The Dictionary of Tango
Lethargy
Lethargy is moving too slow for the intended lead’s request (‘lead’ is the action, and not the person). What this really boils down to is the reaction time of the dancer that is a.) a lag from the time at which a request was sent to the time it was
Instability
Usually a partner can become unwieldy in how they place their foot on the floor, thereby generating this state of instability. Both roles can and do genrate this stuff on a frequent basis.
Hanging
Most often ‘hanging’ refers to what a Follower will do with their arms, placing them around their Follower shoulders and neck, and placing their weight on top of their lead either through conscious action or being unaware that they’re doing it. Either way, ‘hanging’ of any sort is undesirable.
Force
Force. Typically this refers to physiological strength specifically with the arms to push and pull someone to do something, however it can also be bodily force as well within the walk or the embrace.
Execution
The usage of this word refers to how someone performs a piece of tango vocabulary or a movement. Specifically how sharp or clear that movement is in relation to everything else that is being done.
Contortion
This usually describes a state whereby both parties of the couple physiologically twist their bodies to meet their partner’s body in a warped, or misshapen tangle of arms, hands, elbows, and heads in strange and forced positions to hold a specific spot or position. Usually, this happens with hands and
Constriction
Constriction. Either partner can use/employ Constriction with their arms (often with the forearms), either intentionally or unintentionally, as a way to stabilize, or to control, usually to control, their partner’s movements. Typically Constriction is employed to a.) Keep the partnership together. The more you squeeze your partner, the more they
Compression
Compression. This term refers to physiological pressure from the dancer’s arms, around their partner’s bodies, as a way to direct them to do x, y and z. Usually as a directive to indicate from the Lead to the Follower that they do x, y, or z movement. This is sometimes a
Contact
Contact. As in physiological Contact, the Tango Topics opinion on this is ‘feather lite‘, tactile, contact with all parts of our bodies coming into contact with our partner’s body parts. There should be no tension, compression, tension, or force in that contact, in any way, shape, or form.
Connection
Connection. [See ‘The Connection Fallacy‘]. (pron: con-ek-shun) According to Webster’s Dictionary it is an English word which has 5 possible definitions. 1.) The state of being connected. 2.) Something that connects. 3.) A person connected to another person by marriage, kinship, or common interest. 4.) a political, social, professional, or
Follower Bashing
Follower Bashing. Put simply, this is where a Lead blames the Follower for missing something musically, or kinesthetically, or not reading the Lead’s mind. This is really Lead arrogance that they’re being superior as dancers. And yes this happens quite frequently, more than you would think or like it to
Feedback
Feedback should be self explanitory. However the question that most have is how to give and receive feedback. Follow this link on specifically you should do that!