Traveling Ochos into The Follower’s Molinete
For most people you say the word “Ocho” and only one thing comes to mind. Ummm there are Eight types of Ochos actually. However in Today’s Tango Topic, we deal with that singular type of Ocho and then we tack something on the end to it that makes it more than just a traveling item but a transitional element. The thing that we tack onto the end ? The very venerable and well used singular turn that most people think of when then think of a turn in Argentine Tango: The Follower’s Molinete to the Lead’s Giro. That turn. These two pieces of vocabulary, by themselves, form the backbone of the 7 Basic Moves of Argentine Tango. However, when you put them together, they co-create a well worn pattern that is, unfortunately overused, without any variation, or for that matter distinction! These are amazingly powerful pieces of vocabulary that when executed properly can create such a distinction in our dance that it frequently goes overlooked. Distinction ? Most people lead and follow these ideas the same way each and every time. The distinction comes in how they’re applied to the music! They could be led slowly, the could be adorned, they could be over executed! All of these are possibilities, and yet they’re the same, each and every time. You could quite literally set your watch by them. In Today’s Tango Topic we look at co-combining them so that they work flawlessly each and every time. In this episode of ‘dancing tango better’ (hahahahha) we show you a way to execute these singular pieces of vocabulary so that in the transition state between them, there is no hesitation, no hiccup, no…ummmmm what was that ? It is for this reason that today’s topic is not really about the Ocho itself, but about the Transition between one piece of vocabulary and the next, or Ocho Transitions Part 2 – Traveling Ochos into the Follower’s Molinete!
What is an Ocho Transition ? It is exactly what it sounds like. It’s a transition between a commonly used type of Ocho into another commonly used piece of vocabulary. There are 4 types of Ocho Transitions that rely on 2 of the more common types of Ochos. Milonguero Ochos, which are sometimes referred to as “Lazy” Ochos because the hips of the Follower do not rotate. This type of Ocho is absolutely perfect for dancing in a small space, and requires very little effort to lead and very little effort to follow, hence the reason why they’re called “Lazy” Ochos. The second commonly used type of Ocho is the one that everyone is familiar with, these are called “Traveling Ochos” because they do exactly what they say they do, they “Travel” down the line of dance! A Traveling Ocho is where the hips of the Follower do rotate. A Lead will typically engage one or sometimes both of these types of Ochos as a way to transition into another type of vocabulary, usually as a way to lead upto one of the Eight types of turns that are used in Argentine Tango.
What is a Traveling Ocho to Follower’s Molinete Turn ? It’s quite possibly the single most used transition the Tango world, for those that are Dancing with a Lot of Space. This transition employs the Follower’s taught Ocho technique (applied disassociation) to open into their led Molinete! A bit of clarity as to what a ’Traveling’ Ocho is and is not. A ‘Traveling’ Ocho is an ‘Ocho’ that goes down the line of dance. As shown below:
Pre-Requisites: So that we’re all clear on this part, note the difficulty rating below, it is not an exaggeration! You would think this is just walking and turning. That would be a mistake. 1.) You must have mastered your walk first and foremost to the point where you are not using your partner (either lead or follow) for stabilization. 2.) You must be familiar with the Traveling Ocho from a Leading perspective as well as from a Following perspective. 3.) You must have mastered Applied Disassociation. This is not a Pivot! And anyone that tells you differently is taking the easy way out. Applied Disassociation is much harder to do but soooo worth it in the end for a variety of reasons, most notably due to its controlled elegance! 4.) You also must have mastered the Follower’s Molinete from both sides of the embrace. While this transition is a natural extension of both ideas put together it’s important that you have them both clearly in your mind before you attempt to put them together. The reason this video exists is to clean up the issues of the transition itself so that you don’t run into the common problems that most people do when they put these things together.
Difficulty Rating: (3 / 5)
There’s a lot more to this Article! There’s the extensive Lead’s Perspective, the deeper Follower’s Technique Perspective, and sometimes we throw in a complete Dancing Perspective part, all of which are only visible to Tango Topics Freemium Registered Users, Gold Subscribers, Diamond Level Users, and Milonga Madness Users. To become a Freemium user, Registration is absolutely 100% FREE, click the button below, and you get access to this article, and over 400 videos, hundreds of articles on a wide range of Tango Topics. So what are you waiting for, go register, then login to your Tango Topics Library page and then select the “ARTICLES” button and you’ll see this article with all that good stuff in there. Easy. No ? 🙂
you can do better, all it takes is practice and time.
The Case For WHY You Need This ? Actually, you don’t need it. Huh? Hmmm…that’s no way to sell videos or subscriptions. You’re right. It’s not. That’s because we’re not in the business of teaching you useless vocabulary that you probably don’t need. Stay with us on this one, it’s not going where you think it is. From a very specific point of view, this is cool vocab. No doubt about it. However, from another point of view, the social dancer who’s been dancing a while, a long while, this is nothing more than vocabulary that doesn’t further the cause of Social Dancing. Now here’s the kicker – Both, yes, BOTH points of view are valid. Here’s why:
From the Social Dancer’s point of view, you’re never going to use this stuff. Maybe once in a blue moon, but in reality the better that you get, the less you use this stuff. From their point of view, it’s four pieces of vocabulary that you need: The 6 Ways of Walking, Traveling Ochos/Milonguero Ochos, The Follower’s Molinete/The Milonguero Turn, and lastly – The Argentine Cross. That’s it. That’s all you need. From the Dancer’s point of view that’s hasn’t mastered this stuff yet, this is cool and you want to play with it, and to be able to master it. To find it’s in’s, out’s, how’s, and why’s, and mostly to have fun with it. Both points have their merits.
