Backward Intention
This is a type of a indication, a specificity really, in how to initiate a step backward with our partners that doesn’t use one’s arms or hands, but instead invokes ‘intention based dancing‘ skills.
This is a type of a indication, a specificity really, in how to initiate a step backward with our partners that doesn’t use one’s arms or hands, but instead invokes ‘intention based dancing‘ skills.
For most Lead/ers (and Leads) we lead the Argentine Cross so often that we stop thinking about actually leading it and it just sort of ‘happens’. The reason it just happens is because of it’s ubiquitousness, its frequency. You do this enough times and even the most battle hardened Follower
What is "THUD!" ? In the simplest way we know how to describe this stuff, "THUD" is an uncontrolled, unsightly, and ungainly foot heavy and overly weighted placement of the dancers foot, which results in a sound that resembles a rumbling of the floorboards under your feet when you jump
Leads you have a role and a job, several, and one of them is creating an embrace structure that is comfortable for the Follower while at the same time creates the iconic visual that is a Tango embrace, that allows for maximum effect with minimal input. Put another way, you