecita. 6.) A Walking Turn. 7.) The Media Luna. and 8.) A Single Axis Turn.
A ‘Crossing’ Sacada Turn ? Is exactly what it sounds like, a turn that has a bunch of Sacadas as part of it. In this particular case, this Sacada Turn uses the Follower’s Molinete, and a very important structure that Tango Topics completely eschews repeatedly, and says that you should never, ever do. This is the ONE time when you do want to do that, however with all things, there’s always a caveat to the caveat. That said, let’s talk about The Crossing Sacada Turn.
The Free Tip. Something to keep in the back of your mind is that while this is a cool piece of vocabulary and you’ll see it executed a lot, there is another version of this that does NOT include the last Sacada. Truthfully we can execute the Sacada Turn without the 3rd Sacada, and everything works just fine, sort of. Doing so, can generate other options and opportunities for us as Leads and Followers. However, one thing that will continually plague you is why the Follower continually turns away from the Lead after the 2nd or 3rd Sacada! There’s a reason for that, and there’s also a solution for it which is why it is important that you watch the video in it’s entirety to see exactly what is generating proper execution of the Sacada Turn! And don’t just rely on your eyes to assume what’s happening here.
About The Video. This video comes in at 34m:02s in length in 13 Sections. This video contains no Follower and/or and very little Lead Technique.
Section 1 – Introduction – 00:00:52
Section 2 – Argentine Cross – The Starting Point – 00:01:32
Section 3 – The Lead’s Cross Behind – 00:02:35
Section 4 – The First Sacada – 00:01:09
Section 5 – The Follower’s Flailing Foot Error – 00:02:17
Section 6 – The Second Sacada – 00:01:32
Section 7 – The Third Sacada – 00:03:10
Section 8 – The First Complete Sacada Turn – 00:01:32
Section 9 – The Turning Brake – 00:04:08 (technique)
Section 10 – Removing The 3rd Sacada – 00:00:58
Section 11 – A Variation On A Theme – 00:03:47
Section 12 – The Close Embrace Version – 00:01:34
Section 13 – With A Metronome/Closure – 00:02:34