And now to the one twist in our point that you probably weren’t expecting. This stuff actually has validity, maybe not from a social dancing perspective, immediately, but more from a movement, and musical perspective. The fact is that this is all about one thing and one thing only: Skillz!
There’s a reason you study vocabulary like this, and it’s not because it’s cool (it can be), or that’s it’s musical (it is), or that it’s fun (it is that), or that it adds a little spice and variety now again (the once in a blue moon methodology). It’s because it’s all about your Foundation. Or put another way, because this vocabulary works your foundation in a really good way, by breaking down the movements to their component elements, so then you can become a much more fluid dancer so that you can use it, or not. It’s about availability, accessibility. Not about using it. Using it is entirely up you. But working the instrument, that’s what this vocabulary does. It works your instrument, … ahem…that’s you in case you weren’t paying attention.
No one wants to admit that they need help. That their dance isn’t stellar. Furthermore, you really don’t know that your dancing skills aren’t absolutely amazing until you see a room full of people all dancing way better than you are. And then you see it and feel like the poor cousin at the kiddie table during a holiday meal. There’s a reason those people have achieved ‘better’. It’s doing work like what you see in the video above. Being able to turn this stuff on and off as if it were a switch. A good portion of the time when we’re dancing we only think about the ‘cool’ toys in our dancing and we neglect the one thing that makes those cool toys possible: Our Foundation. That is, in case you’re not paying attention, this video series and others like it.
About The Video. This video is 23:52 in length in 1 section. Lead and Follow technique is co-combined.
The funny (strange, not ‘ha-ha’) thing about this Ocho Transition Series is that it is used more often than you would think. So learning both techniques and tools will help you in the long run as you can use both pieces of vocabulary almost anywhere. From a Following perspective, you’re going to make the mistake of believing that this is all about the Lead. And that’s not the case here. You really do want to understand the Milonguero Turn for you, because the question will come up as it always does, when would I do engage one turn over the other ? And who’s actually leading the turn, the Lead or the Follower ? And the answer is a little bit of both in today’s Tango world.
The Missing Information. Dearest Reader. TangoTopics is glad that you want to read this Topic, so that you can dig a little deeper into your foundation, into the music, into the codigos of the dance. However, you’re missing three important parts to this Article: The Follower’s Perspective, The Lead’s Perspective, and The Dancing Perspective. Which can change your thinking by informing of some important pieces of information that you may not necessarily be aware of. Watching a 5 minute video will not help you to change. Change is a concerted effort and requires a little thinking on your part: Becoming a Freeium User! As the name implies, it’s FREE. Register. You get to see everything above, and a whole lot more! 😉 Have a nice day.
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Why should you subscribe instead ? Several reasons. 1.) Probably the biggest reason is to save a boatload of money. Buying these things outright isn’t cheap. Besides when you buy you only have access to the one video. Subscribing, on the other hand, gives you access to everything else so you can see the foundational material that goes with this stuff. 2.) Even if you’re a Free User, you’ll get access to free tips that aren’t available to anyone just reading the post like this one. 3.) Sometimes there are slightly different versions of the videos, that add a bit more content for the free user vs. an unregistered user. 4.) Because the Dancing Perspectives (Lead, Follow, and Dancing) are hidden to the open user. And that’s where all the information is at, unless you actually subscribe. Until you do, those very important textual descriptions of what’s going on for both Lead and Follow you want to read. 5.) And the real reason you should subscribe ? If you’re used to YouTube videos where you’ll see a performance, those Youtube videos don’t explain or walk you through how these ideas work! That is why! What you’re seeing is a presentation, a performance. Not how things work! And what you really need to see is how things work, and more importantly why they work! This website shows you that and more!
Remember that what you’re seeing is a couple that is performing for the 15th row for a room full of people, they’re not social dancing. Whereas this website is all about ‘Social Dancing’ or how to make things function on a social dance floor. Social Dance floor ? Your local milonga! They’re showing flashy moves as a presentation! But not stopping and talking about how this works, why you’d want to put that piece of vocabulary there, or how to make things fit. This website is all about those things and more!
You could watch those videos and thereby spend your time, trying to infer, and figure out how things may work in that particular situation. Bend your body this way or that, twist and force this position or that. Place your foot here or there and figure it out. This is known as Tango Twister. Which can be a lot of fun, but more than likely it won’t help you, because you’re missing something: The explanation from an experienced teacher showing you how to properly excute this stuff from a Leading Perspective as well as from a Following Perspective!
The goal of YouTube videos is to get you to study with those teachers in person. The goal of Tango Topics videos allows you to work at your own pace, in the comfort of your own space, so that you can play them over and over again to improve your understanding of the vocabulary or technique being described to therefore better your dancing experience. The goal of classes and workshops is to get you to come back over and over and over again, thereby spending more money with that teacher. This website and the videos under it are here to act as a resource for you to help you to improve your dance. Pay once and you’re done.
Eventually, one way or another you’re going to pay for this lesson, either here and now, or with them. TANSTAAFL! The difference between that lesson and this ? Is that you get to play this lesson over and over and over again. Further still, there are supporting materials (other videos) that help to explain the language and the underlying technique of how and why things work, so you can easily reference those things in the corresponding articles that go with the material, and or any language in the Tango Topics Dictionary.
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