“Floorcraft” best defined, in layman’s terms, as: Following the couple ahead of you, trying not to hit tables, chairs, or to bash your partner into anyone or anything, whilst simultaneously using non-repetitive vocabulary, in time to the music, all while keeping the rotunda moving.
However, a.) That rarely if ever happens except at Marathons and Encuentros. b.) Floorcraft is almost never mentioned at Milongas. and c.) The only time that your teacher mentions it is when they’ve been reminded of it by some online post like this one, and then they pay it no mind because it generally conflicts with step/pattern/figure that does not in any way, shape, or form fit within the line and or lane of dance that you as a Lead or a Follower are dancing in. Generally speaking.
Floorcraft by its very nature is a recent construct of the dance, we did not need to discuss this stuff about 50 years ago, and there is a reason for that. ????? Because at that point in time, the ronda moved. In the tango world of today, it does not move, there is a lot of grandstanding of vocabulary, flashiness, and ooodles of turning, instead of dancing on the beat, the to pauses, within the phrases moving down the line of dance. #SocialTango #SocialDance #ArgentineTango #TangoDancing