Musicality Vs. Interpretation

What you’re about to read is a very radical concept for some people, one that will cause you to reject it out of hand, until you dig a little deeper and discover the why part. So radical in fact that you’ll dismiss it as the crackpot rantings of a delusional madman who’s delivering ‘alternative facts’ in Conway fashion.

The statement ? There is no such thing as ‘Musicality’ in Argentine Tango.

To be clear. Yes, there is a word in the English Oxford Dictionary which is defined as “Musical Talent or Sensitivity”. However, as you can see, with regards to Argentine Tango, one thing does not mean what it has come to mean when we reference this word. Essentially we have bastardized this word to come to mean something entirely different than it’s English dictionary cognate.

So what do we really mean ? “To place Argentine Tango vocabulary, sequences, patterns, and figures, in time to the musical beat, pauses, and phrases of a particular song so as to create, or convey another level of meaning of the song that is either not in the song literal or is implied directly in its emotional context”.

Hmmmm…does that sound like ‘Musicality’ to you ? Or perhaps something else…

Enter, the literal definition of the word ‘Interpretation’ which means, “the action of explaining the meaning of something.” or “a stylistic representation of a creative work”.

Hmmmmm….gosh, doesn’t that sound more like the definition of ‘Musicality’ than anything else ?

So what we’re really doing is actually ‘Interpreting The Music’. How’s that ? If you consider for a moment that when you are dancing, regardless of level, you are constantly listening to what’s happening in the music, making navigational changes (regardless of role), which in turn affect your vocabulary/patterns/steps/figure choices, which in turn affects how and when you can execute anything. That entire process of affectation is Interpretation.

You’re going to ask yourself, “Who the frak cares if it’s ‘interpretation’ or ‘musicality’ ? It all means the same thing, right ? Well, actually, you should. Here’s why: When you stop and think about it, when you’re talking to someone and use the word ‘Musicality’, what do you think comes to their mind ? Any one of a dozen different ideas ranging from its literal definition above, to possible vocabulary choices, or a specific figure, or dancing milonga, or, or, or….you see where this is going right ? Lots and lots of places for confusion. Instead, if we employ the phrase “Interpreting The Music” it creates a state of absolute clarity with your language and what you intend to mean. Further still, it also gives you creative license to keep doing what you’re doing because you’re ‘Interpreting The Music’ the way you hear it. Stating ‘Musicality’ as ‘Interpretation’ removes all doubt of your intent. This is why there is a need to be crystal clear with our verbiage/language here. When describing what we’re working on, or what we want to work on, or how we would like to dance, or describing a problem that we’re having, wouldn’t it be better to be precise than to be vague ? 

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Practice (part 1)

For most people the idea of practice is about practicing the dancing part. Not about the actual "practicing" part. Practice really wants to take apart what one does, how one does it, while asking for feedback & input. Then asking questions, and then figuring out where things aren’t working and why, to smooth out the rough edges of something, and then continually refine, and refine, and refine it so that it becomes effortless.

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The dancer who has been dancing for a certain amount of time has passed through the multiple, multiple flirtations. They’ve had the flirtations that lead to attractions, and then the attractions that turn into dalliances, and some that go beyond that.

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Magical Improvement

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Keep something in the back of your mind: What you’re seeing in a youtube video is a couple that is performing for the 15th row for a room full of people. They’re not social dancingWhereas this website is all about ‘Social Tango’  or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They are showing you flashy moves as a presentation, to show off! But not stopping and talking about how this works which is what you need to see. This website and all of it’s content show you the how and  why you’d want to put that piece of vocabulary there, or how to make things work. This website is all about those things and more!

You could watch Tango YouTube videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister.  Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!

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Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary. 

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