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3 Common Back Sacadas

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Back Sacadas 2019

Sacada. Meaning – ‘a-really-cool-move-that-you-think-is-really-complicated-but-is-an-illusion of techniques’.  For most people when they see a sacada for the first time, their reaction is one of surprise that a.) it looks really complicated (it’s not). and b.) that they can never see themselves doing one (you will). And these are usually forward sacadas for the Lead into the Follower’s side step. Usually. There are about 1024 sacadas, which drops to 512 when you rule out certain impossibilities. In reality, there are about 10 different ‘flavors‘ of them that when you combine the different flavors of walking systems, that number jumps to an insane number.  Things go right off the rails (as the saying goes) when we see a sacada that does not fit into this paradigm. Enter the “Back Sacada“.

Important Notation: This article & video has been re-written, updated, and the video has been completely redone for 2019 going forward. Originally the video that accompanied this article was 31 minutes and 35 second in length. It is now over 1 hr and 35 minutes.  The original video is still present and available for purchase, as it contains desirable information. However, the article that represented it is no longer present. 😉 Enjoy.

see spot run. see spot tango. see spot register. good spot.

Have you seen any of our Sacada Videos ? If you have a want to learn how to Lead and to Follow the Argentine Sacada, then this is the video series for you. Close Embrace Sacadas ? No problem. Simple Sacadas ? Yup. Back Sacadas ? You betcha! And a lot more.

See > All The Sacadas and The Ulimate Sacada Bundle

the traveling ocho eluded him. he subscribed. he’s better now.

What is a Back Sacada ? The easiest way to describe this Sacada, which is a displacement, where either the Lead or the Follower will displace and then take the place of their partner by using a Back Step! Generally, these types of Sacadas require Applied Disassociation to make them happen for either role. Typically this type of Sacada is created whereby the Follower is led to Sacada the Lead, whereas the second most common variety is the Lead will Sacada the Follower.  Of all the Sacadas that one can lead and follow, this is probably the most challenging for a variety of reasons. Most notably because you quite literally have to have mastery over proprioception in order for them to work properly. Most people, however, do not have the necessary mastery, so they end up bumping into one another and feet getting stepped on, repeatedly. While this isn’t always the case, and not to disparage anyone’s experience of them Leading or Following these ideas, the fact remains that unless proprioception has been mastered then this type of Sacada will repeatedly fail.

Difficulty Rating: 3 out of 5 stars (3 / 5)

Hey!!!!! Isn’t there more to this post ???? Where’s the Lead’s Perspective, the Follower’s Perspective, and the Dancing Perspective parts of the Post … ??? These very helpful, extremely descriptive, and FREE parts are still here, and you can see them too, just scroll to the bottom of the page, and register. Registration is a hassle! We know. But it is also free, and who doesn’t like free stuff!!! You get a whole bunch of other stuff that can help you with your dance, and the rest of this post. So go register, then login to your Tango Topics Library page and then select Articles, and you’ll see this article with all that good stuff in there. Just scroll, register, and then read! Easy. No ? 🙂

you can do better, all it takes is practice and time.

The Case For WHY You Need This ? Actually, you don’t need it. Huh ? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the one of the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:

From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.

And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!

There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.

No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.


bsas-prep-title

this video can be purchased through the tango topics store 🙂

About The Video. Total runtime for this video is: 01:38:55. This is a combined video format, lead and follow technique are mixed together. The item in bold is unedited and is at the top of this article as a sample.

Introduction – 00:06:22
Disassociation/Applied Disassociation Review – 00:20:54
Trailing Foot – 00:05:27
Leg Extension – 00:11:06
Dangling Foot Error – 00:04:18
First Common Back Sacada – 00:12:35
Second Common Back Sacada – 00:07:00
Dancer’s Cheat/Lead’s Cheat – 00:05:41
First Common Multiple Back Sacada – 00:07:34
Second Common Multiple Back Sacada – 00:02:26
An Interesting Back Sacada and a Surprise Back Sacada – 00:07:47
Close Embrace Back Sacadas/Closure – 00:07:45

Related Videos:

6 Ways of Walking – The Walking Bundle – Download
Simple Sacadas 2018 – Article/Download
Back Sacadas 2015 – Download
Disassociation – Definition/Download
Applied Disassociation – Definition/Download
Applied Disassociation ExerciseMember Only

this video can be purchased through the tango topics store 🙂

The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.

Have you seen the Milonga Madness video series ? Over 2.5 hrs of pure Milonga Instruction GOLD with one of the best Social Milonga Teaching couples alive: Detlef Engel & Melina Sedó! It covers everything you need to know to get you up and running today with Milonga. Don’t delay, subscribe today!

Milonga Madness with Detlef Engel & Melina Sedo

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Why should you subscribe instead ?  Several reasons.  1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more! 

Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!

You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.

Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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